Global Perspectives in Irish Literary Studies – serie

Nationalist and tribal cohesion in Ireland, South Africa, the US, and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa, and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe, and David Diop.Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Nationalist and tribal cohesion in Ireland, South Africa, the US, and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa, and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe, and David Diop.Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Nationalist and tribal cohesion in Ireland, South Africa, the US, and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa, and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe, and David Diop.Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Nationalist and tribal cohesion in Ireland, South Africa, the US, and elsewhere often relies on an absence of female and gender-nonconforming bodies in the public life.Staging a vital counter-narrative to global nationalist discourses, this book explores how 20th and 21st-century postcolonial literatures criticize hetero-normative definitions of nationhood across different geopolitical and cultural contexts.Szczeszak-Brewer delves into the metaphorical currency of male impotence and sexual aggression in nationalist narratives. She examines the place of gender-nonconforming characters in literature from Ireland, the US, Poland, France, Britain, South Africa, and Senegal, in the work of writers including: James Joyce, Witold Gombrowicz, Jean Toomer, Bessie Head, Zoë Wicomb, J. M. Coetzee, Andrea Levy, Patrick McCabe, and David Diop.Aligning queer and gender perspectives with discussions of white supremacy, this book examines the urgency for contemporary geopolitics to imagine new discourses of community against the backdrop of a rise in neo-nationalisms steeped in homophobic and misogynistic rhetoric.

Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences.Situating O'Brien's early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O'Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O'Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka.By re-examining Flann O'Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.

Crossing the boundaries of a single-author study, this book uncovers Flann O''Brien''s attempt to forge a commercially successful Irish literary project from international avant-garde influences.Situating O''Brien''s early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O''Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O''Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka.By re-examining Flann O''Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.

Crossing the boundaries of a single-author study, this book uncovers Flann O''Brien''s attempt to forge a commercially successful Irish literary project from international avant-garde influences.Situating O''Brien''s early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O''Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O''Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka.By re-examining Flann O''Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.

Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences.Situating O'Brien's early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O'Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O'Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka.By re-examining Flann O'Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.