Routledge Focus on Film Studies - Böcker
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29 produkter
29 produkter
751 kr
Skickas inom 10-15 vardagar
This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character.Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult. This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture.
278 kr
Skickas inom 10-15 vardagar
This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character.Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult. This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture.
751 kr
Skickas inom 10-15 vardagar
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere.Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence.A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
278 kr
Skickas inom 10-15 vardagar
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere.Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence.A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
Weimar Cinema, Embodiment, and Historicity
Cultural Memory and the Historical Films of Ernst Lubitsch
Häftad, Engelska, 2019
342 kr
Skickas inom 10-15 vardagar
In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.
332 kr
Skickas inom 10-15 vardagar
During the last two decades Spain has undergone an unprecedented transformation from being a country of emigrants to receiving a significant number of migrants from all around the world. This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century. Guillén Marín explores the ways in which migrant and non-migrant filmmakers reframe the urban and rural space to create opportunities for a free, although contested, exchange between marginal voices and mainstream Spanish society. She analyzes the extent to which the films challenge forms of exclusion and represent ethnicity in a space that includes some and excludes others.
Weimar Cinema, Embodiment, and Historicity
Cultural Memory and the Historical Films of Ernst Lubitsch
Inbunden, Engelska, 2017
927 kr
Skickas inom 10-15 vardagar
In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.
751 kr
Skickas inom 10-15 vardagar
This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry.Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade.Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.
295 kr
Skickas inom 10-15 vardagar
This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry.Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade.Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.
711 kr
Skickas inom 10-15 vardagar
Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses.In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.
332 kr
Skickas inom 10-15 vardagar
Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses.In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.
751 kr
Skickas inom 10-15 vardagar
This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies.Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.
278 kr
Skickas inom 10-15 vardagar
This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies.Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.
751 kr
Skickas inom 10-15 vardagar
This book examines the con artist film as a genre, exploring its main features while also addressing variations within it.The volume explores three diverse themes of the con artist film: edification, self-awareness, and liberation through con games; the femme fatale as con artist; and romantic love as a plot point. Analyzing movies such as Matchstick Men (2003), House of Games (1987), Body Heat (1981), The Last Seduction (1994), Birthday Girl (2001), and The Game (1997), the book also explores their psychological investigation of the con artist figure, the con artist’s mark, and how the dynamic between these roles implicates us as the audience. It also addresses the con artist film genre’s close association with neo-noir, especially through the femme fatale figure, investigating and updating the rich tradition of noir film. Demonstrating the range and flexibility of this understudied genre, this book will be of interest to scholars and students of film studies, ethics, and those studying the representation of women in film..
278 kr
Skickas inom 10-15 vardagar
This book examines the con artist film as a genre, exploring its main features while also addressing variations within it.The volume explores three diverse themes of the con artist film: edification, self-awareness, and liberation through con games; the femme fatale as con artist; and romantic love as a plot point. Analyzing movies such as Matchstick Men (2003), House of Games (1987), Body Heat (1981), The Last Seduction (1994), Birthday Girl (2001), and The Game (1997), the book also explores their psychological investigation of the con artist figure, the con artist’s mark, and how the dynamic between these roles implicates us as the audience. It also addresses the con artist film genre’s close association with neo-noir, especially through the femme fatale figure, investigating and updating the rich tradition of noir film. Demonstrating the range and flexibility of this understudied genre, this book will be of interest to scholars and students of film studies, ethics, and those studying the representation of women in film..
774 kr
Skickas inom 10-15 vardagar
An emerging interest in a British East and Southeast Asian identity after decades of political and social exclusion has coincided with periods of economic and political challenges in the UK. In Migration and Identity in British East and Southeast Asian Cinema, Leung Wing-Fai argues that this explosive context has created rich and diverse forms of storytelling and an accented cinematic language. By offering close readings of key contemporary films and positioning them in a wider slate of releases by British East and Southeast Asian filmmakers alongside Anglophone film histories in the Global North, this book sheds light on a developing field and engenders new ways of understanding British cinema and society. The author explores changing representational politics in contemporary cinema and argues for the cinematic visibility of a hitherto silenced community. Drawing on theoretical frames from sociological, film and cultural studies to critically engage with the textual and visual language of the case studies, Leung claims the place of British East and Southeast Asian Cinema as a film and cultural movement. Highlighting diversity among the British East and Southeast Asian community, pushing boundaries in its intersectional approach to ethnicity, race, gender and sexuality, and proposing a critical framework for academic studies on diasporic film-making in the UK, this nuanced and innovative study will interest researchers, teachers and students in a range of Humanities and Liberal Arts subjects, including Film and Media Studies, Regional/Area Studies (Asia), and arts, cultural and creative productions from the East and Southeast Asian diaspora.
