Miscellaneous British Academy Publications – serie

In this expanded version of his Thank-Offering to Britain Fund lectures, delivered at the British Academy in February 1976, Stuart Hampshire compares two radically different conceptions of morality, those of Aristotle and Spinoza, authors, he claims, of the most plausible of all moral philosophies. He discusses the relation between moral intuitions and moral theory, and the contrasting ideas of moral normality and moral conversion. Spinoza's theory of the relation between mind and body is expounded and its relevance to recent theories is explained.

This famous essay is now republished, with a new Introduction by James Joll, at a time when its discussion of the power of nationalism in European politics seems particularly relevant.Concentrating on the revolutions in central and eastern Europe, and the relations of Germans, Poles, and Slavs, Namier explains how 1848 inaugurated a new age, not of liberalism as many revolutionaries hoped, but of a nationalism that was to destroy liberal constitutionalism.As Professor Joll demonstrates in his Introduction, the essay also reveals much about the prejudices and passion underlying the historical writing of one of Britain's most prominent historians.The modern reader will find in the range and cogency of this book not only many shafts of light on the year 1848 itself, but also fresh insights into historical forces still at work in our own time.

Our modern conception of the Renaissance has been changed sustantially by the scholarship of the last 50 years, and the British contribution to this research has been enormous. An essential part of this scholarship is now made more widely available within this lavishly illustrated selection of lectures delivered by distinguished historians to the British Academy.

Attic Black Figured-Lekythoi by C.H.E. Haspels was a groundbreaking work on Greek black-figure workshop vases, and is held by most archaeological libraries. Haspels Addenda is a valuable reference source, providing new information on and recording references to new illustrations of the more than 1,500 Greek black-figured vases catalogued by Haspels. The references are taken from books and periodicals received by the Sackler Library, formerly the Ashmolean Library, Oxford. Changes in the whereabouts of vases are included, together with references to vases added by Sir John Beazley to Haspels' lists. The format of this volume follows that that of Beazley Addenda. Similarly, Haspels Addenda is based on the Beazley Archive's database of Athenian black- and red-figure vases, which was inaugurated by the Beazley Archivist, Professor Donna Kurtz, and the Lincoln Professor of Art and Archaeology, Sir John Boardman, in 1979.

This book reviews some of the most challenging developments in British society as they are understood by policy-makers and by academics. The key point is that academic debates identify a range of ways in which issues can be understood and tackled, but policy is typically based on a narrow subset of possible approaches. This is illustrated by discussion of climate change, demographic shifts, the response to greater ethnic and religious diversity, the debate about community and local area politics, democratisation, nudge, the international financial crisis, and the growth of popular disillusion with politics and politicians. These areas range across economic, social and political issues.This book will contribute to our understanding of governance and particularly of how the ideas that lead the policy agenda emerge and are reinforced. It will also be valuable in academic study of policy debate and help develop understanding of the policy issues which it examines. It is written by leading academics from the fields under discussion and draws on the most recent research.

From major seminal works like the Mishnah or the Palestinian and Babylonian Talmuds, to Biblical commentaries, translations of Biblical books into Aramaic or relatively little-known mystical, liturgical or apocalyptic writings, here is a complete guide to the rich tradition of Jewish literature in the second to seventh centuries of the Common Era.Each work is described in a succinct and clearly structured entry which covers its contents, dating, language and accessibility (or otherwise) in print or online.The aim throughout is to cover all of this literature and to answer the following questions. What Jewish literature, written either in Hebrew or Aramaic, has survived? What different genres of such literature are there? What printed texts, or translations into any modern language, or commentaries (either in Hebrew or a European language) are there? And, for those who want to enquire further, what are the manuscripts on which modern editions are based? This handbook will be of value to scholars and students of Jewish Studies and historians of Late Antiquity, as well as scholars in neighbouring disciplines, such as Near Eastern history or Theology.

This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.

New Light on Tony Harrison was developed from a conference marking the 80th birthday of the prizewinning British poet Tony Harrison. Contributors include practising poets, playwrights, specialists in Classics, Theatre, Translation Studies, English and World Literature, and professionals in media where Harrison's extensive work has been least researched. The aim of the volume is to explore new approaches to the understanding of the work of one of our most important poets. The volume examines four main areas: - Tony Harrison's more recent poems- The continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980-1990 decade, alongside his evolving dramatic relationship with Euripides and with French authors (Hugo, Molière, Racine)- Harrison's profound contribution during his periods of residence abroad in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation; - His extensive body of poems written specifically for television and radio.This is a must for fans of Tony Harrison's work and for those with an interest in, or studying English Literature, Classical Mythology, Theatre Studies, and Film courses.