Pioneering environmentalist Rachel Carson explores the wonders of the Earth's oceans in these classics of American science and nature writing.Includes meticulously restored drawings from the original editions, including the nearly 200 illustrations by Bob Hines for The Edge of the SeaRachel Carson is perhaps most famous as the author of Silent Spring, but she was first and foremost a "poet of the sea" and the three books collected in this deluxe Library of America volume are classics of American science and nature writing.Under the Sea-Wind (1941), Carson's lyrical debut, offers an intimate account of maritime ecology through the eyes of three of the ocean's denizens, the individual lives of sanderling, mackerel, and eel dramatically intertwined in the enduring ebb and flow of the tides. The Sea Around Us (1951)--a winner of the National Book Award--draws on a wealth of oceanographic, meteorological, biological, and historical research to present its subject on a grand, biospheric scale, revealing not only many mysteries of the still-unfathomed depths, but a reverence for the sea as a source of global climate and of life itself.Concluding Carson's "sea trilogy," The Edge of the Sea (1955) explores the habits of the many small creatures that live on shorelines and in tidepools accessible to any beachcomber: part identification guide, part hymn to ecological complexity, it is a book that conveys the "sense of wonder" in nature for which Carson is justly celebrated.At a moment when overfishing, pollution, and global warming are causing catastrophic changes to marine environments worldwide, Carson's lyrically detailed accounts of these environments offer a timely reminder of their beauty, fragility, and immense consequence for human life.

From the author of The Haunting of Hill House and We Have Always Lived in the Castle, four classic novels of subtle psychological horror.Shirley Jackson--the beloved author of The Lottery, The Haunting of Hill House, and We Have Always Lived in the Castle--is more and more being recognized as one of the finest writers of the American gothic tradition, a true heir of Edgar Allan Poe and Henry James. Now, Jackson's award-winning biographer Ruth Franklin gathers the subtle, chilling, hypnotic novels with which she began her unique career. Her haunting debut tale The Road Through the Wall (1948) explores the secret desires, petty hatreds, and ultimate terrors that lurk beneath the picture-perfect domesticities of a suburban California neighborhood. In Hangsaman (1951)--inspired by the real-life disappearance of a Bennington College sophomore--the precocious but lonely Natalie Waite grows increasingly dependent on an imaginary friend. The Bird's Nest (1954) has not one but four protagonists: the shy, demure young Elizabeth and, revealed with a series of surprising twists, her other, multiple personalities. At the beginning of The Sundial (1958), the eccentric Halloran clan, gathered at the family manse for a funeral, becomes convinced that the world is about to end and that only those who remain in the house shall be saved. In what is perhaps her most unsettling novel, Jackson follows their crazed, violent preparations for the afterlife. Here is the perfect companion to Shirley Jackson: Novels & Stories, Library of America's edition of Jackson's landmark story collection, The Lottery, and her brilliant late novels The Haunting of Hill House and We Have Always Lived in the Castle.

