Creativity, Heritage and the City – serie

This book frames the many-sided fragilities of Hunan Province’s Heritage. It originates from a ten-year-long international cooperation between Politecnico di Milano (Italy), dealing from the Seventies with architectural preservation and adaptive reuse’s teaching and research activities, and the School of Architecture of the Hunan University of Changsha (China). From the Preservation of Landscape Heritage to Historical cities and settlements preservation and ancient and modern architecture preservation, the tangible and intangible cultural heritage protection and valorization, from the social repercussions to the environmental issues, the contributions introduce different aspects of Hunan territory’s cultural richness and fragility. The common aim of the rich mosaic of case studies presented at different scales is mapping, understanding, and considering the weaknesses of sites to be addressed sustainably. This is done while seeking cultural resilience-driven preservation solutions regarding operational guidelines and policies, risk assessment, social awareness, and teaching innovation. There is also a focus on virtuous multi-scale management of advanced digital technologies used to describe the current conditions and to drive the compatible design methodology on cultural heritage.

This book frames the many-sided fragilities of the Ghoufi Canyon (Aurès region, Algeria)’s heritage. It originates from a long international cooperation between Politecnico di Milano (Italy), dealing with architectural preservation and adaptive reuse’s teaching and research activities, and Biskra University (Algeria). From the preservation of landscape heritage to historical cities and settlements preservation and ancient and modern architecture preservation, the tangible and intangible cultural heritage protection and valorization, from the social repercussions to the environmental issues, this book introduces different aspects of Ghoufi territory’s cultural richness and fragility. The common aim of the rich mosaic of case studies presented at different scales is mapping, understanding, and considering the weaknesses of sites to be addressed sustainably. This is done while seeking cultural resilience-driven preservation solutions regarding operational guidelines and policies, risk assessment, social awareness, and teaching innovation. There is also a focus on virtuous multi-scale management of advanced digital technologies used to describe the current conditions and to drive the compatible design methodology on cultural heritage.

This book is a monograph of cultural economics of a new concept, artist–enterprises. It explores various dimensions that artists embody, i.e., aesthetic, critical, messianic, and economic ones, and screens the multiple challenges faced by the artist–enterprises in terms of pricing, funding, and networking in the Digital Age. It shows how these artist–enterprises are at the core of the contemporary creative industries.Even when they are on their own, artists have to demonstrate or manage a variety of skills, sign contracts both in the early and later stages of their activities, and also maintain relationships and networks that enable them to attain their artistic and economic goals. They are no longer simply entrepreneurs managing their own skills but are the enterprises themselves. The artist–enterprises thus find themselves at the confluence of two dynamics of production—artistic and economic: artistic because they invent new expressions and meanings; and economic because these expressions must be supported by monetary values on the market. The artistic dynamic is part of a long process of artistic enhancement and only an artist can say whether it has reached the point of presentation or equilibrium. The economic dynamic is dependent on the constant endorsement of artists' works by the market to ensure their survival as artist–enterprises. The tension created by this disparity is further aggravated by another tension: the need to overcome a number of risks so that artist–enterprises can progress.This book will be of special interest to artists, managers, students, professionals, and researchers in the fields of the arts, creativity, economics, and development.The author is Emeritus Professor at the University Paris I Panthéon-Sorbonne.

This book is a monograph of cultural economics of a new concept, artist–enterprises. It explores various dimensions that artists embody, i.e., aesthetic, critical, messianic, and economic ones, and screens the multiple challenges faced by the artist–enterprises in terms of pricing, funding, and networking in the Digital Age. It shows how these artist–enterprises are at the core of the contemporary creative industries.Even when they are on their own, artists have to demonstrate or manage a variety of skills, sign contracts both in the early and later stages of their activities, and also maintain relationships and networks that enable them to attain their artistic and economic goals. They are no longer simply entrepreneurs managing their own skills but are the enterprises themselves. The artist–enterprises thus find themselves at the confluence of two dynamics of production—artistic and economic: artistic because they invent new expressions and meanings; and economic because these expressions must be supported by monetary values on the market. The artistic dynamic is part of a long process of artistic enhancement and only an artist can say whether it has reached the point of presentation or equilibrium. The economic dynamic is dependent on the constant endorsement of artists' works by the market to ensure their survival as artist–enterprises. The tension created by this disparity is further aggravated by another tension: the need to overcome a number of risks so that artist–enterprises can progress.This book will be of special interest to artists, managers, students, professionals, and researchers in the fields of the arts, creativity, economics, and development.The author is Emeritus Professor at the University Paris I Panthéon-Sorbonne.

