Poetry Pleiade – serie

To catch "in full sight" is Edwin Morgan's ambition. That fullness he achieves in lyric epiphanies, in the cumulative focuses and refocuses of sequences, in the reification of words in concrete poems, in the rhythms of sound poems. He hears and transcribes voices. Even the sonnet form remains an experiment for the poet questing for vision and unwilling to rest on rules. This volume includes Edwin Morgan's "Poems of Thirty Years" (1982) and "Themes on a Variation" (1988), together with some 50 uncollected poems from 1939 to 1982.

Recipient of the Nobel Prize in Literature 2020 In an essay Louise Gluck says that every end of a book is for her a 'conscious diagnostic act, a swearing off', in which she discerns the themes, habits and preoccupations of the previous volume as defining the tasks of the next.The First Five Books of Poems shows the poet in the conscious evolution she describes, marking time in changes. Readers will hear specifics of sequence: where the ferocious tension of her first book moves towards the finely-spun lyricism of the second. The nouns of that book acquire more intimate weight and become the icons of her third collection, then rise to an archetypal, mythic scale in the fourth. These poems are as various as the force of Gluck's intelligence is constant. The austerely beautiful voice that has become Gluck's' keynote speaks of a life lived in unflinching awareness.'She is a poet of enormous importance and intelligence,' wrote Bernard O'Donoghue in the Independent; 'we must not miss her.'The First Five Books of Poems includes Firstborn (1968), The House on Marshland (1975), Descending Figure (1980), The Triumph of Achilles (1985) and Ararat (1990).