James Merrill described Elizabeth Bishop’s poems as “more wryly radiant, more touching, more unaffectedly intelligent than any written in our lifetime” and called her “our greatest national treasure.” Robert Lowell said, “I enjoy her poems more than anybody else’s.” Long before a wider public was aware of Bishop’s work, her fellow poets expressed astonished admiration of her formal rigor, fiercely observant eye, emotional intimacy, and sometimes eccentric flights of imagination. Today she is recognized as one of America’s great poets of the twentieth century.This unprecedented collection offers a full-scale presentation of a writer of startling originality, at once passionate and reticent, adventurous and perfectionist. It presents all the poetry that Elizabeth Bishop published in her lifetime, in such classic volumes as North & South, A Cold Spring, Questions of Travel, and Geography III. In addition it contains an extensive selection of unpublished poems and drafts of poems (several not previously collected), as well as all her published poetic translations, ranging from a chorus from Aristophanes’ The Birds to versions of Brazilian sambas.Poems, Prose, and Letters also brings together most of her published prose writings, including stories; reminiscences; travel writing about the places (Nova Scotia, Florida, Brazil) that so profoundly marked her poetry; and literary essays and statements, including a number of pieces published here for the first time. The book is rounded out with a selection of Bishop’s irresistibly engaging and self-revelatory letters. Of the fifty-three letters included here, written between 1933 and 1979, a considerable number are printed for the first time, and all are presented in their entirety. Their recipients include Robert Lowell, Marianne Moore, Randall Jarrell, Anne Stevenson, May Swenson, and Carlos Drummond de Andrade.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Featuring a wide range of writings from Hearn’s time in America, this collection is a stunning showcase of the Greek-Irish author’s uniquely decadent literary flair and keen eye for observationA translator of Flaubert and Gautier, Lafcadio Hearn was the master of a gaudy and sometimes self-consciously decadent literary style, but he was also a tough-minded and keenly observant reporter, with an eye for the offbeat, the sensual, and occasionally the gruesome. The writings of his American years collected in this Library of America volume—on subjects as wide ranging as comparative folklore, the history of musical instruments, French literary avant-gardes, and New Orleans voodoo—reveal an omnivorous curiosity and an always eclectic sensibility.Some Chinese Ghosts (1887), a stylized retelling of ancient legends, foreshadows Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890), about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic, alert to the interactions of diverse cultures and suffused with imagistic splendor. His extraordinary travel book Two Years in the French West Indies (1890), presented here with the many illustrations from its first edition, provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands. Also included are personal letters as well as more than a dozen examples of Hearn's journalism from the 1870s and 1880s, depicting vividly: a raucous African-American nightclub on the Cincinnati waterfront; an execution; scenes of Mardi Gras and the New Orleans French Quarter; an uncharted village of Filipino fishermen in a remote Louisiana bayou. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892.For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

“Humanity can be divided into three classes: men, women, and Margaret Fuller.”—Edgar Allan PoeA true American original—radical transcendentalist, intrepid journalist, and pioneering feminist—joins Library of America with the most authoritative single-volume collection of her writings ever, including many rare and previously unpublished works, newly transcribed from original notebooks and journalsTranscendentalist, journalist, feminist, activist, public intellectual, war correspondent, poet: Margaret Fuller’s achievement in her short life was as diverse, wide-ranging, and radical as her multi-generic writings. Now, at long last, this pioneering writer joins Library of America with the most comprehensive and most authoritative version of her writings ever published.Here are her two best-known books: Summer on the Lakes, in 1843, an account of her travels to the Great Lakes, a plea for better treatment of the American Indian peoples, and a sketchbook of Fuller’s thought; and Woman in the Nineteenth Century, the foundational document of American feminism and the first major work on women’s rights since Wollstonecraft’s A Vindication of the Rights of Woman fifty-three years earlier.Joining them are a generous selection of Fuller’s published essays and journalism, including “American Literature” and her reviews and columns for the New York Tribune, as well as her war correspondence from besieged Rome in 1849; unpublished writings and selections from Fuller’s journals, many previously unknown and newly transcribed for this volume; and a selection of Fuller’s letters, including three newly translated from the original Italian.Rounding out the volume are a chronology by Fuller’s biographer Megan Marshall, along with helpful notes identifying Fuller’s many allusions and quotations, and an index.

21 essential works trace a great statesman’s lifelong engagement with the promise of America and the legacy of the Founding Fathers“Few presidents ever thought about words as carefully as John Quincy Adams. Thankfully, we can now hear his words again, in this instantly essential volume.”—Ted Widmer, historian and former presidential speechwriterJohn Quincy Adams was one of the most accomplished American statesmen of his or any era. He brought all his eloquence, erudition, and fierce energy to bear on the politics of the nation over the course of a remarkable career that spanned from the founding era to the sectional crisis that preceded the Civil War.Despite a persistent interest in this pivotal figure, there has never been a single-volume collection of Adams’s essential political writings, until now. Here, for the first time in an edition for general readers and students alike, are the profound insights of a far-seeing political leader who was also a consummate American stylist. From his prophetic college commencement address in 1787 to his vigorous denunciation of slavery in 1843, this Library of America volume offers a compact and compelling record of America's fractious evolution as a democratic republic, presenting some of the most important political writings in our history.These writings are more urgently needed than ever. In the words of biographer Fred Kaplan: “His values, his definition of leadership, and his vision for the nation’s future—particularly the difficulty of transforming vision into reality in a country that often appears ungovernable—are as much about twenty-first century America as about Adams’ life and times.”

