Oxford Television Studies – serie
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15 produkter
15 produkter
1 522 kr
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British Youth Television examines the phenomenon of 'yoof' television - programmes such as Network 7, The Word, The Big Breakfast, Snub TV and Gamesmaster. Between 1987 and 1995 these and other related programmes formed part of a high profile genre that in terms of both the personnel involved and in terms of their visual style continue to be influential in British television today. Examining these programmes the author reflects on the way in which the contemporary youth audience - Generation X - were being addressed. Karen Lury identifies an ambivalent viewing sensibility - 'cynicism and enchantment' - which encapsulates the attitude expressed by both the programmes and the audience. The distinctive aspect of the book is the way in which Lury is concerned to concentrate on the spatial and visual aspects of television. In particular her concern is to re-evaluate television as a specific experience, and one which has a central importance in young people's formation of identity and their sense of being in the world. Her central thesis also suggests that while television must necessarily be related to other visual media, it should be understood as having distinct aesthetic and phenomenological qualities of its own.
1 366 kr
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The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key soap opera scholars. The book reveals that feminist scholarship on soap opera was a significant site of which the identity 'feminist intellectual' was produced in dialogue with her imagined other, the soap opera watching housewife. The book integrates personal autobiographical accounts within a broader history which traces both the move from 'women's liberation' to 'Feminism', and the acceptance of soap opera as a serious object of study.
593 kr
Skickas inom 7-10 vardagar
The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key soap opera scholars. The book reveals that feminist scholarship on soap opera was a significant site of which the identity 'feminist intellectual' was produced in dialogue with her imagined other, the soap opera watching housewife. The book integrates personal autobiographical accounts within a broader history which traces both the move from 'women's liberation' to 'Feminism', and the acceptance of soap opera as a serious object of study.
768 kr
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Why is talk about television forbidden at certain schools? Why does a mother feel guilty about watching Star Trek in front of her four-year-old child? Why would retired men turn to daytime soap operas for entertainment? Cliches about television mask the complexity of our relationship to media technologies. Through case studies, the author explains what audience research tells us about the uses of technologies in the domestic sphere and the classroom, the relationship between gender and genre, and the varied interpretation of media technologies and media forms. Television and New Media Audiences reviews the most important research on television audiences and recommends the use of ethnographic, longitudinal methods for the study of media consumption and computer use at home as well as in the workplace.The book discusses reactions of audiences to many internationally known television programmes including The Flintstones, The Jetsons, Street Fighter, Mighty Morphin Power Rangers, X-Men, Sesame Street, Dallas, Star Trek, The Cosby Show, Teenage Mutant Ninja Turtles, National Geographic, etc.
2 917 kr
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Why is talk about television forbidden at certain schools? Why does a mother feel guilty about watching Star Trek in front of her four-year-old child? Why would retired men turn to daytime soap operas for entertainment? Cliches about television mask the complexity of our relationship to media technologies. Through case studies, the author explains what audience research tells us about the uses of technologies in the domestic sphere and the classroom, the relationship between gender and genre, and the varied interpretation of media technologies and media forms. Television and New Media Audiences reviews the most important research on television audiences and recommends the use of ethnographic, longitudinal methods for the study of media consumption and computer use at home as well as in the workplace.The book discusses reactions of audiences to many internationally known television programmes including The Flintstones, The Jetsons, Street Fighter, Mighty Morphin Power Rangers, X-Men, Sesame Street, Dallas, Star Trek, The Cosby Show, Teenage Mutant Ninja Turtles, National Geographic, etc.
New Media and Popular Imagination
Launching Radio, Television, and Digital Media in the United States
Häftad, Engelska, 2004
951 kr
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New Media and Popular Imagination offers a highly original account of the ways in which successive media of electronic communication - radio, television, and digital media - have been anticipated, debated, and taken up in the twentieth-century United States. Intended as an intervention in the emerging scholarly and policy debates around contemporary digital culture, the book analyses popular responses to earlier moments of technological innovation in the twentieth-century. Successive electronic media have challenged the borders between private and public, disturbed notions of national identity, and disrupted the gendered routines and spaces of the private home. Illuminating both the continuities and disjunctions between old media and new, New Media and Popular Imagination offers new insights into the relationship between technological change and cultural form.
New Media and Popular Imagination
Launching Radio, Television, and Digital Media in the United States
Inbunden, Engelska, 2004
1 245 kr
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New Media and Popular Imagination places the current technological upheaval in audio-visual culture in the context of previous periods of twentieth-century media innovation. Examining popular and industry responses to the introduction of radio, television, and digital media into the home, the book underscores the continuities and disjunctions in the ways in which electronic media have been anticipated, promoted, and resisted in twentieth-century America.
1 050 kr
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Television Drama offers an account of British television drama from its origins in live studio drama in the prewar and immediate postwar years, through the Golden Age of the single play in the 1960s and 1970s, to its convergence with an emerging British art cinema in the 1990s. It relates the development of television drama to movements which were going on within the culture. In particular, it is concerned with a series of arguments and debates about politics and form which centred around issues of immediacy and naturalism, realism and modernism in public culture. The book addresses contemporary television in the form of the television film and the classic serial, and raises new questions about such issues as adaptation and acting. The importance of the book lies in its attempt to place television drama at the centre of late twentieth-century British culture and to relate the criticism of television drama to a wider history of aesthetic debates and arguments.
