Performance and Communities - Böcker
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4 produkter
4 produkter
1 408 kr
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The chapters in this collection explore the constellation of points where stories of individual experience and experiences are in dialogue with political, cultural and social narratives.Encompassing themes of individual and social identities and relationships, (un)belonging, motherhood, academic lives and what it means to be an arts practitioner, these stories and accounts continue and expand the ongoing conversations of how practitioners and academics do their work. They show the ongoing need to rethink and re-examine how to do critical and engaging scholarly work. Life stories are necessarily, messy, complex, personal and often deal with experiences that have been challenging for the author in some way.Contributions from Ross Adamson, Suzy Bamblett, Emily Bell, Jenni Cresswell, Hannah Davita Ludikhuijze, Sandra Lyndon, Vanessa Marr, Jess Moriarty, Éva Mikuska, Holly Stewart, Deirdre Russell, Louise Spiers, Lucianna Whittle.This is the first book in a new series. The Performance and Communities Book Series celebrates, challenges and researches performance in the real world. The series will consider how contemporary performance can engage, build and learn from previous, existing, evolving and new communities of people – practitioners, academics, students, audiences.
1 769 kr
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This is the second book in the Performance and Communities series. An edited collection from academics and artists engages with both these notions of performance – that of identities in and through time and space - and of more formal instances of specific time-limited performances; textual, embodied, visual and communal.Each chapter focuses on an individual or group’s mode of working and methodological practice of performance across a range of modes, disciplines and media – from community opera to online queer performance, from anti-racist class-room pedagogy to 1980s cabaret in nightclubs, from community art projects in schools to community writing projects in transport interchanges, the performers, writers and creators represented here all engage and grapple with contemporary performance as a situated practice and as a problematic.The personal perspective of each performer – directors, librettists, producers, writers, performers – is explicitly located in a community and the book offers a series of case studies detailing socially engaged work that aligns with concepts of performance and community.
Del 4 - Performance and Communities
Performing Maternities
Political, Social and Feminist Enquiry
Inbunden, Engelska, 2024
1 542 kr
Skickas
Performing Maternities is a collection of essays, creative work, images and scripts which emerged out of an online international symposium held at Brighton University in November 2020. Collectively, the contributors challenge, celebrate and share the normative, the queer, the transgressive, the joy and the pain of performing maternity. The book asks key questions about the construction of maternal identities and mythologies in the contemporary world, the ways these impact on individuals in different social, economic and sexual identities, and the ways in which - as mothers, writers, artists, parents and grandparents -we can challenge and address those identities.
- Nyhet
496 kr
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Performing Punctuation gathers writers/performers to highlight, question and contest colonising facets of English language punctuation, while looking for ways to reveal and rarefy these proprietary rules such that they are responsive, playful, generous, generative, and ultimately more inclusive.A transdisciplinary collaborative book that brings awareness to the limiting effects of the prevailing dominance of English language and its vociferous use of punctuation. The book's content and design is guided by this question: How can English language punctuation discard its domineering and strident overcoat to enable a greater diversity of readers, listeners, performers, writers, and practices?Performing Punctuation, bears out digressions, indiscretions, transgressions and fabulations of grammatical marks unfaithful to propriety. It makes public an on-going and refreshed movement to play humorously and tenaciously with those small but powerful writing marks that regulate, discipline and structure textual language and spoken discourse. These marks, symbols and rule-makers are anything but a mere neutral grammatical systems; they are language gremlins and pixies; inflecting and infecting agents with histories, voices and messages of their own accord. These marks are understood as part and parcel to the on-going colonising history of the English language.The collection brings together of a range of voices – Māori and Pākehā – and the collaborative editorial relationship with contributors allows conversation to develop between the elements of the book.