Marsilio Editori – serie

Children's book author and illustrator extraordinaire Dario Cestaro (born 1971) presents the beauty of Paris through the spectacular paper architecture of a pop-up book. Cestaro takes young and young at heart readers through a fascinating journey through Paris's most famous buildings: the Eiffel Tower, the Bourse de Commerce, the Louvre, the cathedral of Notre-Dame, the Centre Pompidou and the Arc de Triomphe. This lively tour through Cestaro's colorful pages is enlivened by short texts and sweet anecdotes that tell a history of the city through its most iconic buildings. Readers will learn about the construction of the Eiffel Tower for the 1889 World's Fair, designed by the well-known architect of iron after whom it is named; the pre- and post-Revolutionary histories of the Louvre and the Jardin des Tuileries, given first to princes and then to the people; Tadao Ando's painstaking restoration of the 18th-century Bourse de Commerce to turn it into a contemporary art gallery, and much more. Cestaro's tour through Paris follows the publication of similar volumes on other great European cities: Venice, Florence, Milan and Rome. Cestaro's captivating drawings will help even the youngest readers to recognize the main features of the city, and offers a special glimpse of the city's landscape and its history.

The Palazzo Grimani in Venice is a 16th-century palace in the Mannerist style. The former residence of the patrician Grimani family, the building also housed the Grimanis' vast collection of Greek and Roman antiquities until 1596, when the collection comprising sculptures, vases, marbles and bronzes was transferred to the Biblioteca Marciana in Venice. In 2019, the Biblioteca is undergoing major ceiling repairs, so the Grimani collection has been temporarily relocated to its original home.Domus Grimani offers an extensive and detailed photographic tour of the building and its original collection, displaying and explicating not only their selection of Greco-Roman art, but also the residence of a 16th-century noble family; for the exhibition, objects and furnishings belonging to the Grimanis have also been retrieved from public and private collections in order to recreate their home as faithfully as possible.

An artist’s restaging of a Venetian nautical tradition calls attention to the threats of climate change This book documents a community art project created by artist Melissa McGill (born 1969) in 2019 that activated Venice’s lagoon and canals with four large-scale regattas of traditional sailboats hoisted with hand-painted red sails.

Tour the city of Venice through the panoramic paintings of one of its most celebrated chroniclersThe lagoon city of Venice was home to some of the greatest painters of the Italian Renaissance. Among them was Vittore Carpaccio (c. 1465–1525), whose body of work largely remains to this day in the city in which he lived and died. Influenced by Early Netherlandish art and resistant to Humanist trends, Carpaccio is today known for having developed a style that set him apart from his peers. He worked primarily under the patronage of various scuole, or confraternities, to illustrate Christian anecdotes. Replete with illustrative detail and an earthy color palette, Carpaccio’s paintings are uniquely emotive in their depictions of saintly miracles.This new publication invites readers from around the world to tour Venice through Carpaccio’s masterpieces and discover the artist who was exceptionally adept at fusing the real Venice and the myth of Venice into a single vision. Carpaccio in Venice: A Guide presents all of the artist’s works conserved in the city, providing updated scholarship for both the paintings and their original locations in light of recent restoration efforts. Sites include the Scuola di San Giorgio degli Schiavoni, the Doge’s Palace, the Museo Correr, the Gallerie dell’Accademia, along with many other locations.

A tour through the dazzling Futurist Gesamtkunstwerk that was Giacomo Balla's home and creative laboratory Recently opened to the public for the first time, the home of the Futurist artist Giacomo Balla (1871–1958) is depicted and inventoried in this extraordinary book. The apartment in Rome in which Balla lived with his family for over 30 years was covered with lively murals, painted furniture, decorated utensils and clothes, as well as preparatory drawings, stage designs, toys and other works by the artist, together with paintings by his two daughters Luce and Elica. The numerous paintings by Balla kept in the apartment range from his early figurative period to the Futurist aesthetics of the 1910s and ’20s and a return to representation in the latter part of his life. Together they create a kaleidoscopic example of total design, reflecting the indissoluble link between art and life that lay at the root of Futurist thinking.