This volume focuses on the implementation of the 2011 UNESCO Recommendation on the Historic Urban Landscape (HUL approach), designed to foster the integration of heritage management in regional and urban planning and management, and strengthen the role of heritage in sustainable urban development.Earlier publications and research looked at the underlying theory of why the HUL approach was needed and how this theory was developed and elaborated by UNESCO. A comprehensive analysis was carried out in consultation with a multitude of actors in the twenty-first-century urban scene and with disciplinary approaches that are available to heritage managers and practitioners to implement the HUL approach.This volume aims to be empirical, describing, analyzing, and comparing 28 cities taken as case studies to implement the HUL approach. From those cases, many lessons can be learned and much guidance shared on best practices concerning what can be done to make the HUL approach work.Whereas the previous studies served to illustrate issues and challenges, in this volume the studies point to innovations in regional and urban planning and management that can allow cities to avoid major conflicts and to further develop in competitiveness. These accomplishments have been possible by building partnerships, devising financial strategies, and using heritage as a key resource in sustainable urban development, to name but a few effective strategies.For these reasons, this volume is primarily pragmatic, linked to the daily work and challenges of practitioners and administrators, using specific cases to assess what was and is good about current practices and what can be improved, in accordance with the HUL approach and aims.

This book provides a comprehensive overview of international cultural heritage law from the perspectives of non-state actors (NSAs). In keeping with the significant developments concerning the status and roles of NSAs in international law over the last century, NSAs such as communities, experts, NGOs, and international organizations have become important participants in the implementation of international cultural heritage conventions. Indeed, due to the emergence of new ideas on common heritage and cultural rights in the 20th century, international cultural heritage law has become inconsistent with States’ claim to sole authority regarding the protection of cultural heritage. The author analyzes the texts of international cultural heritage conventions, as well as their operational texts, to track essential changes in the rights, obligations, and roles of NSAs since the mid-20th century. Practical cases on the status and roles of NSAs are introduced to glean empirical ideas and facilitate an in-depth understanding of their effectiveness. The analysis reveals that NSAs do have certain rights and responsibilities concerning the implementation of cultural heritage conventions, and their roles have been increasingly recognized. At the same time, however, discrepancies between text and practice can be observed when it comes to the status and roles of NSAs. They have emerged for various reasons, one of which is the politicization of conventions’ governance. Adopting the standpoint of the NSAs, the book emphasizes the need to explore innovative and practical mechanisms that will allow NSAs to attain their proper status and take on practical roles under international cultural heritage law, which will in turn ensure the sustainable protection of cultural heritage. This message becomes more pertinent to the current conflicts where various tensions between states and NSAs have arisen and the roles of NSAs have become more important.Given its scope, the book will be of special interest to students, researchers and professionals at government and non-government organizations in the fields of heritage, the arts, law, administration, and development.

