New Poets of America – serie

"Heat Lightning, Progress, Cat, George Orwell"--there's little the poems of Alpay Ulku do not address.

"...thoughtful recollections, scary memories, articulate reflections, and the resolve of a man who has been there."--Publishers Weekly At age nineteen, Hugh Martin withdrew from college when his National Guard unit was activated for a deployment to Iraq. After training at Fort Bragg, Martin spent 2004 in Iraq as the driver of his platoon sergeant's Humvee. He participated in hundreds of missions including raids, conducting foot patrols, clearing routes for IEDs, disposing of unexploded ordnance, and searching thousands of Iraqi vehicles. These poems recount his time in basic training, his preparation for Iraq, his experience withdrawing from school, and ultimately, the final journey to Iraq and back home to Ohio. Hugh Martin holds an MFA from Arizona State University. He is a Stegner Fellow at Stanford University.

“As a Filipino-American conscious of his multiple identities and the trove of experiences and external forces that shaped him, Gray uses the unfettered landscape of poetry to release himself and others from the limitations that aggrieve undocumented immigrants.” —New City LitRooted in the experience of living in America as a queer undocumented Filipino, Documents maps the byzantine journey toward citizenship through legal records and fragmented recollections. In poems that repurpose the forms and procedures central to an immigrant’s experiences—birth certificates, identification cards, letters, and interviews—Jan-Henry Gray reveals the narrative limits of legal documentation while simultaneously embracing the intersections of identity, desire, heritage, love, and a new imagining of freedom.

"Expert and instinctive, like a cool Ed Wilkerson sax solo bouncing with lived rhythms. Morton's consummate poems will echo long after they are read." —BooklistSelected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions.Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs.

Set in Southern California's San Gabriel Valley, Diana Marie Delgado’s debut poetry collection follows the coming-of-age of a young Mexican-American woman trying to make sense of who she is amidst a family and community weighted by violence and addiction. With bracing vulnerability, the collection chronicles the effects of her father’s drug use and her brother’s incarceration, asking the reader to consider reclamation and the power of the self.

Selected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions.Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs.

Selected by Aimee Nezhukumatathil as the winner of the A. Poulin, Jr. Poetry Prize, Danni Quintos carves a space for brown girls and weird girls in her debut collection of poems.Two Brown Dots explores what it means to be a racially ambiguous, multiethnic, Asian American woman growing up in Kentucky. In stark, honest poems, Quintos recounts the messiness and confusion of being a typical ‘90s kid—watching Dirty Dancing at sleepovers, borrowing eye shadow out of a friend’s caboodle, crushing on a boy wearing khaki shorts to Sunday mass—while navigating the microagressions of the neighbor kids, the awkwardness of puberty, and the casual cruelties of fellow teenagers. The mixed-race daughter of a dark skinned Filipino immigrant, Quintos retells family stories and Phillipine folklore to try and make sense of an identity with roots on opposite sides of the globe.With clear-eyed candor and a wry sense of humor, Quintos teases the line between tokenism and representation, between assimilation and belonging, offering a potent antidote to the assumption that “American” means “white.” Encompassing a whole journey from girlhood to motherhood, Two Brown Dots subverts stereotypes to reclaim agency and pride in the realness and rawness and unprettyness of a brown girl’s body, boldly declaring: We exist, we belong, we are from here, and we will continue to be.

A Blessing the Boats Selection with a Foreword by Aracelis Girmay, Renia White’s debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy.Renia White’s debut poetry collection strikes up a conversation, considering what’s being said, what isn’t, and where it all come from. From her vantage point of Black womanhood, White probes the norms and mores of everyday interactions. In observations, insights, and snippets of speech, these poems look to the unspoken thoughts behind our banter, questioning the authority of not only the rule of law but also of our small talk itself—the concepts we have accepted and integrated without pause.Casual Conversation imagines a new way of knowing, a way that encourages us to think through how we structure and stratify ourselves, inviting something strange and other to spill out. White challenges us to question whether there is anything casual about this life, even as she invites us to consider other logics and to think alongside each other. This book gives space to hold what we fear out of formality: consequence, embarrassment, anger. It plays, it tarries, it disrupts. It pulls apart what seems sound in an effort to see: what did we make here? How’s it going?

Nestled against the backdrop of Seattle's flora, fauna, and cityscape, Luther Hughes' debut poetry collection wrestles with the interior and exterior symbiosis of a gay Black man finding refuge from the threat of depression and death through love and desire.Hughes draws readers into a Seattle that is heavily entrenched in violent anti-Blackness, and full of vulnerable and personal encounters from both the speaker’s past and present. With reverent and careful imagery, Hughes fashions deeply saturated, tender vignettes that reckon relationships between family and friends, lovers, nature, and the police-state.A Shiver in the Leaves is stunningly cinematic in its layered portrayal of the never-ending dualities of a queer Black poet’s life in the city. Hughes's interrogation of selfhood renders a sharply intimate and viscerally powerful reimagining of what it means to be alive in a body, and what it can mean to live.

Margaret Ray is pulling back the curtains on our societal performance of culture, guiding an exposing light to the daily performance that is life in a woman’s body.Selected by Stephanie Burt as the winner of the A. Poulin Jr. Poetry Prize, Ray’s Good Grief, the Ground interrogates the everyday violences nonchalantly inflicted unto women through personal, political, and national lenses. Moving between adolescence and adulthood, Ray alternates between dark humor and heart-wrenching honesty to explore grief, anxiety, queer longing, girlhood, escape from an abusive relationship, and the dangers of lending language to a thing.  With stunning wit and precision and attention, we see Ray show us what it is to be human: the mess of tenderness and darkness and animosity. Out of the heavy Florida dusk, out of peach juice and late-night swimming pool break-ins and glances across grocery store aisles come these completely captivating poems. In the words of Stephanie Burt: “Come and see. Take care. Dive in.”

Take the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out!  Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out! is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page. Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.