New and selected works from the master prankster and art saboteurAccompanying Maurizio Cattelan’s (born 1960) solo exhibition of the same name at Pirelli HangarBicocca, Breath Ghosts Blind follows the artist’s first show in Italy for many years. The exhibition intermixes the artist’s classic pieces with a new body of work, paralleling the show’s thematic core: the cycle of life and the relationship between individual and collective memory. The fully illustrated hardcover monograph delves into these themes, featuring analysis from an array of critics, philosophers and theologians, including Francesco Bonami, Nancy Spector, Arnon Grunberg, Andrea Pinotti and Monsignor Timothy Verdon. It also features an in-depth conversation between the exhibition’s curators and Cattelan himself.

A colossal anthology of artist conversations conducted by Maurizio Cattelan This massive volume, published in conjunction with the artist's exhibition at Pirelli HangarBicocca, collects for the first time all of the conversations that Maurizio Cattelan (born 1960) has been conducting for 20 years, as interviewer. The dialogues, of which there are more than 130, were published between 2001 and 2021 in numerous magazines, including Flash Art Italia, International, Purple Magazine, Vogue and Il Manifesto, as well as in monographs and exhibition catalogs.Maurizio Cattelan: Index presents these conversations in facsimile form, maintaining the text and original layout of each publication, resulting in a lively kaleidoscope of voices and images. Appraising the list of people interviewed and reading the texts, an astonishing chorus takes shape, comprising young and upcoming artists, established figures and those who are now deceased and part of history, as well as creatives from other disciplines such as architects, designers, chefs, thinkers, entertainers and performers.Among the interviewees are luminaries such as Alighiero Boetti, Phil Collins, Ferran Adrià, Alex Da Corte, Seth Price, Urs Fischer, Dash Snow, Martine Syms, Paul Chan, Carol Rama, Takashi Murakami, Felix Gonzalez-Torres, George Condo, Jerry Saltz, Virgil Abloh, Chloë Sevigny, Dana Schutz and more.

Discover the city of canals through the magic of pop-upsVenice is a magical city suspended like a dream between water and sky. For children, it is a wunderkammer in the literal sense of the term: full of surprises. As they venture into this world of magic—a dream suspended between water and sky—we watch their eyes fill with wonder. The Treasures of Venice is the first attempt in the world to reproduce Venice in a pop-up book for children, taking them on a fascinating tour of its most famous monuments, described in simple but never banal words. The monuments illustrated in the book include the Rialto Bridge, St. Mark’s Basilica, Ca’ d’Oro, Doge’s Palace, Santa Maria della Salute and Gran Teatro la Fenice.

Origins and future of national and international artisanal excellence. What is craftsmanship? How do you determine excellence? The answers lie in identifying and carefully analyzing the constitutive elements of fine craftsmanship to arrive at a definition of excellence that is as objective as possible. Only then can we measure the true value of the finest craftsmanship, and celebrate the outstanding work of the artisans behind it. This publication represents a significant step forward in devising a structured methodological approach to assessing excellence in the artistic crafts. The proposed assessment matrix not only serves as a new tool to aid our understanding and assessment of excellence, but also offers invaluable support to those who aspire to achieve that excellence.

This book offers a thorough visual biography of the life of Peggy Guggenheim (1898 1979) as collector, through a selection of works from the world-renowned collection she established primarily between 1938 and 1946, and to which she would continue to add for the rest of her life.The selections from her collection, emphasizing lesser-known works, are accompanied by a series of previously unpublished photographs from her life during periods spent living in London, Paris and her native New York, as well as Venice, where she settled with her collection in 1949 and spent her remaining 30 years.Each period of Guggenheim's life is examined through contributions from 13 international scholars and researchers, which, along with the photographs, provide new insights into her colorful and impressive career building one of the world's most significant and widely visited personal art collections.

Cartier-Bresson by Cartier-Bresson: the photographer's "master set" survey of his career, presented for the first time alongside selections by Annie Leibovitz, Wim Wenders and othersIn the early 1970s, at the request of his friends and collectors John and Dominique Menil, Henri Cartier-Bresson went through the thousands of prints in his archives with the idea of choosing the most important and significant works of his career. He picked 385 photographs, which were printed in a format of 12 x 16 inches at his most trusted laboratory in Paris between 1972 and 1973, in five copies each. This so-called "Master Set" has never before been published in its entirety. Now, photographer Annie Leibovitz, film director Wim Wenders, writer Javier Cercas, chief curator of the Department of Prints and Photographs at the Bibliotheque Nationale de France Sylvie Aubenas and collector Francois Pinault have been invited to each choose roughly 50 pictures from this Master Set. Through their selection, each of them shares a personal vision of the work of this great artist. Henri Cartier-Bresson: Le Grand Jeu is divided into two parts: the first presents the personal choice of each of the curators, accompanied by a text written for the occasion; the second presents the whole of the Master Set as it was assembled by Cartier-Bresson. This unprecedented volume thus constitutes the most personal, and indeed the most authoritative, panorama of his oeuvre yet published. Henri Cartier-Bresson (1908-2004) was born in Chantelou-en-Brie, France. He initially studied painting and began photographing in the 1930s. Cartier-Bresson cofounded Magnum in 1947. In the late 1960s he returned to his original passion, drawing. In 2003 Cartier-Bresson established the Fondation Henri Cartier-Bresson in Paris, one year before his death.

