Raz/Shumaker Prairie Schooner Book Prize in Fiction – serie

2018 PEN America Literary Award Winner–Los AngelesWinner of the Prairie Schooner Book Prize in Fiction, Black Jesus and Other Superheroes chronicles ordinary people achieving vivid extrasensory perception while under extreme pain. The stories tumble into a universe of the jaded and the hopeful, in which men and women burdened with unwieldy and undesirable superhuman abilities are nonetheless resilient in subtle and startling ways.Venita Blackburn's characters hurl themselves toward the inevitable fates they might rather wish away. Their stories play with magic without the sparkle, glaring at the internal machinations of the human spirit. Fragile symbols for things such as race, sexuality, and love are lifted, decorated, and exposed to scrutiny and awe like so many ruins of our imagination. Through it all Blackburn’s characters stumble along currents of language both thoughtful and hilarious.

Wisconsin is not where Alice, a girl raised in Florida, meant to end up. But when she falls in love with Anders Dahl, a descendant of Norwegian farmers born for generations in the same stone farmhouse, she realizes that to love Anders is to settle into a life in Wisconsin in the small house they buy before their daughter, Maude, is born. Together, Alice and Anders move forward into a life of family, friends, and the occasional troubled student until they face their biggest challenge. Winner of the Prairie Schooner Book Prize in Fiction, Jesse Lee Kercheval's The Alice Stories tells the tale of a family: the pain of loss and the importance of the love of friends in the midst of turmoil. As timely as the news yet informed by rich humor and a deep understanding of human character, the interlinked Alice Stories form a luminous tale of family life.

K. L. Cook’s debut collection of linked stories spans three generations in the life of one West Texas family. Events both tender and tragic lead to a strange and lovely vision of a world stitched together in tenuous ways as the characters struggle to make sense of their lives amid the shifting boundaries of marriage, family, class, and culture. A series of unusual incidents-a daughter’s elopement, a sobering holiday trip, a vicious attack by the family dog, a lightning strike-provokes a mother of five to abandon her children. An oil rigger, inspired by sun-induced hallucinations, rescues his estranged wife, who doesn’t appreciate his chivalry. In the wake of his father’s and brother’s deaths, a teenage boy finds a precarious solace working with his mother at a country-western bar. A cosmetics salesman schemes to buy Costa Rica and flirts dangerously with mobsters in Las Vegas. A woman fleeing her fourth marriage arrives at a complicated understanding of love and responsibility. Railroad worker and conman, grieving son and battered wife-these characters explore the limits of family fragility and resilience. Their stories-suggesting unlikely connections between comedy and pathos, cruelty and generosity-promise a hard-won dignity and hope.

The stories in this prize-winning collection evoke a complete world, one so richly imagined and finely realized that the stories themselves are not so much read as experienced. The world of these stories is Portuguese-American, redolent of incense and spices, resonant with ritual and prayer, immersed in the California culture of freeway and commerce. Packed with lyrical prose and vivid detail, acclaimed writer Katherine Vaz conjures a captivating blend of Old World heritage and New World culture to explore the links between families, friends, strangers, and their world.  From the threat of a serial killer as the background for a young girl's first brush with death to the fallout of a modern-day visitation from the Virgin Mary; from an AIDS-stricken squatter refusing to vacate an empty Lisbon home to a mother's yearlong struggle with the death of her synesthetic daughter, these deft stories make their world ours.

Imagine a Hollywood encounter between Helen Keller and Frida Kahlo, "two female icons of disability." Or the story of "Moby Dick, or, The Leg," told from Ahab's perspective. What if Vincent Van Gogh resided in a twentieth-century New York hotel, surviving on food stamps and direct communications with God? Or if the dwarf pictured in a seventeenth-century painting by Velazquez should tell her story? And, finally, imagine the encounter between David and Goliath from the Philistine's point of view. These are the characters who people history and myth as counterpoints to the "normal." And they are also the characters who populate Anne Finger's remarkable short stories. Affecting but never sentimental, ironic but never cynical, these wonderfully rich and comic tales reimagine life beyond the margins of "normality."

