Katherine Anne Porter Prize in Short Fiction – serie

The title, A Bright Soothing Noise, refers to the sound that fire makes, promising not only warmth and light but also violence and destruction. Brown’s greatest hero is Frank O’Connor, and like O’Connor’s his stories uncover the final bleakness of a national life but in the same moment glow with its promise of love and life and belonging. Brown’s Americans will try almost anything to connect. They tend to drink too much, to drive too fast, are a little too violent in their passions and even a little too religious. Too often they believe, they trust–and then again they don’t, depending not so much on what’s getting proffered as who’s proffering. They are always on the verge of something better. They only want a little more, only a little too much, and while we as readers want with all our hearts for them to get it, we also fear they might.

When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.”Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction.The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only form that’s available to them.As characters become girlfriends, wives, husbands, and mothers, they struggle within their roles, either fighting to escape them or struggling to “play” them correctly, but always concerned with the loss of individuality, of being swallowed up by society’s expectations and becoming “a mother” or “a wife” instead of remaining themselves.

The sharp-witted stories in Becky Adnot-Haynes's debut collection explore the secret lives of people—how they deal with the parts of themselves that they choose not to share with their closest confidants—and with the world. A pole-vaulter practices his sport only before dawn. A recently divorced woman signs up for a hallucinogenic drug excursion in the Arizona desert. An uncertain girlfriend goes out into the world wearing a false pregnancy belly.In The Year of Perfect Happiness, the universe is recognizable but slightly askew, a world whose corners can be peeled back to reveal the strange and often comic outcomes of acting out your most self-destructive desires.

Funny, heartbreaking, and real—these twelve stories showcase a dynamic range of voices belonging to characters who can’t stop confessing. They are obsessive storytellers, disturbed professors, depressed auctioneers, gambling clergy. A fourteen-year-old boy gets baptized and speaks in tongues to win the love of a girl who ushers him into adulthood; a troubled insomniac searches the woods behind his mother’s house for the “awful pretty” singing that begins each midnight; a school-system employee plans a year-end party at the site of a child’s drowning; a burned-out health-care administrator retires from New England to coastal Georgia and stumbles upon a life-changing moment inside Walmart. These big-hearted people—tethered to the places that shape them—survive their daily sorrows and absurdities with well-timed laughter; they slouch toward forgiveness, and they point their ears toward the Holy Ghost’s last words.

Drawing from fairy tales, ghost stories, and science-fiction, the stories in ActivAmerica explore how we confront (and exert) power and re-imagine ourselves through sports and athletic activities. A group of girls starts an illicit hockey league in a conservative suburb. A recently separated woman must run a mile a day in order to maintain her new corporate health insurance. Children impacted by environmental disaster create a “mutant soccer team.” Two sisters are visited by an Olympic gymnast who demands increasingly dangerous moves from them. Sports allow the characters to form communities on soccer fields and hidden lakes, in overgrown backyards and across Ping-Pong tables. Throughout the collection, however, athletic risk also comes with unexpected, often unsettling results.

The nine stories in Mike Alberti's debut collection shine a sharp light on small-town American life - not the Arcadian small towns of yesteryear, but the old mill towns hanging on after the mill has stopped running, the deserted agricultural communities in the middle of vast industrial farms, places where bad luck has become part of the weather. But even in these blighted, neglected landscapes, the possibility of renewal always presents itself: there is hope for these places and the characters who inhabit them. In these fresh, innovative stories, some people let you down, but some people don't.

The stories in What Did You Do Today? explore the ordinary and the offbeat as if they were one and the same, asking what it’s like to be alive and what makes us human. With warmth, humor, and wonder, these stories suggest that the past is always alive in the present and that even the most fleeting relationships have the power to change us forever. In these short narratives, nothing is negligible, and all experience is transformative.

The stories in Where to Carry the Sound center on characters excavating their own lives: unearthing family secrets, exploring inherited silences, and rediscovering what might have seemed lost to them. Wherever these characters find themselves—including brewing bootleg liquor in Prohibition-era Bombay, finding remnants of a new language at an archaeological dig in Andhra Pradesh, seeking mirages above the Arctic Circle, or setting up an outpost on the moon—each seeks to reconcile a past continually bleeding into the present and to forge a path of belonging to carry them into the future.