A charming portrait of early-20th-century European society through the lens of Lartigue, with 55 unpublished photographsDespite becoming interested in photography when he was barely in double digits, French artist Jacques Henri Lartigue (1894-1986) didn’t achieve mainstream recognition until he was nearly 70 years old. A 1963 exhibition of his boyhood photography at the Museum of Modern Art in New York prompted new appreciation for his pictures, which bore a clear affinity with the street photography of the great humanist photographer Henri Cartier-Bresson.Though he mainly supported himself as a painter later on in life, Lartigue was devoted to the art of photography and continued to capture the world around him until he was in his 90s, beginning with domestic candid shots in his childhood and later depicting the upper crust of European society.With their motion-blur and frequently grinning, unposed subjects, Lartigue’s images convey the photographer’s genuine passion for life and a consistent interest in everyday moments. The book presents 120 images from Lartigue’s numerous personal photo albums, including 55 pictures that have never been published before.

A Jeff Koons overview thematizing “shine” as aesthetic substance and motif across his five-decade careerThis volume is published for Jeff Koons’ (born 1955) largest ever exhibition in Italy, developed in close dialogue with the artist, and presenting some of the most celebrated works of this master who, from the mid-1970s until the present day, has forged a reputation as one of the most important figures of the global contemporary art scene.Responsible for countless works that have entered the collective imagination, Koons regards "shine" as a key feature of his artwork—from the postmodern reinvention of the readymade to works in perfectly polished metal that resemble inflatable toys. Indeed, "shine" is far more than an ornament: it is the very substance of these works, as this reflective property brings together appearance and essence.Shine gathers paintings and sculptures on loan from international collections and museums in order to explore the concept of "shine,” calling into question our relationship with daily reality and with the very concept of a work of art.

An accessible guide to the foremost figure in Venetian Renaissance painting, tracing Bellini’s personal artistic development within historical context Italian Renaissance artist Giovanni Bellini (c. 1435/40–1516) is considered the most important practitioner of Venetian painting in the latter half of the 15th century. Born into a family of painters, Bellini began studying art at a young age, painting primarily in the prevailing Gothic style of the early Renaissance. As time passed and he evolved as an artist, Bellini’s wide-reaching influence came to inform the maniera moderna inherited by Giorgione and Titian. His unparalleled ability to both harness the expressive power of light and recreate the poetry of natural landscapes became the foundational tenets of the Venetian school of painting for centuries to come.This volume provides an accessible guide to Bellini’s work and the lasting influence of his career on Western European painting. Organized chronologically, the book maps the development of Bellini’s own craft alongside the greater technical experimentation of the Quattrocento, detailing the artist’s abandonment of traditional egg tempera technique for oil on canvas and taking into account the influence of contemporaries Andrea Mantegna and Antonello da Messina. Concise and up-to-date, this publication effectively conveys the magnitude of Bellini’s contributions to Western European painting in the wider context of the era.

On a giant of Italian postwar photojournalism and portraitureItalian photographer Mario De Biasi (1923–2013) was celebrated for his photojournalism in Hungary and Siberia, as well as his celebrity portraits of figures including Sophia Loren, Andy Warhol, Sugar Ray Robinson, Marlene Dietrich and Brigitte Bardot. His photographs are presented here by phase and theme.

