Routledge Advances in Horror – serie

Vampires and the Making of the United States in the Twenty-First Century offers a unique and multifaceted study of how vampires on screen have shaped America and how specific environments here have shaped their vampires.Examining the figure of the vampire within the framework of uniquely American environments — both physical and immaterial — the book delves into the questions relating to American geography, identity, racial and ethnic tensions, American colonial past and its urban and environmental history. With contributions from a diverse and international team of authors, the collection follows the vampire across the geographical and ideological landscape of the US to consider what cultural and historical environments have gone towards creating the contemporary undead and why the post-Trump America of the twenty-first century is a truly vampiric one.This timely and truly innovative volume will resonate firmly with scholars and students of popular culture, film and media studies, horror, American studies and urban and environmental studies.

This collection assembles a wide range of scholarship addressing the intersections, influences, and impacts of the horror genre’s proliferation across multiple forms of media.Covering film, television, websites, video games, tabletop and role-playing games, and social media, the volume highlights works from marginalized voices or from less scrutinized media. Building off one of Horror Studies’ traditional homes in film, the volume first features approaches to previously ignored innovations and offshoots related to cinematic and televisual horror, before moving to discuss how horror film conventions inform horror video and tabletop games and how games have started to influence film. Finally, the collection departs the world of film to examine online and non-academic multimodal/cultural discourses about horror, from popular movie reviewers to interactive online marketing and film promotions.This volume will interest scholars and students not only of Horror Studies and genre but also of film, media and television studies, digital media and video games, and transmedia studies.

This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed.Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings.This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.