Oxford English Literary History – serie

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time. Theology saw the focus shift from God the Father to the suffering Christ, while religious experience became ever more highly charged with emotional affectivity and physical devotion. A new philosophy of interiority turned attention inward, to the exploration of self, and the practice of confession expressed that interior reality with unprecedented importance. The old understanding of penitence as a whole and unrepeatable event, a second baptism, was replaced by a new allowance for repeated repentance and penance, and the possibility of continued purgation of sins after death. The concept of love moved centre stage: in Christ's love as a new explanation for the Passion; in the love of God as the only means of governing the self; and in the appearance of narrative fiction, where heterosexual love was suddenly represented as the goal of secular life. In this mode of writing further emerged the figure of the individual, a unique protagonist bound in social and ethical relation with others; from this came a profound recalibration of moral agency, with reference not only to God but to society. More generally, the social and ethical status of secular lives was drastically elevated by the creation and celebration of courtly and chivalric ideals. In England the ideal of kingship was forged and reforged over these centuries, in intimate relation with native ideals of counsel and consent, bound by the law. In the aftermath of Magna Carta, and as parliament grew in reach and importance, a politics of the public sphere emerged, with a literature to match. These vast transformations have long been observed and documented in their separate fields. The Oxford English Literary History: Volume 1: 1000-1350: Conquest and Transformation offers an account of these changes by which they are all connected, and explicable in terms of one another.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This volume covers the period 1645-1714, and removes the traditional literary period labels and boundaries used in earlier studies to categorize the literary culture of late seventeenth-century England. It invites readers to explore the continuities and the literary innovations occurring during six turbulent decades, as English readers and writers lived through unprecedented events including a King tried and executed by Parliament and another exiled, the creation of the national entity 'Great Britain', and an expanding English awareness of the New World as well as encounters with the cultures of Asia and the subcontinent. The period saw the establishment of new concepts of authorship and it saw a dramatic increase of women working as professional, commercial writers. London theatres closed by law in 1642 reopened with new forms of entertainments from musical theatrical spectaculars to contemporary comedies of manners with celebrity actors and actresses. Emerging literary forms such as epistolary fictions and topical essays were circulated and promoted by new media including newspapers, periodical publications, and advertising and laws were changing governing censorship and taking the initial steps in the development of copyright. It was a period which produced some of the most profound and influential literary expressions of religious faith from John Milton's Paradise Lost and John Bunyan's Pilgrim's Progress, while simultaneously giving rise to a culture of libertinism and savage polemical satire, as well as fostering the new dispassionate discourses of experimental sciences and the conventions of popular romance.

Heralding a new era in literary studies, the Oxford English Literary History breaks the mould of traditional approaches to the canon by focusing on the contexts in which the authors wrote and how their work was shaped by the times in which they lived. Each volume offers a fresh, ground-breaking re-assessment of the authors, their works, and the events and ideas which shaped the literary voice of their age. Written by some of the leading scholars in the field, under the general-editorship of Jonathan Bate, the Oxford English Literary History is essential reading for everyone studying, teaching, and researching in English literature.Unlike most medieval literary histories, which end with the coming of the Tudors, this volume continues into the mid-sixteenth century, and registers the impact of Henry VIII's cultural revolution and the linking of Church and State after the break with Rome. Although potent traditions praise both 'Reformation' and 'Renaissance' as moments of liberation, this book argues the reverse. Simpson shows that the emergent centralized culture narrowed and simplified the literary possibilities that had been enjoyed by late medieval writers. The consequences for literature, and even for the varieties of English in which it was written, were dramatic.From roughly 1350, where the volume starts, a wide range of literary kinds flourished, in a wide range of dialects. Many of these texts can be described as a mixed commonwealth of styles and genres, such as Langland's Piers Plowman, Gower's Confessio Amantis, Chaucer's Canterbury Tales, the dramatic 'mystery' cycles, and Malory's Works. In the sixteenth century this stylistic variety gave way to a literary practice that prized coherence and unity above all. Some kinds of writing, especially romance, survived. Others, such as Langland's brand of ecclesiology, the 'Aristotelian' politics of Gower and Hoccleve, and the feminine visionary mode of Julian of Norwich, became untenable. Religious cycle drama outlived the 1530s but was suppressed within the next forty years. Sixteenth-century writing, by figures such as Wyatt, Surrey, and the dramatist John Bale, emerges in this book as the product of profoundly divided writers, torn between their commitment to the new order and their awareness of its painful, often destructive strictures.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more.Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers.This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers.This volume covers the period 1645-1714, and removes the traditional literary period labels and boundaries used in earlier studies to categorize the literary culture of late seventeenth-century England. It invites readers to explore the continuities and the literary innovations occurring during six turbulent decades, as English readers and writers lived through unprecedented events including a King tried and executed by Parliament and another exiled, the creation of the national entity 'Great Britain', and an expanding English awareness of the New World as well as encounters with the cultures of Asia and the subcontinent. The period saw the establishment of new concepts of authorship and it saw a dramatic increase of women working as professional, commercial writers. London theatres closed by law in 1642 reopened with new forms of entertainments from musical theatrical spectaculars to contemporary comedies of manners with celebrity actors and actresses. Emerging literary forms such as epistolary fictions and topical essays were circulated and promoted by new media including newspapers, periodical publications, and advertising and laws were changing governing censorship and taking the initial steps in the development of copyright. It was a period which produced some of the most profound and influential literary expressions of religious faith from John Milton's Paradise Lost and John Bunyan's Pilgrim's Progress, while simultaneously giving rise to a culture of libertinism and savage polemical satire, as well as fostering the new dispassionate discourses of experimental sciences and the conventions of popular romance.

