Simon Bacon – författare

Heroic Girls looks at the recent proliferation of young girl heroes in many recent mainstream films and books. These contemporary ‘final’ girls do not just survive but rather suggest that in doing so they have fundamentally changed something about themselves and or the world around them, seeing them become the ‘First Girls’ of this altered reality. The collection brings together a wide range of perspectives and cultural viewpoints that describe many recent narratives that explore the idea of a Final Girl and her “after-story”. The essays are divided into four sections, beginning with more theoretical approaches; cross-cultural examples; the ways in which fictional narratives bear strong relation to real-world circumstances; examples that more strongly depict themes of resistance, survival, and individual agency; and, finally, those that describe something more fundamental and transformative. Films and television shows covered in the collection include The Girl with All the Gifts, The Witcher, The Hunger Games, Star Wars, The Fear Street and Pan’s Labyrinth. This book will be of interest to researchers and students of film studies, gender studies, and media studies.

Heroic Girls looks at the recent proliferation of young girl heroes in many recent mainstream films and books. These contemporary ‘final’ girls do not just survive but rather suggest that in doing so they have fundamentally changed something about themselves and or the world around them, seeing them become the ‘First Girls’ of this altered reality. The collection brings together a wide range of perspectives and cultural viewpoints that describe many recent narratives that explore the idea of a Final Girl and her “after-story”. The essays are divided into four sections, beginning with more theoretical approaches; cross-cultural examples; the ways in which fictional narratives bear strong relation to real-world circumstances; examples that more strongly depict themes of resistance, survival, and individual agency; and, finally, those that describe something more fundamental and transformative. Films and television shows covered in the collection include The Girl with All the Gifts, The Witcher, The Hunger Games, Star Wars, The Fear Street and Pan’s Labyrinth. This book will be of interest to researchers and students of film studies, gender studies, and media studies.

Vampires and the Making of the United States in the Twenty-First Century offers a unique and multifaceted study of how vampires on screen have shaped America and how specific environments here have shaped their vampires.

Examining the figure of the vampire within the framework of uniquely American environments — both physical and immaterial — the book delves into the questions relating to American geography, identity, racial and ethnic tensions, American colonial past and its urban and environmental history. With contributions from a diverse and international team of authors, the collection follows the vampire across the geographical and ideological landscape of the US to consider what cultural and historical environments have gone towards creating the contemporary undead and why the post-Trump America of the twenty-first century is a truly vampiric one.

This timely and truly innovative volume will resonate firmly with scholars and students of popular culture, film and media studies, horror, American studies and urban and environmental studies.

Vampires and the Making of the United States in the Twenty-First Century offers a unique and multifaceted study of how vampires on screen have shaped America and how specific environments here have shaped their vampires.

Examining the figure of the vampire within the framework of uniquely American environments — both physical and immaterial — the book delves into the questions relating to American geography, identity, racial and ethnic tensions, American colonial past and its urban and environmental history. With contributions from a diverse and international team of authors, the collection follows the vampire across the geographical and ideological landscape of the US to consider what cultural and historical environments have gone towards creating the contemporary undead and why the post-Trump America of the twenty-first century is a truly vampiric one.

This timely and truly innovative volume will resonate firmly with scholars and students of popular culture, film and media studies, horror, American studies and urban and environmental studies.