Damien Hirst enters into creative conversation with the many masterpieces of the Galleria BorgheseIn an extraordinary cultural undertaking, British artist Damien Hirst (born 1965) has launched an intense and unfiltered interaction with the works of Caravaggio, Raphael, Titian, Bernini, Canova and others in Italy’s Galleria Borghese. An unparalleled and controversial celebrity of the contemporary art world, Hirst’s work is perfectly suited to be displayed in relation to the colors and materials found in the Galleria Borghese. His sculptures, made of fine materials such as bronze, Carrara marble or seductive malachite, have been put on display in rooms of the museum that house masterpieces of the modern era such as the statuary groups of Gian Lorenzo Bernini and Antonio Canova’s Paolina Borghese. The resulting effect is one of surprising harmony: the Five Grecian Nudes appear natural next to Canova’s sculpture and the primitive appearance of the Lion Women of Asit Mayor is in perfect chromatic accord with the floors of the Galleria. Hirst’s new series of Colour Space paintings offers the same sense of continuity as the flow of the works hanging in the museum’s picture gallery. This comprehensive vision of the past and the present is fostered by the proximity of antique painting and contemporary painting, without frames to separate them, and without elements of signage to interrupt this immersion.

A new infinity sign to symbolize the birth of the Third Paradise. What is the Third Paradise according to the author's concept? It's the fertile coupling of the first and second paradise. The first was the Earthly Paradise that came before the eating of the apple. It's the natural paradise where everything is regulated by the intelligence of nature. The second is the Artificial Paradise, the one developed by human intelligence, by means of a very slow process that has reached an increasingly vast and exclusive dimension in the last two centuries. This paradise is made up of artificial needs, artificial comforts, artificial pleasures and every other sort of artifice. Confronted by the universal problem of humanity's survival, the artist conceived the global project entitled Third Paradise. The biblical reference does not have any religious purpose, but is used to give force and meaning to the concept of responsible social change and to fuel a high ideal that unites, in a single endeavor, the arts, the sciences, economics, spirituality and politics.

The story of a seminal experience on the international art scene in the 1960s. In the post-war period characterized by wide-ranging experimentation involving major artists and international exchanges, Azimut/h played a key cultural and expressive role. Founded in 1959 with slightly different names by Piero Manzoni and Enrico Castellani, the gallery (Azimut) and the magazine (Azimuth) forged a new concept of aesthetics. In doing so, they were inspired by intense relationships developed with some of the leading figures exploring the language and theory of Italian and international art at the time. This book focuses on the Italian artists of that generation and the European and American reach of their work.

After the success of the volumes on Venice and Florence, with thousands of copies sold all over the world, another pop-up book devoted to a great Italian city.

Salai is the name that Leonardo da Vinci liked to use, as is documented in his writings from 1494 onward, for the boy whom he had taken into his home four years earlier, when he was just ten years old, and who lived with him for almost a quarter of a century: first as a shop boy and then as his assistant and model, as well as becoming, according to what the sources tell us, his pupil and companion in life. In reality we know very little about him, except for this work which is being presented to the general public for the first time today. The only one in which his name is indicated with precision. A document that could therefore throw some light on a figure still shrouded in mystery and add an important element to the history of art. The author of the volume, Maurizio Zecchini, offers a moving and gripping historical account, as well as presenting, with the assistance of a team of experts, the results of the numerous analyses carried out during the restoration of the work.

Taking its title from a painting by Carol Rama, Place and Signs gathers works relating to Venice by 30 artists, among them Rebecca Quaytman, Trisha Donnelly, Cinthia Marcelle and Thiago Mata Machado, Martha Wilson, Jennifer Allora and Guillermo Calzadilla, Wu Tsang, Julie Mehretu, Louise Lawler and Tatiana Trouvé.

On the 500th anniversary of the Venetian master’s birth, this book shows how Tintoretto used architecture to structure perspectiveThere is no overstating the long shadow of influence that Jacopo Tintoretto (1519–94) has exerted on the history of Western art. However, in the long historiography devoted to his work, the Venetian master lacks a comprehensive and systematic study of the fundamental question of his relationship with architecture. On the occasion of the 500th anniversary of his birth, Tintoretto and Architecture draws on the most up-to-date writings on Tintoretto's work and on the history of Renaissance architecture to present a picture of the connection between the space painted in his pictures and the physical space in which they are located; to investigate the role of architecture as an organizing element of the composition; and to understand the original relationship between the viewer and the space in which the work was seen. This volume includes reproductions of Tintoretto's works in comparison with reproductions of the works of painter and architect contemporaries such as Paolo Veronese, Raphael, Giorgio Vasari and Andrea Palladio. In addition, Tintoretto and Architecture draws on emerging technology to present digitally rendered 3-D models of the architecture the figures in Tintoretto's paintings inhabit, underlining the emphasis the Venetian master placed on space and structure. The authors submit such masterworks as The Finding of the Body of St. Mark to this innovative treatment, offering new perspectives on well-loved works.