1 003 kr
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Television Drama offers an account of British television drama from its origins in live studio drama in the prewar and immediate postwar years, through the Golden Age of the single play in the 1960s and 1970s, to its convergence with an emerging British art cinema in the 1990s. It relates the development of television drama to movements which were going on within the culture. In particular, it is concerned with a series of arguments and debates about politics and form which centred around issues of immediacy and naturalism, realism and modernism in public culture. The book addresses contemporary television in the form of the television film and the classic serial, and raises new questions about such issues as adaptation and acting. The importance of the book lies in its attempt to place television drama at the centre of late twentieth-century British culture and to relate the criticism of television drama to a wider history of aesthetic debates and arguments.
690 kr
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Television has radically reshaped the contours of knowledge and of pleasure in modern society and become a regular subject of scrutiny and argument. This important book, fully accesible to students yet a contribution to international debate, is the first to offer a systematic review of the ideas which have been most influential across a full range of television criticism and research from the first pioneering studies to the most recent theory and analysis. In the course of exploring key ideas, John Corner develops a clear and close engagement with television itself and the way it is changing. After an Introduction which provides a concise overview of how television has been studied and why, ten chapters take key features of the medium in order to raise questions and and assess arguments. With its focused summaries and its scope of reference, Critical Ideas in Television Studies will help the teaching and study of television to enter a new phase of improved clarity and self-awareness.
2 246 kr
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During the fertile decade 1955-65 the television institution emerged in a form which would be familiar for the next half century: this book attends to two aspects of its formation. The first entails the production strategies, programmes, schedules, and emergent generic modes as these were invented through a process of trial and error, allied to a close attention to building the mass audience - in short the question of how television invented itself. The second aspect concerns the place of women and the concept 'feminine' in the new institution. Television offered women access to the public sphere in ways that were potentially disruptive of the order prevailing in mid-1950s Britain. Apart from new employment opportunities, images of women and definitions of the feminine were purveyed nightly to an heterogeneous audience of millions, an audience that was itself under construction throughout the period. Through close attention to three discrete areas of programming (women's programmes, news and current affairs, and popular drama), the book aims to convey a sense of the excitement entailed in establishing the institution and to ask where and how it may have posed challenges to the prevailing patriarchal hegemony. Hence the productive interplay of two terms, television and the feminine, both of which were evolving rapidly during the period, is explored in the context of the contemporary discursive climate.
1 173 kr
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This book explores the formative period of British television drama, concentrating on the years 193655. It examines the continuities and changes of early television drama, and the impact this had upon the subsequent 'golden age'. In particular, it questions the caricature of early television drama as 'photographed stage plays' and argues that early television pioneers in fact produced a diverse range of innovative drama productions, using a wide range of techniques. It also explores the often competing definitions about the form and aesthetics of early television drama both inside and outside the BBC. Given the absence of an audio-visual record of early television drama, the book uses written archive material in order to reconstruct how early television drama looked, and how it was considered by producers and critics, whilst also offering a critical examination of surviving dramas, such as Rudolph Cartier's Nineteen Eighty-Four.
663 kr
Skickas inom 7-10 vardagar
This book explores the formative period of British television drama, concentrating on the years 1936-55. It examines the continuities and changes of early television drama, and the impact this had upon the subsequent 'golden age'. In particular, it questions the caricature of early television drama as 'photographed stage plays' and argues that early television pioneers in fact produced a diverse range of innovative drama productions, using a wide range of techniques. It also explores the often competing definitions about the form and aesthetics of early television drama both inside and outside the BBC. Given the absence of an audio-visual record of early television drama, the book uses written archive material in order to reconstruct how early television drama looked, and how it was considered by producers and critics, whilst also offering a critical examination of surviving dramas, such as Rudolph Cartier's Nineteen Eighty-Four.
Television, Childhood, and the Home
A History of the Making of the Child Television Audience in Britain
Inbunden, Engelska, 2002
1 401 kr
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Television audiences, as with other media audiences, are virtual entities. They have an existence, not immediately visible, but one that drives research, investment in programmes, public concern, and government policy.More than any other audience, the child television audience has generated more debate, anxiety, and action. What harm does television do children? Should parents restrict their children's viewing? Is children's television becoming too commercialized? How can we make programmes for very young children?This book, the first academic study of its kind, uncovers a history of the child television audience. Looking in detail at children's television and its audience in Britain in the 1940s, 1950s, and 1960s, the book shows how an audience literally came into being, how it was given substance, and how it became the site of intervention.Skilfully written and painstakingly researched, Television, Childhood, and Historical Reception is a history of an audience-in-the-making.
760 kr
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OXFORD TELEVISION STUDIES General Editors: Charlotte Brunsdon and John Caughie Oxford Television Studies offers international authors - both established and emerging - an opportunity to reflect on particular problems of history, theory, and criticism which are specific to television and which are central to its critical understanding. The perspective of the series will be international, while respecting the peculiarities of the national; it will be historical, without proposing simple histories; and it will be grounded in the analysis of programmes and genres. The series is intended to be 3oundational without being introductory or routine, facilitating clearly focused critical reflection and engaging a range of debates, topics, and approaches which will offer a basis for the development of television studies. British television has been a success story. One factor in this success has been the distinctive institutional structure of British broadcasting, a mix of state-regulated and publicly-funded services with commercial services. This book attempts to give a broad overview of British television by examining both the institutional framework and the programmes that it has produced. A range of reprinted writings from the work of acknowledged experts is supplemented by specially commissioned essays on such key topics as sport and British television in the global context. It will be a key text for all students taking courses on British television and broadcasting.