Harvard Semitic Monographs – serie

The practice of viticulture--from planting vines to drinking wine--in Israelite culture is the focus of Walsh's investigation. Viticulture, no less than drinking, marked the social sphere of Israelite practitioners, and so its details were often enlisted to describe social relations in the Hebrew Bible. These features of everyday life offer important clues for the reconstruction of Israelite social history, the literary constructions of the oral transmitters, authors, and redactors and for thematic and theological meanings attached to biblical representations of the vine and wine imagery.

The Hebrew Bible contains varying opinions concerning which cultic items or objects used in worship were appropriate for use within YHWHism and which were not. By analyzing every passage which mentions "high places" (bamot), sacred trees or poles (asherim), standing stones, altars, and cultic statuary, this study reveals that a remarkable diversity of cultic practices fell within the bounds of acceptability in ancient Israel. Also included are three chapters exploring the particular understandings of these items in the LXX, Vulgate, Targumim, and other early Jewish sources. Opposing the long-held generalization that use of these items was unanimously viewed by biblical authors as syncretistic, this study shows that, with the exception of cultic statuary, all of these items were, at one time or another, legitimate components of Israelite worship. Thus they provide witness to a diversity of theologies and ritual practices within YHWHism previously unappreciated.

The ancient myth of a battle between a Divine Warrior and a primordial monster undergoes significant development in postbiblical and rabbinic literatures. This development is the focus of the present study. In particular, it examines the monsters Leviathan and Behemoth, showing that the postbiblical and rabbinic traditions about them are derived from ancient sources that are not all preserved in the biblical texts.In the Apocalypse of Abraham and the Ladder of Jacob, the monster Leviathan is placed at the juncture of heaven and the underworld. This cosmological focus appears in rabbinic literature in traditions concerning Behemoth, Leviathan, and the world rivers, and concerning Leviathan as the foundation of the axis mundi. These originate in the Divine Warrior's enthronement upon the vanquished chaos dragon.A second role in which Leviathan and Behemoth appear in postbiblical literature is as food for the eschatological banquet. Whitney studies this in a variety of sources, among them 4 Ezra 6:47-52, 2 Apocalypse of Baruch 29:4, and 1 Enoch 60:7-9, 24, and a number of rabbinic texts. In one tradition, the battle between God and monster becomes an angelic hunt, described by the Greek word kynegesia. This sometimes referred to battles between beasts in the arena, and in a variant tradition Leviathan battles Behemoth in a fight to the death before the banquet. The "food for the righteous" motif possibly stems from the introduction of hunting imagery into the combat myth: the prevalence of hunting banquets gave rise to the expectation that these monsters, the prey in a divine hunt, would feed the righteous at the end of time.

"By focusing on the forms of religious expression which the sixth-century prophets condemn, we can begin to apprehend the diversity which characterized exilic religion. Moreover, by recognizing the polemical nature of the prophetic critiques and by resolving to read these critiques without prophetic prejudice and instead with a non-judgmental eye, we can place ourselves in a position to re-evaluate the traditional descriptions of the sixth-century cult. Our task, then, is to read anew; our aim is to judge afresh. With this goal in mind, we turn our attention to the major prophetic texts which will comprise our study: Jeremiah 7 and 44, Ezekiel 8, Isaiah 57, and Isaiah 65." - From the Introduction

Recognizing gendered metaphors as literary and ideological tools that biblical and Assyrian authors used in the representation of warfare and its aftermath, this study compares the gendered literary complexes that authors on both sides of the Israelite-Assyrian encounter developed in order to claim victory. The study begins by identifying and tracing historically the presentation of royal masculinity in Assyrian royal texts and reliefs dating from the 9th through 7th centuries bce. Central to this analysis is the Assyrian representation of warfare as a masculine contest in which the enemy male is discredited as a rival through feminization.The second part of the study focuses on the biblical authors' responses to the Assyrian incursion and demonstrates that the dominant metaphorical complex for recording and remembering Israel and Judah's military encounters with Assyria was that of Jerusalem as a woman. This section, therefore, traces the evolving canonical biography of Jerusalem-the-Woman as her life story is told and remembered in relationship to Assyria.In the final section of the book, the contest of royal masculinity described in royal Assyrian texts informs the reading of the redactional history of Judah's memory of Assyria, and the insights gained from the study of a feminized Jerusalem are applied to a rereading of the siege scenes of the Assyrian palace reliefs.Innovative in its use of gendered language as the basis for historical comparison of biblical and Assyrian texts, this book is the first to offer a comprehensive methodology for defining and assessing the impact of gendered language within texts of historically linked cultures. This book also advances the discussion of what has been called "inner-biblical exegesis" by offering gendered metaphors as a lens through which to trace the evolution of Judean social memory within the biblical text.

How do we understand the characteristically extensive presence of imagery in biblical prophecy? Poetic metaphor in prophetic writings has commonly been understood solely as an artistic flourish intended to create certain rhetorical effects. It thus appears expendable and unrelated to the core content of the composition—however engaging it may be, aesthetically or otherwise. Job Jindo invites us to reconsider this convention. Applying recent studies in cognitive science, he explores how we can view metaphor as the very essence of poetic prophecy—namely, metaphor as an indispensable mode to communicate prophetic insight. Through a cognitive reading of Jeremiah 1-24, Jindo amply demonstrates the advantage and heuristic ramifications of this approach in biblical studies.