Winner of the Prairie Schooner Book Prize in Fiction, this daring collection of nine stories introduces readers to an edgy vision and a world in which certainties are tested and found wanting. A Cambodian refugee negotiates the icy waters of American social and sexual life. A young couple seeks "peak experiences" to escape grief, only to discover that they've brought it along with them. A teenage girl, unable to face the imminent end of her grandfather's life, risks her own life in an impulsive act. A man's fragile hold on reality becomes the key to his finding, albeit through a terrifying labyrinth, his heart's desire. The characters in Bliss and Other Short Stories must find their way to a truth that, though less than perfect, is one they can live with. Finding bliss, it seems, is as much about pain as about pleasure, and in Ted Gilley's writing the discovery is always exquisite.

Winner of the Prairie Schooner Book Prize in Fiction, Karen Brown's Little Sinners, and Other Stories features a sad, strange mosaic of women and men grappling with the loss and pain of everyday existence, people inhabiting a suburban landscape haunted by ghosts: a mother who leaps from a ridge, a mistress found at the bottom of the Connecticut River, a father who dresses in a pale blue-custom suit—and disappears. The dead leave behind postcards, houses, bottles of sherry, bones. They become local legends, their stories part of the characters' own: an expectant mother in an isolated cottage on Long Island Sound uncovers an unsettling secret in her backyard; a troubled housewife is lured to a dinner party by a teenage girl whose mother has vanished under mysterious circumstances; a woman and her lover swim the pools of their neighborhood under cover of darkness; a young heiress struggles with mortality and the abandonments in her past.These stories capture the domestic world in all its blighted promise—a world where women's roles in housekeeping, marriage, childbirth, and sex have been all too well defined, and where the characters fashion, recklessly and passionately, their own methods of escape.

Now We Will Be Happy is a prize-winning collection of stories about Afro-Puerto Ricans, U.S.-mainland-born Puerto Ricans, and displaced native Puerto Ricans who are living between spaces while attempting to navigate the unique culture that defines their identity. Amina Gautier’s characters deal with the difficulties of bicultural identities in a world that wants them to choose only one.The characters in Now We Will Be Happy are as unpredictable as they are human. A teenage boy leaves home in search of the mother he hasn’t seen since childhood; a granddaughter is sent across the ocean to broker peace between her relatives; a widow seeks to die by hurricane; a married woman takes a bathtub voyage with her lover; a proprietress who is the glue that binds her neighborhood cannot hold on to her own son; a displaced wife develops a strange addiction to candles. Crossing boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.

K. L. Cook’s debut collection of linked stories spans three generations in the life of one West Texas family. Events both tender and tragic lead to a strange and lovely vision of a world stitched together in tenuous ways as the characters struggle to make sense of their lives amid the shifting boundaries of marriage, family, class, and culture. A series of unusual incidents-a daughter’s elopement, a sobering holiday trip, a vicious attack by the family dog, a lightning strike-provokes a mother of five to abandon her children. An oil rigger, inspired by sun-induced hallucinations, rescues his estranged wife, who doesn’t appreciate his chivalry. In the wake of his father’s and brother’s deaths, a teenage boy finds a precarious solace working with his mother at a country-western bar. A cosmetics salesman schemes to buy Costa Rica and flirts dangerously with mobsters in Las Vegas. A woman fleeing her fourth marriage arrives at a complicated understanding of love and responsibility. Railroad worker and conman, grieving son and battered wife-these characters explore the limits of family fragility and resilience. Their stories-suggesting unlikely connections between comedy and pathos, cruelty and generosity-promise a hard-won dignity and hope.

Winner of the Prairie Schooner Book Prize in Fiction, this collection of tales returns readers to the American Northwest so deftly observed and powerfully evoked in John Keeble's previous works. Nocturnal America occupies a terrain at once familiar and strange, where homecoming and dislocation can coincide, and families can break apart or hone themselves on the hard edges of daily life. In these stories, Keeble populates what journalist Joel Garreau once called the "Empty Quarter" of North America with complex humanity. Life ranges vibrantly through these airy spaces, at times finding itself thrown up against the shifty terrors of political and cultural change. Keeble's stories hinge on love—its difficulty, its loss and pangs, but also its discovery of good fortune. As his characters come and go, unexpectedly converging, vanishing, or reappearing, their stories reach beyond the ordinariness of life.

