Lehigh University Press – serie

Douglas C. Kane reveals a tapestry woven by Christopher Tolkien from different portions of his father's work that is often quite mind-boggling, with inserts that seemed initially to have been editorial inventions shown to have come from some remote portion of Tolkien's vast body of work. He demonstrates how material that was written over the course of more than thirty years was merged together to create a single, coherent text. He also makes a frank appraisal of the material omitted and invented by Christopher Tolkien and how these omissions and insertions may have distorted his father's vision of what he considered—even more than The Lord of the Rings—to be his most important work. It is a fascinating portrait of a unique collaboration that reached beyond the grave.Kane documents the changes, omissions, and additions and traces how the disparate source materials were used to create what is in essence a composite work. He compares the published text with the source texts contained in the volumes of The History of Middle-earth as well as other works and identifies patterns of major and minor changes made to these source materials that resulted in the reconstruction of the finished text. He also cites the works of some of the most important Tolkien scholars, including Tom Shippey, Verlyn Flieger, Christina Scull, Wayne Hammond, Charles Noad, and David Bratman in an attempt to understand and explain why these changes may have been made.

This is the first full-length study of the medical ministries of Kang Cheng and Shi Meiyu, who graduated from the medical school at the University of Michigan in 1896 and then ran dispensaries, hospitals, and nursing schools in China from the 1890s to the 1930s. Known in English-speaking countries as Drs. Ida Kahn and Mary Stone, they were well-known both in China and in the United States in the early twentieth century, but today have largely been forgotten. This book gives readers today the chance to know these fascinating women, whose stories shed light on many aspects of U.S.-China relations. At its broadest level, this study contributes to the development of a transnational women’s history, deepening our understanding of how ideas about women have traveled across national boundaries.

This is an account of the actions taken by the residents of Bethlehem, Pennsylvania to create a local amateur society singing the music of J. S. Bach and to develop it into a choir of international importance. Singers, instrumentalists, industrialists, academicians, bankers, and churches acted in community to found and perpetuate a group devoted to sharing the music of Bach locally, nationally, and internationally. While The Bach Choir of Bethlehem performs frequently elsewhere, the annual Bethlehem Bach Festival became and remains a magnet for those who love Bach and want to experience his music excellently performed in historic and sacred surroundings.In order to reach and maintain its premier status, the choir, its conductor, its board, and staff had to be experts in music performance and shifts in audience tastes. They had to be responsive to research in performance practice, and skilled in strategic planning, promotion and fundraising. In recent years they had to become competent in sound recording technology and use of the internet. These attributes are described and analyzed with frequent use of documents and personal anecdotes.Successfully balancing the human actions and desires involved in such a complex enterprise has earned The Bach Choir of Bethlehem the title “A National Treasure” in music and the recognition that it is at the same time a national model for excellence as a cultural non-profit organization.This is a story of how and why—for over a century—inspiring performances of Bach’s music came about and were brought to many thousands of listeners.

Relying primarily on a narrative, chronological approach, this study examines Ku Klux Klan activities in Pennsylvania’s twenty-five western-most counties, where the state organization enjoyed greatest numerical strength. The work covers the period between the Klan’s initial appearance in the state in 1921 and its virtual disappearance by 1928, particularly the heyday of the Invisible Empire, 1923–1925. This book examines a wide variety of KKK activities, but devotes special attention to the two large and deadly Klan riots in Carnegie and Lilly, as well as vigilantism associated with the intolerant order. Klansmen were drawn from a pool of ordinary Pennsylvanians who were driven, in part, by the search for fraternity, excitement, and civic betterment. However, their actions were also motivated by sinister, darker emotions and purposes. Disdainful of the rule of law, the Klan sought disorder and mayhem in pursuit of a racist, nativist, anti-Catholic, anti-Jewish agenda.

Relying primarily on a narrative, chronological approach, this study examines Ku Klux Klan activities in Pennsylvania’s twenty-five western-most counties, where the state organization enjoyed greatest numerical strength. The work covers the period between the Klan’s initial appearance in the state in 1921 and its virtual disappearance by 1928, particularly the heyday of the Invisible Empire, 1923–1925. This book examines a wide variety of KKK activities, but devotes special attention to the two large and deadly Klan riots in Carnegie and Lilly, as well as vigilantism associated with the intolerant order. Klansmen were drawn from a pool of ordinary Pennsylvanians who were driven, in part, by the search for fraternity, excitement, and civic betterment. However, their actions were also motivated by sinister, darker emotions and purposes. Disdainful of the rule of law, the Klan sought disorder and mayhem in pursuit of a racist, nativist, anti-Catholic, anti-Jewish agenda.