Routledge Focus on Modern Subjects – serie

The Dazzle of the Digital is written in the context of digital technology’s inextricable link with progress and modernity in India, with the COVID pandemic in the backdrop. Digital technology such as smartphones and the internet exemplify the popular ideal of a modernity where the proliferation of data and information seamlessly translates into knowledge and value. The authors attempt to wrestle with this impulsive conflation of the digital with the modern, and argue that the former can sometimes retard progress rather than foster it. They provide examples from various spheres – ranging from public service delivery to private markets – to unpack the pitfalls of a blinkered view on modernity. The book presents an objective take on the potential of digital technology, written with the hope that it will prompt greater societal reflection on technology as a lever for advancement, at a time when the march of everything digital is inexorable.

Based on ethnographic research, this book explores the ways in which elite women use and view money in order to construct identities – of class, status, and gender. Drawing on their everyday worlds, it tracks the intricate and contested meanings they attach to money. Focusing on weddings, travel, and spirituality, Parul Bhandari delineates the entitlements and privileges as well as the obsessions and vulnerabilities that underlie the construction of class, the shaping of elite cultures, and the curating of femininity. As such, this book offers an innovative account of the interplay between money, modernity, class, and gender.

The Dazzle of the Digital is written in the context of digital technology’s inextricable link with progress and modernity in India, with the COVID pandemic in the backdrop. Digital technology such as smartphones and the internet exemplify the popular ideal of a modernity where the proliferation of data and information seamlessly translates into knowledge and value. The authors attempt to wrestle with this impulsive conflation of the digital with the modern, and argue that the former can sometimes retard progress rather than foster it. They provide examples from various spheres – ranging from public service delivery to private markets – to unpack the pitfalls of a blinkered view on modernity. The book presents an objective take on the potential of digital technology, written with the hope that it will prompt greater societal reflection on technology as a lever for advancement, at a time when the march of everything digital is inexorable.

Scrupulously based in anthropology and history – and drawing on social theory and critical thought – this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history – together with "archives" at large – as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions – articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."

Scrupulously based in anthropology and history – and drawing on social theory and critical thought – this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history – together with "archives" at large – as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions – articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."

Following decades of brutal campaigns against left forces, fascism in its nationalist and religious forms has been dominating Turkish, Iranian, and Arab politics for over half a century. At first, with key enemies vanquished, military generals assumed power and established some of the most terroristic totalitarian regimes in the 20th Century. It only followed that Islamist organizations then hijacked democratic movements of dissent. Now, in countries and territories where they have assumed state power, Islamist forces have surpassed all nationalist dictatorships for their utter disrespect of human lives.Today, Islamism subordinates peoples in the Middle East. Bearing the urgency of our times, Saladdin Bahozde problematizes all forms of fascist exclusionism in the region, while drawing attention to anti-fascist resistance and progressive alternatives there. As a critique of identitarianism and right-wing politics in the Middle East and North Africa, the work calls for a global movement, as endorsed by the peoples of the region, to go beyond nationalism and Islamism.

Following decades of brutal campaigns against left forces, fascism in its nationalist and religious forms has been dominating Turkish, Iranian, and Arab politics for over half a century. At first, with key enemies vanquished, military generals assumed power and established some of the most terroristic totalitarian regimes in the 20th Century. It only followed that Islamist organizations then hijacked democratic movements of dissent. Now, in countries and territories where they have assumed state power, Islamist forces have surpassed all nationalist dictatorships for their utter disrespect of human lives.Today, Islamism subordinates peoples in the Middle East. Bearing the urgency of our times, Saladdin Bahozde problematizes all forms of fascist exclusionism in the region, while drawing attention to anti-fascist resistance and progressive alternatives there. As a critique of identitarianism and right-wing politics in the Middle East and North Africa, the work calls for a global movement, as endorsed by the peoples of the region, to go beyond nationalism and Islamism.