A cutting-edge collection of the best short stories in contemporary Afrofuturist fiction—from Hugo, Nebula, and Stoker award-winning Black authors"This is essential reading." —Publishers Weekly (starred review)Black speculative fiction has never been better than it is here and now. On the shoulders of Afrofuturist masters like Octavia E. Butler and Samuel R. Delany and pioneering visionaries before them, a new, abundant, and brilliant generation of contemporary Black authors, some of them just beginning their careers, is conjuring up a very real renaissance.Edited by SF-expert andré carrington, and including Hugo, Nebula, and Locus award winners alongside emerging and experimental voices, The Black Fantastic showcases the artistry of these breakout literary stars and celebrates the diversity of their talents.Including Afrofuturist science fiction, weird and fantastic tales, horror and the paranormal, apocalyptic lyricism, time travel, superheroes, and more, here are twenty mindblowing, horror-strewn, weird, woke, nerdy, terrifying, liberating, fantastic, utopian, surreal, genre-defying and empowering short stories, all of them worth reading and rereading now and far into futurity.Reclaiming histories of racism and oppression and seizing the day, these writers are forging kaleidoscopic new senses of Black identity, community, and imaginative freedom.

Known as the "Father of the National Parks," John Muir wrote about the American West with unmatched passion and eloquence—as seen in this stunning, one-volume collectionIn a lifetime of exploration, writing, and passionate political activism, John Muir became America's most eloquent spokesman for the mystery and majesty of the wilderness. A crucial figure in the creation of our national parks system and a far-seeing prophet of environmental awareness who founded the Sierra Club in 1892, he was also a master of natural description who evoked with unique power and intimacy the untrammeled landscapes of the American West. Nature Writings collects Muir's most significant and best-loved works in a single volume, including: The Story of My Boyhood and Youth (1913), My First Summer in the Sierra (1911), The Mountains of California (1894) and Stickeen (1909). Rounding out the volume is a rich selection of essays—including "Yosemite Glaciers," "God's First Temples," "Snow-Storm on Mount Shasta," "The American Forests," and "Save the Redwoods"—that highlight various aspects of his career: his exploration of the Grand Canyon and of what became Yosemite and Yellowstone national parks, his successful crusades to preserve the wilderness, his early walking tour to Florida, and the Alaska journey of 1879.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“Undoubtedly, the single finest collection of Wallace Stevens ever produced.” — Library JournalWallace Stevens’s unique voice combined meditative speculation and what he called “the essential gaudiness of poetry” in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America’s supreme poet of the imagination are collected in one authoritative Library of America volume.Here are all of Stevens’s published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as “Sunday Morning” and “Thirteen Ways of Looking at a Blackbird”), through “Notes Toward a Supreme Fiction,” “Esthétique du Mal,” “The Auroras of Autumn,” and the other large-scale masterpieces of his middle years, to the austere final poems of “The Rock,” Stevens’s poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like “The Comedian as the Letter C” and “Owl’s Clover.”Also here is the most comprehensive selection of Stevens’s prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens’s thoughts on poetry and the creative process.The volume also contains explanatory notes, a detailed chronology of Stevens’ life, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An elderly mystic dies of spontaneous combustion in a secret temple. A young man is haunted by voices instructing him to slaughter his wife and children. A sleepwalker undergoes a series of violent adventures in the wilderness. These haunted, dreamlike scenes define the fictional world of Charles Brockden Brown, America’s first professional novelist. Published in the final years of the eighteenth century, Brown’s startlingly prophetic novels are a virtual résumé of themes that would constantly recur in American literature: madness and murder, suicide and religious obsession, the seduction of innocence and the dangers of wilderness and settlement alike.In Three Gothic Novels, The Library of America collects the most significant of Brown’s works. Wieland; or