Regensburger Arbeiten zur Anglistik und Amerikanistik / Regensburg Studies in British and American Languages and Cultures – serie

For many weeks, the terrorist attacks of 9/11 dominated the newspapers which covered the consequences with an unprecedented immediateness. This study looks at diverging representations of 9/11 in U.S. and German newspapers (New York Times, Washington Post, Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung) and explores effects on its possible readerships. The impact of the attacks, forms of heroism, the enactment of leadership, various demonstrations of patriotism and grief as well as the textual and visual presentation of the attacks are analyzed in detail. These intermedial representations reaffirm or contest U.S. American grand narratives. While the German newspapers tend to focus on information and analysis, the U.S. papers tend to strengthen shattered U.S. American identity constructions. The study is based on nearly 2,000 newspaper articles and documents the wide scope of topics prevalent in the post-9/11 newspaper coverage.

The era of the First World War represents one of the most turbulent and divisive periods in twentieth-century Irish history. The war is closely connected to the violent path to Irish independence from Britain and, for more than a century, it has brought the complexity of the issue of Irish identity into sharp focus. This study shows how the disparate literary responses of Irish authors to the war and its problematic legacy offer intriguing insights into different concepts of Irish identity, specifically those long buried within Irish national and historical consciousness. The late re-discovery of these identities in Irish writing reveals a modern nation trying to come to terms with its polarised past, seeking a more integrative sense of national self for the twenty-first century.

Exploring the nexus of American Studies and the Medical Humanities, this book examines the interdisciplinary interfaces between disease and American cultures and literatures. It traces the appropriation of yellow fever to legitimize the young nation and its embeddedness in discourses of race and gender from the late 18th until the end of the 19th century. Previously untapped textual and visual archives provide a heterogeneous base of canonical as well as previously disregarded works that are analyzed for yellow fever’s metaphorical and actual potential of risk and crisis. As a literary history of yellow fever epidemics, it firmly establishes the ideological, socio-political, visual, and cultural processing of the disease, which figures as invasive, inexplicable Other.Yellow Fever Years has received the Peter Lang Nachwuchspreis 2015.