English Literature in the 1960s soon threw off its post-war weariness and the tepid influences of the previous decade. New voices, new visions, and new commitments profoundly reshaped writing during the 60s, and throughout the rest of the century. Drama thrived on its rapidly rebuilt foundations. New freedoms of style and form revitalised fiction. Poetry, too, gradually recovered the variety and inventiveness of earlier years.As well as comprehensively charting these changes in the literary field, Randall Stevenson persuasively pinpoints their origins in the historical, social, and intellectual pressures of the times. Literary developments are revealingly related to the wider evolution and profound changes in English experience in the late twentieth-century to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; and the broadening democratization of contemporary life in general.Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively thorough, insightful description of writing in the later twentieth-century a literary period Stevenson shows to be far more imaginative and exciting than has yet been recognised. Lucid, accessible, and engaging, this volume of the Oxford English Literary History presents a unique illumination of its age - one we have lived through, but are only just beginning to understand. The first full account of its period, it will set the agenda for discussion of late twentieth-century literature for many years to come.

In the future, what will 'English Literary History' mean? A literary history of England, or one with much looser boundaries, defined only by a communality of language, not by location or history? In this, the latest volume in the Oxford English Literary History, Bruce King discusses the literature written by those who have chosen to make England their home since 1948. With decolonization following World War II, and the growth of large immigrant communities in England, came a wave of colonial, postcolonial, and immigrant writers whose entry onto the British cultural landscape forces us to consider what it is to be British, English, or national now that England is multiracial and part of a global economy.King addresses these new trends in English literature and the questions they raise in the first wide-ranging and comprehensive account of immigrant literature set in a social context. Ranging through Black and Asian British prose, poetry and drama, and writers including V. S. Naipaul, Salman Rushdie, Hanif Kureishi, and Zadie Smith, King reveals the development of the literature from writing about immigration to becoming English. Now that the literature of England includes Sri Lankans, Egyptians, and British Nigerians, does this mean that we can no longer talk of the English nation as a cultural unit? King concludes persuasively that it does not. We have not seen the demise of national cultures, but rather, a new, accomplished, and socially significant body of writing in England is influenced by the interaction between foreign cultures and British traditions. This bold and challenging account of British culture will shape debate for future generations.

Heralding a new era in literary studies, the Oxford English Literary History breaks the mould of traditional approaches to the canon by focusing on the contexts in which the authors wrote and how their work was shaped by the times in which they lived. Each volume offers a fresh, ground-breaking re-assessment of the authors, their works, and the events and ideas which shaped the literary voice of their age. Written by some of the leading scholars in the field, under the general-editorship of Jonathan Bate, the Oxford English Literary History is essential reading for everyone studying, teaching, and researching in English literature.This volume covers the flowering of Victorian literature, from the decade when Tennyson started writing In Memoriam and Darwin embarked on the Beagle to the publication of Hardy's first great novels and the death of George Eliot. The Victorian era produced a literature of diversity and experimentation, engaged with powerful controversies and heartfelt arguments that lie at the centre of the formation of the modern world. It has often been misrepresented, either as an age of dull and rigid certainty or one of anxious and depressive morbidity, but what distinguishes the writing of the period - from its origins in the 1830s to its crisis point around 1880 - is its power of serious inquiry. It poses questions about the relation between society and the individual, the rival claims of market and morality, the form and function of democracy, and, above all, the existence or non-existence of God and the purposes of human life. Such concerns make this a time in which literature has a new urgency and vitality, and lies close to the heart of a culminating crisis of the Western conscience.less tied to the canonical authors and much more interested in placing both canonical and non-canonical writings in their historical context. These are books that every serious student and scholar of the period will need on their shelves.

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This volume surveys the rich English literary tradition, 1603-1660, in the context of the eventful decades between the accession of James I and the restoration of Charles II. The first Part describes the 'social rules of writing.' Who could become a writer in the early seventeenth century? How could a literary career be pursued? How was literary work disseminated? And how did those practices change between 1603 and 1660? The second Part discusses the period's most innovative and important literary genres including satiric city comedy, country house poetry, chorography, masque, tragedy, tragicomedy, religious poetry, epic, the poetry of love and friendship, and a variety of prose.