The Transformation (1798), his novel of a religious fanatic preyed upon by a sinister ventriloquist, is often considered his masterpiece. A relentlessly dark exploration of guilt, deception, and compulsion, it creates a sustained mood of irrational terror in the midst of the Pennsylvania countryside.In Arthur Mervyn; or Memoirs of the Year 1793 (1799), Brown draws on his own experience to create indelible scenes of Philadelphia devastated by a yellow fever epidemic, while telling the story of a young man caught in the snares of a professional swindler.Edgar Huntly; or Memoirs of a Sleep-Walker (1799) fuses traditional Gothic themes with motifs drawn from the American wilderness, in a series of eerily unreal adventures that test the limits of the protagonist’s self-knowledge.All three novels reveal Brown as the pioneer of a major vein of American writing, a novelist whose literary heirs include Poe, Hawthorne, Faulkner, and the whole tradition of horror and noir from Cornell Woolrich to Stephen King.This volume also includes a newly researched chronology of Brown’s life, explanatory notes, and an essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Pioneering environmentalist Rachel Carson explores the wonders of the Earth's oceans in these classics of American science and nature writing.Includes meticulously restored drawings from the original editions, including the nearly 200 illustrations by Bob Hines for The Edge of the SeaRachel Carson is perhaps most famous as the author of Silent Spring, but she was first and foremost a "poet of the sea" and the three books collected in this deluxe Library of America volume are classics of American science and nature writing.Under the Sea-Wind (1941), Carson's lyrical debut, offers an intimate account of maritime ecology through the eyes of three of the ocean's denizens, the individual lives of sanderling, mackerel, and eel dramatically intertwined in the enduring ebb and flow of the tides. The Sea Around Us (1951)--a winner of the National Book Award--draws on a wealth of oceanographic, meteorological, biological, and historical research to present its subject on a grand, biospheric scale, revealing not only many mysteries of the still-unfathomed depths, but a reverence for the sea as a source of global climate and of life itself.Concluding Carson's "sea trilogy," The Edge of the Sea (1955) explores the habits of the many small creatures that live on shorelines and in tidepools accessible to any beachcomber: part identification guide, part hymn to ecological complexity, it is a book that conveys the "sense of wonder" in nature for which Carson is justly celebrated.At a moment when overfishing, pollution, and global warming are causing catastrophic changes to marine environments worldwide, Carson's lyrically detailed accounts of these environments offer a timely reminder of their beauty, fragility, and immense consequence for human life.

From the author of The Haunting of Hill House and We Have Always Lived in the Castle, four classic novels of subtle psychological horror.Shirley Jackson--the beloved author of The Lottery, The Haunting of Hill House, and We Have Always Lived in the Castle--is more and more being recognized as one of the finest writers of the American gothic tradition, a true heir of Edgar Allan Poe and Henry James. Now, Jackson's award-winning biographer Ruth Franklin gathers the subtle, chilling, hypnotic novels with which she began her unique career. Her haunting debut tale The Road Through the Wall (1948) explores the secret desires, petty hatreds, and ultimate terrors that lurk beneath the picture-perfect domesticities of a suburban California neighborhood. In Hangsaman (1951)--inspired by the real-life disappearance of a Bennington College sophomore--the precocious but lonely Natalie Waite grows increasingly dependent on an imaginary friend. The Bird's Nest (1954) has not one but four protagonists: the shy, demure young Elizabeth and, revealed with a series of surprising twists, her other, multiple personalities. At the beginning of The Sundial (1958), the eccentric Halloran clan, gathered at the family manse for a funeral, becomes convinced that the world is about to end and that only those who remain in the house shall be saved. In what is perhaps her most unsettling novel, Jackson follows their crazed, violent preparations for the afterlife. Here is the perfect companion to Shirley Jackson: Novels & Stories, Library of America's edition of Jackson's landmark story collection, The Lottery, and her brilliant late novels The Haunting of Hill House and We Have Always Lived in the Castle.