278 kr
Skickas inom 10-15 vardagar
An emerging interest in a British East and Southeast Asian identity after decades of political and social exclusion has coincided with periods of economic and political challenges in the UK. In Migration and Identity in British East and Southeast Asian Cinema, Leung Wing-Fai argues that this explosive context has created rich and diverse forms of storytelling and an accented cinematic language. By offering close readings of key contemporary films and positioning them in a wider slate of releases by British East and Southeast Asian filmmakers alongside Anglophone film histories in the Global North, this book sheds light on a developing field and engenders new ways of understanding British cinema and society. The author explores changing representational politics in contemporary cinema and argues for the cinematic visibility of a hitherto silenced community. Drawing on theoretical frames from sociological, film and cultural studies to critically engage with the textual and visual language of the case studies, Leung claims the place of British East and Southeast Asian Cinema as a film and cultural movement. Highlighting diversity among the British East and Southeast Asian community, pushing boundaries in its intersectional approach to ethnicity, race, gender and sexuality, and proposing a critical framework for academic studies on diasporic film-making in the UK, this nuanced and innovative study will interest researchers, teachers and students in a range of Humanities and Liberal Arts subjects, including Film and Media Studies, Regional/Area Studies (Asia), and arts, cultural and creative productions from the East and Southeast Asian diaspora.
765 kr
Skickas inom 10-15 vardagar
The Cinema of Agnieszka Holland: Anger and Ethics uniquely combines academic film analysis, biographical detail, and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Holland’s female characters and how they have been reshaped across half a century.Piotrowska considers Holland’s distinctive and evolving vision of society, history, gender, and family relationships, with particular attention to how the filmmaker’s own background has influenced this vision. The study engages with Freud’s notion of afterwardness, Marianne Hirsch’s concept of posthistory, and the author’s theorisations of female authorship and the figure of the “nasty woman” in cinema. Through detailed readings of six feature films, it highlights Holland’s extraordinary contribution to global film and television culture, and her movement from despair to a creative rage through collaborations and adaptations.This original and insightful work will be essential reading for students and scholars of European and world cinema, feminism, gender studies, European history, filmmaking, authorship, and applied psychoanalysis and ethics.
815 kr
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Jürgen Böttcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.Through the comparison of films made in the same year, one by an American and one by Böttcher, the author places him as ahead of his time in regards to technology, content, and style, and neck-and-neck with contemporary American filmmakers in cinéma vérité/direct cinema. The book moves beyond Böttcher’s dramatic biography to explore his role in the history of film. Was it actually the Germans who created sync sound for documentary? When and how were women featured?Offering a concise journey through the history of documentary film within this cultural context, but also a deep-dive into specific case-studies that show the nuances and complexities of classifying film texts, this volume will interest students and scholars of film studies, German cinema, cinéma vérité, film production, film theory, and world cinema.
342 kr
Skickas inom 10-15 vardagar
Jürgen Böttcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.Through the comparison of films made in the same year, one by an American and one by Böttcher, the author places him as ahead of his time in regards to technology, content, and style, and neck-and-neck with contemporary American filmmakers in cinéma vérité/direct cinema. The book moves beyond Böttcher’s dramatic biography to explore his role in the history of film. Was it actually the Germans who created sync sound for documentary? When and how were women featured?Offering a concise journey through the history of documentary film within this cultural context, but also a deep-dive into specific case-studies that show the nuances and complexities of classifying film texts, this volume will interest students and scholars of film studies, German cinema, cinéma vérité, film production, film theory, and world cinema.
