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Tobias William Harris, James Little, Christina Morin, Cóilín Parsons - Flann O’Brien and the European Avant-Garde, 1934–45, Häftad

Häftad, Engelska, 2026

Flann O’Brien and the European Avant-Garde, 1934–45

Dublin’s Dadaist

Av Tobias William Harris, James Little, Christina Morin, Cóilín Parsons

Del i serien Global Perspectives in Irish Literary Studies

477 kr

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Beskrivning
Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences.Situating O'Brien's early work within a global context, the book uses new evidence of his collaborations to reimagine him as a networked writer. O'Brien drew upon experimental techniques to generate new categories of writing, rethink Irish culture and reach a wide audience. This study illuminates a network of cultural production around O'Brien, linking his work to English comic magazines, Dadaist photomontage, Expressionism, Central European theatre, and renowned writers like Jorge Luis Borges and Franz Kafka.By re-examining Flann O'Brien within the context of the momentous global political and cultural crises that spurred avant-garde experimentation, the book also rewrites the cultural history of Ireland in the 1930s and 1940s.
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Tobias W. Harris is Associate Research Fellow at Birkbeck College, University of London, UK.

Recensioner i media

Harris has written a book that both counts as a celebration of O’Nolan’s work and argues for his position in a canon of anti-authoritarian aesthetics and politics. Pointing to a conceptual sophistication behind the humour, the book draws on wide reading and precise archival research to depict O’Nolan convincingly as a successful writer, not a fable of thwarted ambitions.

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