Heralding a new era in literary studies, the Oxford English Literary History breaks the mould of traditional approaches to the canon by focusing on the contexts in which the authors wrote and how their work was shaped by the times in which they lived. Each volume offers a fresh, ground-breaking re-assessment of the authors, their works, and the events and ideas which shaped the literary voice of their age. Written by some of the leading scholars in the field, under the general-editorship of Jonathan Bate, the Oxford English Literary History is essential reading for everyone studying, teaching, and researching in English literature.Unlike most medieval literary histories, which end with the coming of the Tudors, this volume continues into the mid-sixteenth century, and registers the impact of Henry VIII's cultural revolution and the linking of Church and State after the break with Rome. Although potent traditions praise both 'Reformation' and 'Renaissance' as moments of liberation, this book argues the reverse. Simpson shows that the emergent centralized culture narrowed and simplified the literary possibilities that had been enjoyed by late medieval writers. The consequences for literature, and even for the varieties of English in which it was written, were dramatic.From roughly 1350, where the volume starts, a wide range of literary kinds flourished, in a wide range of dialects. Many of these texts can be described as a mixed commonwealth of styles and genres, such as Langland's Piers Plowman, Gower's Confessio Amantis, Chaucer's Canterbury Tales, the dramatic 'mystery' cycles, and Malory's Works. In the sixteenth century this stylistic variety gave way to a literary practice that prized coherence and unity above all. Some kinds of writing, especially romance, survived. Others, such as Langland's brand of ecclesiology, the 'Aristotelian' politics of Gower and Hoccleve, and the feminine visionary mode of Julian of Norwich, became untenable. Religious cycle drama outlived the 1530s but was suppressed within the next forty years. Sixteenth-century writing, by figures such as Wyatt, Surrey, and the dramatist John Bale, emerges in this book as the product of profoundly divided writers, torn between their commitment to the new order and their awareness of its painful, often destructive strictures.

Inaugurating a major new series, successor to the Oxford History of English Literature but excitingly new in its emphasis on 'literary history', this volume covers the flowering of Victorian literature, from the decade when Tennyson started writing In Memoriam and Darwin embarked on the Beagle to the publication of Hardy's first great novels and the death of George Eliot.The Victorian era produced a literature of diversity and experimentation, engaged with powerful controversies and heartfelt arguments that lie at the centre of the formation of the modern world. It has often been misrepresented, either as an age of dull and rigid certainty or one of anxious and depressive morbidity, but what distinguishes the writing of the period - from its origins in the 1830s to its crisis point around 1880 - is its power of serious inquiry. It poses questions about the relation between society and the individual, the rival claims of market and morality, the form and function of democracy, and, above all, the existence or non-existence of God and the purposes of human life. Such concerns make this a time in which literature has a new urgency and vitality, and lies close to the heart of a culminating crisis of the Western conscience.The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all keen readers of English fiction.

This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.

English Literature in the 1960s soon threw off its post-war weariness and the tepid influences of the previous decade. New voices, new visions, and new commitments profoundly reshaped writing during the sixties, and throughout the rest of the century. Drama thrived on its rapidly rebuilt foundations. New freedoms of style and form revitalised fiction. Poetry, too, gradually recovered the variety and inventiveness of earlier years.As well as comprehensively charting these changes in the literary field, Randall Stevenson persuasively pinpoints their origins in the historical, social, and intellectual pressures of the times. Literary developments are revealingly related to the wider evolution and profound changes in English experience in the late twentieth century - to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; and the broadening democratization of contemporary life in general.Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively thorough, insightful description of writing in the later twentieth century - a literary period Stevenson shows to be far more imaginative and exciting than has yet been recognized. Lucid, accessible, and engaging, this volume of the Oxford English Literary History presents a unique illumination of its age - one we have lived through, but are only just beginning to understand. The first full account of its period, it will set the agenda for discussion of late twentieth-century literature for many years to come.

In the future, what will 'English Literary History' mean? A literary history of England, or one with much looser boundaries, defined only by a communality of language, not by location or history? In this, the last volume in the Oxford English Literary History, Bruce King discusses the literature written by those who have chosen to make England their home since 1948. With decolonization following World War II, and the growth of large immigrant communities in England, came a wave of colonial, postcolonial, and immigrant writers whose entry onto the British cultural landscape forces us to consider what it is to be British, English, or national now that England is multiracial and part of a global economy.King addresses these new trends in English literature and the questions they raise in the first wide-ranging and comprehensive account of immigrant literature set in a social context. Ranging through Black and Asian British prose, poetry, and drama, and writers including V. S. Naipaul, Salman Rushdie, Hanif Kureishi, and Zadie Smith, King reveals the development of the literature from writing about immigration to becoming English. Now that the literature of England includes Sri Lankans, Egyptians, and British Nigerians, does this mean that we can no longer talk of the English nation as a cultural unit? King concludes persuasively that it does not. We have not seem the demise of national cultures; rather, a new, accomplished, and socially significant body of writing in England is influenced by the interaction between foreign cultures and British traditions. This bold and challenging account of British culture will shape debate for future generations.