Haunted Library Horror Classics – serie

The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories.The first half of the book features highly esteemed weird stories, and the book has been described by critics as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.

Dive into this collection of exquisite, classic horror stories—just make sure to have the lights on and the doors locked!First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful.The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."

A chilling addition to the acclaimed Haunted Library of Horror Classics series, complete with annotations and extra materialsWithin a decade of the 1818 publication of Mary Shelley's Frankenstein, another Englishwoman invented a foundational work of science fiction. Seventeen-year-old Jane Webb Loudon took up the theme of reanimation, moved it three hundred years into the future, and applied it to Cheops, an ancient Egyptian mummy. Unlike Shelley's horrifying, death-dealing monster, this revivified creature bears the wisdom of the ages and is eager to share his insights with humanity. Cheops boards a hot-air balloon and travels to 22nd-century England, where he sets about remedying the ills of a corrupt government.In recounting Cheops' attempts to put the futuristic society to rights, the young author offers a fascinating portrait of the preoccupations of her own era as well as some remarkably prescient predictions of technological advances. The Mummy! envisions a world in which automatons perform surgery, undersea tunnels connect England and Ireland, weather-control devices provide crop irrigation, and messages are transmitted with the speed of cannonball fire. The first novel to feature the concept of a living mummy, this pioneering tale offers an engaging mix of comedy, politics, and science fiction.Other books in the Haunted Library of Horror Classics series:The Phantom of the Opera by Gaston LerouxThe Beetle by Richard MarshVathek by William BeckfordThe House on the Borderland by William Hope HodgsonThe Parasite and Other Tales of Terror by Arthur Conan DoyleOf One Blood by Pauline HopkinsThe King in Yellow by Robert W. Chambers

Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him.Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

"One of the most famous ghost stories that no one has actually read" (New York Times), The Phantom of the Opera is the first in the Haunted Library Horror Classics series presented by the Horror Writers Association. An unabridged edition of the novel that inspired the famous Andrew Lloyd Webber musical. Deep beneath the Paris Opera House, a masked man lives in silence…Every night at the Palais Garnier, hundreds of guests sit on the edge of velvet-covered seats, waiting for prima donna La Carlotta to take the stage. But when her voice fails her, La Carlotta is replaced with unknown understudy Christine Daaé, a young soprano whose vibrant singing fills every corner of the house and wins her a slew of admirers, including an old childhood friend who soon professes his love for her. But unknown to Christine is another man, who lurks out of sight behind the heavy curtains of the opera, who can move about the building undetected, who will do anything to make sure Christine will keep singing just for him…This curated edition of The Phantom of the Opera, based on the original 1911 English translation by Alexander Teixeira de Mattos, brings an iconic story of love and obsession to today's readers and illuminates the timeless appeal of Leroux's masterpiece.

William Hope Hodgson's "cosmic horror" classic continues the Haunted Library of Horror Classics series.In a ruined house at the edge of an abyss lies the diary of a madman…Two friends on a fishing trip make an unsettling discovery when the river they've been following abruptly ends and reappears some 100 feet below the edge of an abyss. If that wasn't unnerving enough, the river runs along the remains of an oddly shaped house, half-swallowed by the pit.Within the ruins, they discover the moldering journal of an unidentified man—the Recluse—who had lived in the house years ago. Its pages reveal the man's apparent descent into madness—why else would he chronicle haunted visions, trips to other dimensions, and attacks by swine-like creatures that have followed him home? After a horrific vision in which he witnesses the end of the earth and time itself, the Recluse awakens in his study to find nothing has changed—except that his dog has dissolved into a pile of dust. And then the "swine things" return...Introduced by modern horror master Ramsey Campbell as "an enduring classic of cosmic terror," The House on the Borderland has inspired dozens of other classic horror novels and indelibly changed the genre. Influencing writers from H.P. Lovecraft to Terry Pratchett, this 1908 masterpiece shucks the conventions of Gothic horror and presents an eerie mix of sci-fi, fantasy, and the supernatural.