Radical Thinkers Set 02 – serie

In the first two essays of this book, Louis Althusser analyses the work of two of the greatest thinkers of the Enlightenment - Montesquieu and Rousseau. He shows that although they made considerable advances towards establishing a science of politics, particularly in comparison with the theorists of natural law, they nevertheless remained the victims of the ideologies of their day and class. Montesquieu accepted as given the political notions current in French absolutism; Rousseau attempted to impose by moral conversion an already outdated mode of production. The third essay examines Marx's relationship to Hegel and elaborates on the discussions of this theme in Althusser's earlier books, For Marx and Lenin and Philosophy. Althusser argues that Marx was able to establish a theory of historical materialism and the possibility of a Marxist philosophy of dialectical materialism not simply by turning his back on Hegel, but by extracting and converting certain categories from Hegel's Logic and applying them to English political economy and French socialist political theory.

This third book in the Cool Memories series is culled from Baudrillard's notebooks in the period when he was composing The Illusion of the End and The Perfect Crime. In it, he resumes his investigation of the meta-metaphysics of objects. Like its predecessors, the book is a work of brief meditations, of poetic musings: in a word, of fragments.

Over the last two decades, contemporary French philosophy has exercised a powerful influence on intellectual life, across both Europe and America. Post-structuralist strategies and concepts have played an important role in many forms of social, cultural and aesthetic analysis, particularly on the Left. Despite the widespread reception, however, there has still been comparatively little analysis of the basic philosophical assumptions of post-structuralism, or of the compatibility of many of its central tenets with the progressive political orientations with which it is frequently associated.In this book, Peter Dews seeks to remedy this situation by setting post-structuralist thought in relation to another, more explicitly critical, tradition in the philosophical analysis of modernity - that of the Frankfurt School, from Adorno to Habermas. Logics of Disintegration will be of interest to readers across a wide range of disciplines, from literary criticism to social theory, which have felt the impact of post-structuralism - and to anyone who wishes to reach a balanced assessment of one of the most influential intellectual currents of our time.

In Emancipation(s), Ernesto Laclau addresses a central question: how have the changes of the last decade, together with the transformation in contemporary thought, altered the classical notion of "emancipation" as formulated since the Enlightenment? Our visions of the future and our expectations of emancipation, have been deeply affected by the changes of recent history: the end of the Cold War, the explosion of new ethnic and national identities, the social fragmentation under late capitalism, and the collapse of universal certainties in philosophy and social and historical thought. Laclau here begins to explore precisely how our visions of emancipation have been recast under these new conditions. Laclau examines the internal contradictions of the notion of "emancipation" as it emerged from the mainstream of modernity, as well as the relation between universalism and particularism which is inherent in it. He explores the making of political identities and the status of central notions in political theory such as "representation" and "power," focusing particularly on the work of Derrida and Rorty. Emancipation(s) is a significant contribution to the reshaping of radical political thought.

Considered to be the founding father of British cultural theory, Williams was concerned throughout his life to apply a materialist and socialist analysis to all forms of culture, defined generously and inclusively as "structures of feeling." In this major work, Williams applies himself to the problem of modernism. Rejecting stereotypes and simplifications, he is especially preoccupied with the ambivalent relationship between revolutionary socialist politics and the artistic avant-garde. Judiciously assessing the strengths and weaknesses of the modernist project, Williams shifts the framework of discussion from merely formal analysis of artistic techniques to one which grounds these cultural expressions in particular social formations. Animating the whole book is the question which Williams poses and brings us significantly closer to answering: namely, what does it mean to develop a cultural analysis that goes "beyond the modern" and yet avoids the trap of postmodernism's "new conformism"?

The feature which distinguishes the great works of materialist thought, from Lucretius' De rerum natura through Capital to the writings of Lacan, is their unfinished character: again and again they tackle their chosen problem. Schelling's Weltalter drafts belong to this same series, with their repeated attempt at the formulation of the 'beginning of the world,' of the passage from the pre-symbolic pulsation of the Real to the universe of logos.F.W.J. Schelling, the German idealist who for too long dwelled in the shadow of Kant and Hegel, was the first to formulate the post-idealist motifs of finitude, contingency and temporality. His unique work announces Marx's critique of speculative idealism, as well as the properly Freudian notion of drive, of a blind compulsion to repeat which can never be sublated in the ideal medium of language.The Indivisible Remainder begins with a detailed examination of the two works in which Schelling's speculative audacity reached its peak: his essay on human freedom and his drafts on the "Ages of the World." After reconstituting their line of argumentation, Slavoj Zizek confronts Schelling with Hegel, and concludes by throwing a Schellingian light on some "related matters": the consequences of the computerization of daily life for sexual experience; cynicism as today's predominant form of ideology; the epistemological deadlocks of quantum physics.Although the book is packed with examples from politics and popular culture - the unmistakable token of Zizek's style - from Speed and Groundhog Day to Forrest Gump, it signals a major shift towards a systematic concern with the basic questions of philosophy and the roots of the crisis of our late-capitalist universe, centred around the enigma of modern subjectivity.