Fluid Modernity offers an innovative, encompassing, historical grasp of the politics of water in the Middle East in the context of modern capitalism and world politics. Drawing upon conceptions of power by Foucault and Agamben, it examines how water, through its modern capitalist production, is transformed into a water apparatus that binds people to power. In trans-boundary watercourses, states get involved in the formation of international governmentalities. The book revisits the history of fluid modernity in the Middle East from late Ottoman times to the present. It focuses on water conflict and cooperation between states (Israel and Arab states and Turkey, Syria and Iraq), on state policies towards subaltern subjects (Israel and Turkey in relation to Palestinians and Kurds, respectively) and on the water politics of rebellious movements. After a conceptual chapter discussing fluid modernity, the book traces water politics in the region in a diachronic perspective. It explores how water diplomacy, infrastructure loans, reservoir construction, discourses of sovereignty and conflict have weighed on the development of governance and governmentality in the region. Fluid Modernitywill be of great interest to postgraduates, researchers, academics and intellectuals interested in Middle East Studies, Hydropolitics, Water and Society, Geopolitics, Political Theory, Resistance as well as to NGOs dealing with water.

Fluid Modernity offers an innovative, encompassing, historical grasp of the politics of water in the Middle East in the context of modern capitalism and world politics. Drawing upon conceptions of power by Foucault and Agamben, it examines how water, through its modern capitalist production, is transformed into a water apparatus that binds people to power. In trans-boundary watercourses, states get involved in the formation of international governmentalities. The book revisits the history of fluid modernity in the Middle East from late Ottoman times to the present. It focuses on water conflict and cooperation between states (Israel and Arab states and Turkey, Syria and Iraq), on state policies towards subaltern subjects (Israel and Turkey in relation to Palestinians and Kurds, respectively) and on the water politics of rebellious movements. After a conceptual chapter discussing fluid modernity, the book traces water politics in the region in a diachronic perspective. It explores how water diplomacy, infrastructure loans, reservoir construction, discourses of sovereignty and conflict have weighed on the development of governance and governmentality in the region. Fluid Modernitywill be of great interest to postgraduates, researchers, academics and intellectuals interested in Middle East Studies, Hydropolitics, Water and Society, Geopolitics, Political Theory, Resistance as well as to NGOs dealing with water.

Instrumental Lives is an account of instrument making at the cutting edge of contemporary science and technology in a modern Indian scientific laboratory. For a period of roughly two-and-half decades, starting the late 1980s, a research group headed by CV Dharmadhikari in the physics department at the Savitribai Phule University, Pune, fabricated a range of scanning tunnelling and scanning force microscopes including the earliest such microscopes made in the country. Not only were these instruments made entirely in-house, research done using them was published in the world's leading peer reviewed journals, and students who made and trained on them went on to become top class scientists in premier institutions. The book uses qualitative research methods such as open-ended interviews, historical analysis and laboratory ethnography that are standard in Science and Technology Studies (STS), to present the micro-details of this instrument making enterprise, the counter-intuitive methods employed, and the unexpected material, human and intellectual resources that were mobilised in the process. It locates scientific research and innovation within the social, political and cultural context of a laboratory's physical location and asks important questions of the dominant narratives of innovation that remain fixated on quantitative metrics of publishing, patenting and generating commerce. The book is a story as much of the lives of instruments and their deaths as it is of the instrumentalities that make those lives possible and allow them to live on, even if with a rather precarious existence.

Based on ethnographic research, this book explores the ways in which elite women use and view money in order to construct identities – of class, status, and gender. Drawing on their everyday worlds, it tracks the intricate and contested meanings they attach to money. Focusing on weddings, travel, and spirituality, Parul Bhandari delineates the entitlements and privileges as well as the obsessions and vulnerabilities that underlie the construction of class, the shaping of elite cultures, and the curating of femininity. As such, this book offers an innovative account of the interplay between money, modernity, class, and gender.