Bartolomeo Pietromarchi – författare

A tour through the dazzling Futurist Gesamtkunstwerk that was Giacomo Balla's home and creative laboratory Recently opened to the public for the first time, the home of the Futurist artist Giacomo Balla (1871–1958) is depicted and inventoried in this extraordinary book. The apartment in Rome in which Balla lived with his family for over 30 years was covered with lively murals, painted furniture, decorated utensils and clothes, as well as preparatory drawings, stage designs, toys and other works by the artist, together with paintings by his two daughters Luce and Elica. The numerous paintings by Balla kept in the apartment range from his early figurative period to the Futurist aesthetics of the 1910s and ’20s and a return to representation in the latter part of his life. Together they create a kaleidoscopic example of total design, reflecting the indissoluble link between art and life that lay at the root of Futurist thinking.

A handbook on contemporary Italian artThis lavishly illustrated publication charts the history of Italian art over the last several decades, with a focus on iconic works by artists including Carla Accardi, Jannis Kounellis, Mario Schifano, Luigi Ghirri and Anna Maria Maiolino from the MAXXI collection in Rome.

Vice Versa, the catalogue of the Italian Pavillion at the 55th venice Biennale, explores the complexity that characterises Italian contemporary art. The book is divided into seven chapters, one for each pairing, that present the work of two artists with a critical text, a wide selection of images of the works, technical specifications and information on the artists' research.

This volume is one of three companion catalogues to an exhibition taking place simultaneously at three venues in Rome on the large-scale projects of Pier Paolo Pasolini. They explore a theme dear to Pasolini — sacredness — with a multidisciplinary approach that will shed a light on his main characteristics as a poet, writer, director, and artist and on the cultural influence he wielded. This is the catalogue for the exhibition at Fondazione MAXXI, which explores the many facets of Pasolini’s political engagement. Texts, images, movies, notes, and documents will narrate the beginning of a protest that has endured to this day, with interpretations of Pasolini’s work is seen through the voices of contemporary artists.An essay by Anne Violaine Houcke analyses Pasolini’s final period, while Ara Merjan’s text explores his aesthetics. Marco Belpoliti explores the 1975 timeline, giving special attention to the political events most closely connected to Pasolini.Incudes contributions by Eleonora Cardinale, Roberto Chiesi, Silvia De Laude, Fabio Francione, Giuseppe Garrera, and Vincenzo Trione.Text in English and Italian.