James Merrill described Elizabeth Bishop’s poems as “more wryly radiant, more touching, more unaffectedly intelligent than any written in our lifetime” and called her “our greatest national treasure.” Robert Lowell said, “I enjoy her poems more than anybody else’s.” Long before a wider public was aware of Bishop’s work, her fellow poets expressed astonished admiration of her formal rigor, fiercely observant eye, emotional intimacy, and sometimes eccentric flights of imagination. Today she is recognized as one of America’s great poets of the twentieth century.This unprecedented collection offers a full-scale presentation of a writer of startling originality, at once passionate and reticent, adventurous and perfectionist. It presents all the poetry that Elizabeth Bishop published in her lifetime, in such classic volumes as North & South, A Cold Spring, Questions of Travel, and Geography III. In addition it contains an extensive selection of unpublished poems and drafts of poems (several not previously collected), as well as all her published poetic translations, ranging from a chorus from Aristophanes’ The Birds to versions of Brazilian sambas.Poems, Prose, and Letters also brings together most of her published prose writings, including stories; reminiscences; travel writing about the places (Nova Scotia, Florida, Brazil) that so profoundly marked her poetry; and literary essays and statements, including a number of pieces published here for the first time. The book is rounded out with a selection of Bishop’s irresistibly engaging and self-revelatory letters. Of the fifty-three letters included here, written between 1933 and 1979, a considerable number are printed for the first time, and all are presented in their entirety. Their recipients include Robert Lowell, Marianne Moore, Randall Jarrell, Anne Stevenson, May Swenson, and Carlos Drummond de Andrade.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Featuring a wide range of writings from Hearn’s time in America, this collection is a stunning showcase of the Greek-Irish author’s uniquely decadent literary flair and keen eye for observationA translator of Flaubert and Gautier, Lafcadio Hearn was the master of a gaudy and sometimes self-consciously decadent literary style, but he was also a tough-minded and keenly observant reporter, with an eye for the offbeat, the sensual, and occasionally the gruesome. The writings of his American years collected in this Library of America volume—on subjects as wide ranging as comparative folklore, the history of musical instruments, French literary avant-gardes, and New Orleans voodoo—reveal an omnivorous curiosity and an always eclectic sensibility.Some Chinese Ghosts (1887), a stylized retelling of ancient legends, foreshadows Hearn's later fascination with Asian themes. The exquisitely crafted novels Chita (1889), about the devastation wrought by a Louisiana hurricane, and Youma (1890), about a slave rebellion in Martinique, epitomize his writing at its most luxuriantly romantic, alert to the interactions of diverse cultures and suffused with imagistic splendor. His extraordinary travel book Two Years in the French West Indies (1890), presented here with the many illustrations from its first edition, provides a richly impressionistic account of his long stay on Martinique and other Caribbean islands. Also included are personal letters as well as more than a dozen examples of Hearn's journalism from the 1870s and 1880s, depicting vividly: a raucous African-American nightclub on the Cincinnati waterfront; an execution; scenes of Mardi Gras and the New Orleans French Quarter; an uncharted village of Filipino fishermen in a remote Louisiana bayou. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892.For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

“Humanity can be divided into three classes: men, women, and Margaret Fuller.”—Edgar Allan PoeA true American original—radical transcendentalist, intrepid journalist, and pioneering feminist—joins Library of America with the most authoritative single-volume collection of her writings ever, including many rare and previously unpublished works, newly transcribed from original notebooks and journalsTranscendentalist, journalist, feminist, activist, public intellectual, war correspondent, poet: Margaret Fuller’s achievement in her short life was as diverse, wide-ranging, and radical as her multi-generic writings. Now, at long last, this pioneering writer joins Library of America with the most comprehensive and most authoritative version of her writings ever published.Here are her two best-known books: Summer on the Lakes, in 1843, an account of her travels to the Great Lakes, a plea for better treatment of the American Indian peoples, and a sketchbook of Fuller’s thought; and Woman in the Nineteenth Century, the foundational document of American feminism and the first major work on women’s rights since Wollstonecraft’s A Vindication of the Rights of Woman fifty-three years earlier.Joining them are a generous selection of Fuller’s published essays and journalism, including “American Literature” and her reviews and columns for the New York Tribune, as well as her war correspondence from besieged Rome in 1849; unpublished writings and selections from Fuller’s journals, many previously unknown and newly transcribed for this volume; and a selection of Fuller’s letters, including three newly translated from the original Italian.Rounding out the volume are a chronology by Fuller’s biographer Megan Marshall, along with helpful notes identifying Fuller’s many allusions and quotations, and an index.