Decolonial Imaginaries in Palestinian Experimental Film and Video
Postnational and Feminist Aesthetics
Inbunden, Engelska, 2024
711 kr
Skickas inom 10-15 vardagar
Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics, post-nationalism and gender, non-Western ecologies, trauma and memory, diasporic experiences of space, biopolitics, feminist historiography and decolonial temporalities.Positing that these filmmaker-artists radically counter dominant media images of Palestinians, deessentializing Palestinian identity while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experimental Film and Video argues that Palestinian experience is urgently relevant to all of us. As the works address issues of food availability and land use, environmental collapse and forced displacement, Hole explores how such films generate hope, imagine impossible possibilities and offer inspiration and wisdom when it comes to losing and rebuilding.Addressing a fundamentally transnational and understudied area, this book will resonate with readers working in the areas of film and media studies, Palestinian cultural studies, historiography, Middle East studies and experimental film.
Decolonial Imaginaries in Palestinian Experimental Film and Video
Postnational and Feminist Aesthetics
Häftad, Engelska, 2025
332 kr
Skickas inom 10-15 vardagar
Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics, post-nationalism and gender, non-Western ecologies, trauma and memory, diasporic experiences of space, biopolitics, feminist historiography and decolonial temporalities.Positing that these filmmaker-artists radically counter dominant media images of Palestinians, deessentializing Palestinian identity while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experimental Film and Video argues that Palestinian experience is urgently relevant to all of us. As the works address issues of food availability and land use, environmental collapse and forced displacement, Hole explores how such films generate hope, imagine impossible possibilities and offer inspiration and wisdom when it comes to losing and rebuilding.Addressing a fundamentally transnational and understudied area, this book will resonate with readers working in the areas of film and media studies, Palestinian cultural studies, historiography, Middle East studies and experimental film.
Reframing Faith in Balkan Documentary Film
History and Religion in Yugoslav Space
Inbunden, Engelska, 2025
787 kr
Skickas inom 10-15 vardagar
Reframing Faith in Balkan Documentary Film presents the first systematic study of the cinematic representations of religion in the early documentary film on the Balkan Peninsula from 1896 to 1939. By looking at faith through the concept of frame, this book sheds new light on the historical realities of the period as seen by the filmmakers and facilitates rediscovering the world of lost religious communities on the territory of Yugoslavia. Placing film language at the heart of scientific research and introducing the frame as a method of analysis, this book proposes novel ways of reading history as written on the reel.This intricate and in-depth study will interest film historians, particularly those interested in Balkan and European cinema, as well as historians of the Balkans, religion, and Eastern Europe.
Un-Reality Effect in the Cinema of Attractions
Rethinking the Films of Lumière Brothers and Méliès through Pictorial Paradigms and Cultural Filters
Inbunden, Engelska, 2025
787 kr
Skickas inom 10-15 vardagar
The Un-Reality Effect in the Cinema of Attractions offers an original rethinking of early European cinema through the lens of its visual and cultural entanglements.Focusing on the works of the Lumière brothers and Georges Méliès, this book situates their films within the cinema of attractions, revealing how pictorial paradigms and cultural filters shaped both realist and fantastical modes of representation, ultimately producing what is here defined as the un-reality effect. Offering an original contribution to the study of cinema-painting intermediality, the author relates the analysis of its aesthetical and cultural implications to the understanding of its impact on the filmic configuration. This book investigates how visual sources could be seen as abstracting factors and how visual and cultural references function as an anti-realist device, suggesting the notion of ‘un-realities’ as a conceptual category that accounts for a film’s propensity to overcome the physical reality with artificial, culturally charged, cinematic worlds.Engaging critically with foundational theories by Gunning and Gaudreault, and drawing on art history, visual culture, and intermedial studies, this volume bridges cinema and the visual arts in new ways. Written in an accessible style and complemented by a visual appendix, it speaks to scholars and students across film history, theory, visual culture, and interdisciplinary cultural studies. By revisiting the intersections between realism and illusionism, it opens fresh pathways for future research on cinema’s intermedial foundations.