Just down the highway from Connecticut’s Gold Coast is the state’s rusty underbelly, the wretched, used-up sort of place where you might find Xhenet Aliu’s Domesticated Wild Things: the reluctant mothers, delinquent dads, and not-quite-feral children, yet dreamers all. These are the children of immigrants who found boarded-up brass mills instead of the gilded streets of America; they’re the teenaged girls raised in the fluorescent glow of Greek diners, the middle-aged men with pump trucks and teratomas. These are people who have fled, or who should have. And if they are indeed familiar, it is because Aliu writes what is real, whether we ourselves, her readers, have seen it up close or not. And her stories make sense in a way that matters.A young mother buys into a real-estate investment seminar offered on an infomercial, only to be put back into her place by a bully in foreclosure. A closeted wrestler befriends a latchkey seven-year-old neighbor who harbors secrets of her own. A YMCA counselor tries to reclaim shoes stolen by a troubled young camper.What they share is a biting humor, an eye for the absurd, and fumbling attempts at human connection, all rendered irresistible-and as moving as they are amusing-by a writer whose work is at once edgy and endearing and prize winning for reasons any reader can appreciate.

Humans have always connected deeply to the idea of home. In Bryn Chancellor’s nine stories, home means, in part, the physical spaces: the buildings, cities and towns, the fragile, imperious landscapes of the region. But home is also profoundly rooted in intangibles. Set in urban and rural Arizona, home, for the characters in these stories, is love-familial, romantic, and unrequited. It is loss and grief. It is the memories that surface late at night. It is mystery and longing and a shining flicker of hope.In the title story, a locksmith prowls empty houses and befriends a young mother as he and his wife grapple with a tragedy perpetrated by their son. During an overseas trip, a daughter grieving for her father struggles with her mother’s altered appearance; an irrigation worker meets a troubled teenage girl in the darkness of her flooded yard; and a daughter and her estranged, ailing mother stay in a dilapidated cabin while a mountain lion stalks the woods. Through chance meetings between strangers, collisions within families, and confrontations with the self, characters leave and return, time and again, trying desperately to find their way home.

Rare voices in fiction, the lives of the working class consume this collection. Winner of the Prairie Schooner Book Prize in Fiction, One-Hundred-Knuckled Fist brings to life the narratives of midwestern blue-collar workers. In these sixteen stories, author Dustin M. Hoffman invites readers to peek behind the curtain of the invisible-but-ever-present “working stiff” as he reveals their lives in full complexity, offering their gruff voices-so often ignored-without censorship.  The characters at the heart of these stories work with their hands. They strive to escape invisibility. They hunt the ghost of recognition. They are painters, drywall finishers, carpenters, roofers, oil refinery inspectors, and hardscapers, all aching to survive the workday. They are air force firemen, snake salesmen, can pickers, ice-cream truck drivers, and Jamaican tour guides, seething forth from behind the scenes. They are the underemployed laborers, the homeless, the retired, the fired, the children born to break their backs. One-Hundred-Knuckled Fist initiates readers into the secret nightmares and surprising beauty and complexity of a sweat-stained, blue-collar world.

Winner of the Prairie Schooner Book Prize in Fiction, the stories in Better Times focus on what’s happening in places people don’t think to look. Women, sometimes displaced, often lonely, are at the heart of these stories. In Better Times Sara Batkie focuses on the moments in women’s lives when the wider world is wrapped up in other matters: a father and daughter, separated by time and an ocean, dreaming of each other; a girl in a home for “troubled women” imagining the journey of the first dog in space; a phantom breast returning to haunt a woman after her mastectomy; a young woman giving birth to a litter of eggs. Such are the ordinary women weathering extraordinary circumstances in Better Times.Divided into three sections covering the recent past, our current era, and the world to come, the stories gathered here-with characters stymied by loneliness, motherhood, illness, even cataclysmic climate change-interrogate the idea that so-called better times ever existed, particularly for women.

In this collection of short stories, Liz Breazeale explores the connections between humans and the natural world by examining the processes and history of our planet. A myriad of extinction events large and small have ruptured the history of the earth, and so it is with the women of this book, who struggle to define themselves amid their own personal cataclysms and those igniting the world around them. They are a mother watching the islands of the world disappear one by one, a new bride using alien abduction to get closer to her estranged parent, a daughter searching for her mother among the lost cities of the world, a sister trying and failing to protect her mythical continent–obsessed brother.Here extinction events come in all sizes and shapes: as volcanic eruptions and devastating plagues and meteor impacts, as estrangements and betrayals and losses. Dark, angry, and apocalyptic, Extinction Events is a compendium of all the ways in which life can be annihilated.

Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story CollectionWinner of the Prairie Schooner Book Prize in Fiction, If the Body Allows It is divided into six parts and framed by the story of Marie, a woman in her thirties living in Newark, New Jersey. Suffering from a chronic autoimmune illness, she also struggles with guilt over the overdose and death of her father, whom she feels she betrayed at the end of his life. The stories within the frame-about failed marriages, places of isolation and protection, teenage mistakes, and forging a life in the aftermath-are the stories the narrator writes after she meets and falls in love with a man whose grief mirrors her own. If the Body Allows It explores illness and its aftermath, guilt and addiction, and the relationships the characters form after they’ve lost everyone else, including themselves.Introspective, devastating, and funny, If the Body Allows It grapples with the idea that life is always on the brink of never being the same again.

Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story CollectionWinner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn’t Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves-a parent, a child, a friend, a spouse, a partner.A young man longs for his mother’s love while grieving the loss of his older brother. A mother’s affair sabotages her relationship with her daughter, causing a lifelong feud between the two. A divorced man struggles to come to terms with his failed marriage and his family’s genocidal past while trying to persuade his father to start cancer treatments. A high school girl feels responsible for the death of her best friend, and the guilt continues to haunt her decades later.Evocative and lyrical, the tales in What Isn’t Remembered uncover complex events and emotions, as well as the unpredictable ways in which people adapt to what happens in their lives, finding solace from the most surprising and unexpected sources.

Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Vanished tells the stories of women and girls in upstate New York who are often overlooked or unseen by the people around them. The characters range from an aging art professor whose students are uninterested in learning what she has to teach, to a young girl who becomes the victim of a cruel prank in a swimming pool, to a television producer who regrets allowing her coworkers into her mother’s bird-filled house to film a show about animal hoarding because it will reveal too much about her family and past.Humorous and empathetic, the collection exposes the adversity in each character’s life; each deals with something or someone who has vanished-a person close to her, a friendship, a relationship-as she seeks to make sense of the world around her in the wake of that loss.

Longlisted for the 2024 PEN/Robert W. Bingham Prize for Debut Short Story​Named a Public Picks 2023 by Public BooksWinner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, Boundless Deep, and Other Stories is a portrait of a family that holds together despite everything. By turns introspective, surreal, and bitingly funny, this collection of linked short stories spans seven decades across Japan and the United States and shows the tenacity of relationships fractured by language and distance.At the funeral of her old boss, a grandmother confronts the legacy of the draft letters she delivered as a girl during World War II. Facing the loss of his job, a father becomes the caricature strangers have always believed him to be. A graduate student living far from home is worn down by the reality of what it takes to save even a small piece of the world. Along the way, we meet communist revolutionary Shigenobu Fusako hiding out in a Tokyo hotel, submariner and war criminal Nishina Sekio in his tortured dreams, and Edwin, a half-dolphin friend, wreaking havoc in a public pool. Written in the compressed style of Amy Hempel and Lucia Berlin, these stories examine characters whose struggles submerge them, weighing them down from every angle, until they can finally float free.

Winner of the Raz/Shumaker Prairie Schooner Book Prize in FictionLonglisted for the 2025 PEN/Robert W. Bingham Prize for Debut Short Story CollectionThanks for This Riot explores the limits of kindness, the weight of being needed, and the fear of being misunderstood. A group counselor is taunted by a truth-divining piano bench, a voice actor shouts her abortion at the state capitol, a tired caregiver tangles with a pair of stand-up comics, a small-town newspaper office shelters an otherworldly tattletale, a backwoods acupuncturist leans on her least-exciting offspring, a girl in a strapless bra takes a vengeful go-kart ride, and a woman gets surgery to lower her expectations (she thinks it went “okay”). Grouped by types of riot-external riots, internal riots, and laugh riots-Thanks for This Riot is a poignant and mordantly funny collection with a distinctly feminist viewpoint.

Winner of the Raz/Shumaker Prairie Schooner Book Prize in FictionIn Invitation, men and women try and fail to connect to the people they want to be with. As they remember the first people who dominated their lives-parents, best friends, cousins, crushes-they find themselves repeating old patterns. A boy shares seemingly disturbing details about his mother’s disappearance with an aloof tutor. A man stalks an ex-girlfriend but finds her missing. A woman wakes up in an empty apartment-and to every mother’s worst nightmare. When a callous young man penetrates the bell jar of an elderly couple’s quiet life, their live-in assistant learns a cruel lesson about loyalty.Why are we the way we are with one another? And what do our relationships ask us to become? In these stories, set mostly in South Korea, all must contend with the uncertainty and danger that comes with connection, real or imagined. These stories by Mi Jin Kim ask us to consider what it is we really want from the people we think we need.