This book provides a comprehensive overview of international cultural heritage law from the perspectives of non-state actors (NSAs). In keeping with the significant developments concerning the status and roles of NSAs in international law over the last century, NSAs such as communities, experts, NGOs, and international organizations have become important participants in the implementation of international cultural heritage conventions. Indeed, due to the emergence of new ideas on common heritage and cultural rights in the 20th century, international cultural heritage law has become inconsistent with States’ claim to sole authority regarding the protection of cultural heritage. The author analyzes the texts of international cultural heritage conventions, as well as their operational texts, to track essential changes in the rights, obligations, and roles of NSAs since the mid-20th century. Practical cases on the status and roles of NSAs are introduced to glean empirical ideas and facilitate an in-depth understanding of their effectiveness. The analysis reveals that NSAs do have certain rights and responsibilities concerning the implementation of cultural heritage conventions, and their roles have been increasingly recognized. At the same time, however, discrepancies between text and practice can be observed when it comes to the status and roles of NSAs. They have emerged for various reasons, one of which is the politicization of conventions’ governance. Adopting the standpoint of the NSAs, the book emphasizes the need to explore innovative and practical mechanisms that will allow NSAs to attain their proper status and take on practical roles under international cultural heritage law, which will in turn ensure the sustainable protection of cultural heritage. This message becomes more pertinent to the current conflicts where various tensions between states and NSAs have arisen and the roles of NSAs have become more important.Given its scope, the book will be of special interest to students, researchers and professionals at government and non-government organizations in the fields of heritage, the arts, law, administration, and development.

This book aims to present case studies on planetary transformations and re-definitions, specifically in the sectors of cultural heritage destruction, conservation, and dissemination through media arts intended for cultural tourism services and enjoyment. The current crises in Ukraine and the Middle East have prompted a need for deeper reflection on various issues and risks, including economic, ecological, political, cultural, media, and tourism-related. The book will include methods such as questionnaires, interviews, direct observation through photos and videos, and the use of  'mobile methods' (Urry, 2007), such as locative media (cell phones, etc.). The book chapters are written to be comparable to future social and sociological situations. The book aims to inform various audiences, including researchers, teachers, students, citizens, tourists, and migrants, about the impact of the Ukraine war on their economic situation, inclusion, everyday life, democratic participation, citizenship, and understanding of information and knowledge.

This book approaches the study from architectural perspectives, analyzing the collection of brochs’ features and classifying them based on regional differences. By identifying regional standard models and hypothesizing design schemes, it reveals insights into the methods and strategies used by ancient builders. This understanding not only aids in interpreting brochs but also makes these uncertain archaeological sites more readable and accessible. The major conclusion of this book is the framework of interpretive conservation, offering practical guidance for the consolidation, restoration, and reconstruction of brochs. It advocates for holistic conservation projects that move beyond preservation, proposing dynamic changes to sites that enhance interpretation and public engagement. With its innovative approach and comprehensive analysis, this book is an indispensable resource for archaeologists, architects, and heritage professionals, offering ideas with potential applications to broader heritage conservation efforts worldwide.

This book reframes urban acupuncture- small, precisely targeted design interventions- as a catalyst for rebuilding place attachment and reinforcing social resilience in gentrifying historic neighborhoods by discovering a newly human-centered approach to heritage regeneration. This book bridges environmental psychology and tactical urbanism, introducing place attachment as the key metric of success. It pairs in-depth theory with hands-on case studies, showing how micro-interventions can restore identity, culture, and community agency.Scope:Foundations of gentrification place attachment, and social resilience.Principles and methods of urban acupuncture in heritage settings.Rich case studies and cross-case analysisA practical framework and policy recommendations for architects, designers, planners and psychologists.This book is of particular value to urban designers, architects, planners, psychologists, and heritage professionals who are seeking practical and innovative strategies. It is also suitable for graduate students and researchers in the fields of urban studies, architectural studies, and environmental psychology.

This book advances the understanding and process of community participation in cultural heritage management within the Chinese context of rapidly urbanising development. Results show that Chinese community participation in cultural heritage management has yet to find a firm foothold. Based on local contextual characteristics, it needs to develop a balanced methodology of both top-down and bottom-up processes to more directly include the needs, interests and dreams of residents and better face the challenges of Chinese rapid urbanisation.

This book focuses on current trends in cultural heritage conservation and their influence on heritage practice. Seen through the lenses of World Heritage, historic urban landscapes, heritage tourism, climate change or the nature/culture nexus, these challenges call for innovative approaches to protect and conserve our heritage places. The book brings together the voices of different stakeholders in the heritage conservation process, ranging from scholars, site managers and government officials to young professionals and students.