21 essential works trace a great statesman’s lifelong engagement with the promise of America and the legacy of the Founding Fathers“Few presidents ever thought about words as carefully as John Quincy Adams. Thankfully, we can now hear his words again, in this instantly essential volume.”—Ted Widmer, historian and former presidential speechwriterJohn Quincy Adams was one of the most accomplished American statesmen of his or any era. He brought all his eloquence, erudition, and fierce energy to bear on the politics of the nation over the course of a remarkable career that spanned from the founding era to the sectional crisis that preceded the Civil War.Despite a persistent interest in this pivotal figure, there has never been a single-volume collection of Adams’s essential political writings, until now. Here, for the first time in an edition for general readers and students alike, are the profound insights of a far-seeing political leader who was also a consummate American stylist. From his prophetic college commencement address in 1787 to his vigorous denunciation of slavery in 1843, this Library of America volume offers a compact and compelling record of America's fractious evolution as a democratic republic, presenting some of the most important political writings in our history.These writings are more urgently needed than ever. In the words of biographer Fred Kaplan: “His values, his definition of leadership, and his vision for the nation’s future—particularly the difficulty of transforming vision into reality in a country that often appears ungovernable—are as much about twenty-first century America as about Adams’ life and times.”

A cutting-edge collection of the best short stories in contemporary Afrofuturist fiction—from Hugo, Nebula, and Stoker award-winning Black authors"This is essential reading." —Publishers Weekly (starred review)Black speculative fiction has never been better than it is here and now. On the shoulders of Afrofuturist masters like Octavia E. Butler and Samuel R. Delany and pioneering visionaries before them, a new, abundant, and brilliant generation of contemporary Black authors, some of them just beginning their careers, is conjuring up a very real renaissance.Edited by SF-expert andré carrington, and including Hugo, Nebula, and Locus award winners alongside emerging and experimental voices, The Black Fantastic showcases the artistry of these breakout literary stars and celebrates the diversity of their talents.Including Afrofuturist science fiction, weird and fantastic tales, horror and the paranormal, apocalyptic lyricism, time travel, superheroes, and more, here are twenty mindblowing, horror-strewn, weird, woke, nerdy, terrifying, liberating, fantastic, utopian, surreal, genre-defying and empowering short stories, all of them worth reading and rereading now and far into futurity.Reclaiming histories of racism and oppression and seizing the day, these writers are forging kaleidoscopic new senses of Black identity, community, and imaginative freedom.