765 kr
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Anticolonialism, Ontology, and Semiotics places anticolonial theory, semiotic analysis, and contemporary Hollywood film into conversation. Synthesizing Algirdas Greimas’ semiotic square with the theories of anticolonial philosophers like Frantz Fanon, Eldridge Cleaver, and Sylvia Wynter, Anderson reconstructs an anticolonial social ontology for use as a method of film analysis. Using this ontology to interpret a wide range of films, the book defies the assumptions and challenges the conclusions of postcolonial and intersectional approaches. Reaching beyond the application of anticolonial theory for the purpose of film criticism, the book uses theory to interpret film while using film to illustrate and interpret theory. Along the way, readers are challenged to reconsider class, race, gender, sexuality, violence, and liberation not only in the cinematic world but also in the worlds we all inhabit.This concise yet broad-reaching work will interest scholars and students of film studies, film philosophy, anticolonialism and postcolonialism, race and gender studies.
845 kr
Kommande
This book offers the first comprehensive study of the representation of gay men in Egyptian cinema, tracing how these portrayals have emerged, shifted, and been contested across different historical and political moments.Through close analysis of several key films, it examines how gay male characters are frequently framed through harmful stereotypes—depicted as mentally unstable, socially deviant, or as products of so-called “Western decadence.” Such representations often erase complexity, reducing queer figures to symbolic threats within broader narratives of moral panic and national anxiety. While state censorship remains a significant force shaping these depictions, the book highlights that it is not the sole factor. Drawing on interviews with Egyptian filmmakers, writers, and cultural critics, the author explores how creative decisions are negotiated amid intersecting pressures of social norms, commercial demands, institutional regulation, and personal ideology. By examining how cinema both reflects and shapes public discourse on gender, sexuality, and national identity, the book sheds light on the evolving boundaries of representation, censorship, and cultural belonging in Egypt and beyond.Situated at the intersection of film studies, queer theory, and Arab cultural studies, this work fills a significant gap in existing scholarship and contributes to the growing field of queer Arab studies. It will be of interest to scholars and students of film and media studies, queer studies, Middle Eastern studies, and postcolonial cultural criticism.
805 kr
Skickas inom 10-15 vardagar
During the last two decades Spain has undergone an unprecedented transformation from being a country of emigrants to receiving a significant number of migrants from all around the world. This book focuses on the analysis of documentaries and fiction films representing migrants in Spain in the first decade of the twenty-first century. Guillén Marín explores the ways in which migrant and non-migrant filmmakers reframe the urban and rural space to create opportunities for a free, although contested, exchange between marginal voices and mainstream Spanish society. She analyzes the extent to which the films challenge forms of exclusion and represent ethnicity in a space that includes some and excludes others.
381 kr
Skickas inom 10-15 vardagar
This book offers the first specific application in film studies of what is generally known as ecology theory, shifting attention from history to the (in this case media) environment. It takes the robot as its subject because it has attained a status that resonates not only with some of the key concerns of contemporary culture over the last century, but also with the very nature of film. While the robot has given us a vehicle for exploring issues of gender, race, and a variety of forms of otherness, and increasingly for asking questions about the very nature and meaning of life, this image of an artificial being, typically anthropomorphic, also invariably implicates the cinema’s own and quite fundamental artificing of the human. Looking across genres, across specific media forms, and across closely linked conceptualizations, Telotte sketches a context of interwoven influences and meanings. The result is that this study of the cinematic robot, while mainly focused on science fiction film, also incorporates its appearance in, for example, musicals, cartoons, television, advertising, toys, and literature.
900 kr
Skickas inom 10-15 vardagar
This book offers the first specific application in film studies of what is generally known as ecology theory, shifting attention from history to the (in this case media) environment. It takes the robot as its subject because it has attained a status that resonates not only with some of the key concerns of contemporary culture over the last century, but also with the very nature of film. While the robot has given us a vehicle for exploring issues of gender, race, and a variety of forms of otherness, and increasingly for asking questions about the very nature and meaning of life, this image of an artificial being, typically anthropomorphic, also invariably implicates the cinema’s own and quite fundamental artificing of the human. Looking across genres, across specific media forms, and across closely linked conceptualizations, Telotte sketches a context of interwoven influences and meanings. The result is that this study of the cinematic robot, while mainly focused on science fiction film, also incorporates its appearance in, for example, musicals, cartoons, television, advertising, toys, and literature.