Futures of the Archive – serie
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8 produkter
8 produkter
Jacques Derrida’s Cambridge Affair
Deconstruction, Philosophy and Institutionality
Häftad, Engelska, 2022
440 kr
Skickas inom 10-15 vardagar
What is philosophy? A question often asked, but usually in an abstract or speculative way. Rarely do we find a case of ‘philosophy’ being determined in the real world. However, at Cambridge in 1992, this is exactly what happened, as a debate took place over the merits, or otherwise, of awarding an Honorary Doctorate of Letters to the philosopher Jacques Derrida. Derrida’s supporters argued that his deconstruction of Western traditions of thinking ushered in an important new manner of doing philosophy; his detractors dismissed his work as charlatanism, philistinism – and non-philosophy. As arguments raged over the validity of introducing the canon of Continental philosophy to the Humanities in British Higher Education – the so-called ‘Theory Wars’ – Derrida’s ‘Cambridge Affair’ focalized this decisive conflict more than anything else. This is the first study of the Cambridge Affair. Drawing upon archival and unpublished material, little-known texts pertaining to the Affair, and Derrida’s own oeuvre, this original account offers an historical and philosophical reconstruction of this crucial debate, evaluating it against the body of work it put on trial.
1 903 kr
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Michel Foucault defined critique as an exercise in de-subjectivation. To what extent did this claim shape his philosophical practice? What are its theoretical and ethical justifications? Why did Foucault come to view the production of subjectivity as a key site of political and intellectual emancipation in the present? Andrea Rossi pursues these questions in The Labour of Subjectivity. The book re-examines the genealogy of the politics of subjectivity that Foucault began to outline in his lectures at the Collège de France in the late 1970s and early 1980s. He explores Christian confession, raison d’état, biopolitics and bioeconomy as the different technologies by which Western politics has attempted to produce, regulate and give form to the subjectivity of its subjects. Ultimately Rossi argues that Foucault’s critical project can only be comprehended within the context of this historico-political trajectory, as an attempt to give the extant politics of the self a new horizon.
1 091 kr
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Ours is a post-political society that cannot imagine radical change; a ‘one dimensional’ society in which politics is reduced to economic concerns. Paradoxically, however, everybody today is subjected to the imperative of regular radical change. Populations have grown accustomed to the idea that one constantly needs to adapt to radical transformations, modify one’s life strategy in tune with the demands of the market on the one hand and the politics of security on the other. Indeed, the idea that there are unquestionable authorities, the idea of ‘despotism’, no longer refers to exceptional circumstances in which politics is suspended but rather seems to have become normalized as part of daily life. This book aims to articulate the genealogy of the despotism-economy-voluntary servitude nexus focusing on their different constellations in the prism of social theory and political philosophy. As it traces the genealogy of this nexus its concern is the field of formation, intervention and intelligibility that arises when and as the three concepts encounter one another.
1 877 kr
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Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the effects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).
1 632 kr
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This book examines the philosophical and political relevance of perversion in the works of three key representatives of contemporary philosophy and psychoanalysis: Gilles Deleuze, Giorgio Agamben and Jacques Lacan. Perversion is often understood simply in terms of cultural or sexual phenomena. By contrast, Boštjan Nedoh places perversion at the heart of philosophical, ontological and political issues in the works of Deleuze, Agamben and Lacan. He examines the relevance of their discussions of perversion for their respective critical ontological projects. By tracing the differences between these thinkers’ understanding of perversion, the book finally draws lines of delimitation between the vitalist and the structuralist or psychoanalytic philosophical positions in contemporary philosophy.
631 kr
Skickas inom 10-15 vardagar
Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the effects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).
Jacques Derrida’s Cambridge Affair
Deconstruction, Philosophy and Institutionality
Inbunden, Engelska, 2019
1 632 kr
Skickas inom 10-15 vardagar
What is philosophy? A question often asked, but usually in an abstract or speculative way. Rarely do we find a case of ‘philosophy’ being determined in the real world. However, at Cambridge in 1992, this is exactly what happened, as a debate took place over the merits, or otherwise, of awarding an Honorary Doctorate of Letters to the philosopher Jacques Derrida. Derrida’s supporters argued that his deconstruction of Western traditions of thinking ushered in an important new manner of doing philosophy; his detractors dismissed his work as charlatanism, philistinism – and non-philosophy. As arguments raged over the validity of introducing the canon of Continental philosophy to the Humanities in British Higher Education – the so-called ‘Theory Wars’ – Derrida’s ‘Cambridge Affair’ focalized this decisive conflict more than anything else. This is the first study of the Cambridge Affair. Drawing upon archival and unpublished material, little-known texts pertaining to the Affair, and Derrida’s own oeuvre, this original account offers an historical and philosophical reconstruction of this crucial debate, evaluating it against the body of work it put on trial.
1 226 kr
Skickas inom 10-15 vardagar
Since the birth of modernity, Western thought has been at war with clichés. The association of philosophical and cultural integrity with originality, and the corresponding need for invention and novelty, has been a distinct concern of a whole spectrum of ideas and movements, from Nietzsche’s polemics against the ‘herd’, the ‘shock of the new’ of the artistic avant-garde, the Frankfurt School’s critique of mass culture, to Orwell’s defence of political dialogue from ‘dying metaphors’.This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’. The book unpacks the constituent phenomena of clichés – repetition, circulation, the readymade, same-ness – through readings of ‘anti-philosophical’ thinkers such as Nietzsche, Kierkegaard, Paulhan, de Certeau, Derrida, Sloterdijk, Badiou and Groys. In doing so, the book critically articulates the techniques and technologies through which the boundary between ‘thought’ and ‘non-thought’ is formed in modern Western philosophy.Rejecting the idea that clichés should be dismissed out of hand on normative frameworks of ‘good’ and ‘bad’ thinking, or ‘new’ and ‘old’ ideas, it instead interrogates the material, cultural and archival ground on which these frameworks are built.