Known as the "Father of the National Parks," John Muir wrote about the American West with unmatched passion and eloquence—as seen in this stunning, one-volume collectionIn a lifetime of exploration, writing, and passionate political activism, John Muir became America's most eloquent spokesman for the mystery and majesty of the wilderness. A crucial figure in the creation of our national parks system and a far-seeing prophet of environmental awareness who founded the Sierra Club in 1892, he was also a master of natural description who evoked with unique power and intimacy the untrammeled landscapes of the American West. Nature Writings collects Muir's most significant and best-loved works in a single volume, including: The Story of My Boyhood and Youth (1913), My First Summer in the Sierra (1911), The Mountains of California (1894) and Stickeen (1909). Rounding out the volume is a rich selection of essays—including "Yosemite Glaciers," "God's First Temples," "Snow-Storm on Mount Shasta," "The American Forests," and "Save the Redwoods"—that highlight various aspects of his career: his exploration of the Grand Canyon and of what became Yosemite and Yellowstone national parks, his successful crusades to preserve the wilderness, his early walking tour to Florida, and the Alaska journey of 1879.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“Undoubtedly, the single finest collection of Wallace Stevens ever produced.” — Library JournalWallace Stevens’s unique voice combined meditative speculation and what he called “the essential gaudiness of poetry” in a body of work of astonishing profusion and exuberance, poems that have remained an inspiration and influence for generations of poets and readers. Now, for the first time, the works of America’s supreme poet of the imagination are collected in one authoritative Library of America volume.Here are all of Stevens’s published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art. From the rococo inventiveness of Harmonium, his first volume (including such classics as “Sunday Morning” and “Thirteen Ways of Looking at a Blackbird”), through “Notes Toward a Supreme Fiction,” “Esthétique du Mal,” “The Auroras of Autumn,” and the other large-scale masterpieces of his middle years, to the austere final poems of “The Rock,” Stevens’s poetry explores with unrelenting intensity the relation between the world and the human imagination, between nature as found and nature as invented, and the ways poetry mediates between them. The volume presents over ninety poems uncollected by Stevens, including early versions of often-discussed works like “The Comedian as the Letter C” and “Owl’s Clover.”Also here is the most comprehensive selection of Stevens’s prose writings. The Necessary Angel (1951), his distinguished book of essays, joins nearly fifty shorter pieces, many previously uncollected: reviews, speeches, short stories, criticism, philosophical writings, and responses to the work of T. S. Eliot, Marianne Moore, William Carlos Williams, and other poets. The often-dazzling aphorisms Stevens gathered over the years are included, as are his plays and selections from his poetic notebooks. Rounding out the volume is a fifty-year span of journal entries and letters, newly edited from manuscript sources, which provide fascinating glimpses of Stevens’s thoughts on poetry and the creative process.The volume also contains explanatory notes, a detailed chronology of Stevens’ life, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An elderly mystic dies of spontaneous combustion in a secret temple. A young man is haunted by voices instructing him to slaughter his wife and children. A sleepwalker undergoes a series of violent adventures in the wilderness. These haunted, dreamlike scenes define the fictional world of Charles Brockden Brown, America’s first professional novelist. Published in the final years of the eighteenth century, Brown’s startlingly prophetic novels are a virtual résumé of themes that would constantly recur in American literature: madness and murder, suicide and religious obsession, the seduction of innocence and the dangers of wilderness and settlement alike.In Three Gothic Novels, The Library of America collects the most significant of Brown’s works. Wieland; or The Transformation (1798), his novel of a religious fanatic preyed upon by a sinister ventriloquist, is often considered his masterpiece. A relentlessly dark exploration of guilt, deception, and compulsion, it creates a sustained mood of irrational terror in the midst of the Pennsylvania countryside.In Arthur Mervyn; or Memoirs of the Year 1793 (1799), Brown draws on his own experience to create indelible scenes of Philadelphia devastated by a yellow fever epidemic, while telling the story of a young man caught in the snares of a professional swindler.Edgar Huntly; or Memoirs of a Sleep-Walker (1799) fuses traditional Gothic themes with motifs drawn from the American wilderness, in a series of eerily unreal adventures that test the limits of the protagonist’s self-knowledge.All three novels reveal Brown as the pioneer of a major vein of American writing, a novelist whose literary heirs include Poe, Hawthorne, Faulkner, and the whole tradition of horror and noir from Cornell Woolrich to Stephen King.This volume also includes a newly researched chronology of Brown’s life, explanatory notes, and an essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.