Saurabh Dube - Böcker

In this volume well-known scholars from India and Latin America – Enrique Dussel, Madhu Dubey, Walter D. Mignolo, and Sudipta Sen, to name a few – discuss the concepts of modernity and colonialism and describe how the two relate to each other. This second edition to the volume comes with a new introduction which extends and critically supplements the discussion in the earlier introduction to the volume. It explores the vital impact of the colonial pasts of India, Mexico, China, and even the Unites States, on the processes through which these countries have become modern. The collection is unique, as it brings together a range of disciplines and perspectives. The topics discussed include the Zapatista movement in Southern Mexico, the image of the South in recent African-American literature, the theories of Andre Gunder Frank about the early modernization of Asian countries, and the contradictions of the colonial state in India.

Over the last four decades, Dipesh Chakrabarty’s astonishingly wide-ranging scholarship has elaborated a range of important issues, especially those of modernity, identity, and politics – in dialogue with postcolonial theory and critical historiography – on global and planetary scales. All of this makes Chakrabarty among the most significant (and most cited) scholars working in the humanities and social sciences today. The present text comprises substantive yet short, academic yet accessible essays that are crafted in conversation with the critical questions raised by Chakrabarty’s writings.Now, Chakrabarty holds the singular distinction of making key contributions to some of the most salient shifts in understandings of the Global South that have come about in wake of subaltern studies and postcolonial perspectives, critiques of Eurocentrism together with elaborations of public pasts, and articulations of climatic histories alongside problems of the Anthropocene. Rather than exegeses and commentaries, these original, commissioned, pieces – written by a stellar cast of contributors from four continents – imaginatively engage Chakrabarty’s insights and arguments, in order to incisively explore important issues of the politics of knowledge in contemporary worlds. This book will be of interest to scholars and graduate students interested in a wide variety of interdisciplinary issues across the humanities and social sciences, especially the interplay between postcolonial perspectives and subaltern studies, between man-made climate change and the human sciences, between history and theory, and between modernity and globalization.

The notion of modernity hinges on a break with the past, such as superstitions, medieval worlds, and hierarchical traditions. It follows that modernity suggests the disenchantment of the world, yet the processes of modernity also create their own enchantments in the mapping and making of the modern world. Straddling a range of disciplines and perspectives, the essays in this edited volume eschew programmatic solutions, focusing instead in new ways on subjects of slavery and memory, global transformations and vernacular and vernacular modernity, imperial imperatives and nationalist knowledge, cosmopolitan politics and liberal democracy, and governmental effects and everyday affects. It is in these ways that the volume attempts to unravel the enchantments of modernity, in order to approach anew modernity's constitutive terms, formative limits, and particular possibilities.

Constructs a history of an untouchable and heretical community, the Satnamis of Central India.Untouchable Pasts constructs a history of an untouchable and heretical community over the last two hundred years. The Satnamis of Central India have combined the features of a caste and a sect to question and challenge the tenor of ritual power that variously defines Hinduism. At the same time, within the community, schemes of meaning and power, particularly those centering on gender, have been imbued with ambiguity and a reproduction of forms of inequality. The book presents an interpretive account of Satnami endeavors, encounters, and experiences by combining history and anthropology, archival and field work. It addresses a clutch of theoretical questions and a range of key and inextricably bound analytical relationships in an accessible manner. Issues of caste and untouchability, sect and kinship, myths and pasts are rendered here as part of a wider dynamic between religion and power, gender and community, writing and the constitution of traditions, ritual and the making of modernities, and orality and the construction of histories.Indeed, Untouchable Pasts brings together the perspectives and possibilities defined by three overlapping but distinct theoretical developments that have been elaborated in recent years: first, novel renderings of anthropologies and enthnographies of the historical imagination; second, critically engaged constructions of histories from below, particularly by the collective Subaltern Studies endeavor; and, finally, a conceptual emphasis on the 'everyday' as an arena for the production, negotiation, transaction, and contestations of meanings within wider networks and relationships of power.By casting these analytical tendencies in a critical dialogue with one another, Untouchable Pasts works toward questioning some of those overarching oppositions-for example, between ritual and rationality, myth and history, tradition and modernity, and community and state-that have formed the conceptual core of several inherited traditions of social and political theory within the academy in both Western and non-Western contexts.

Constructs a history of an untouchable and heretical community, the Satnamis of Central India.Untouchable Pasts constructs a history of an untouchable and heretical community over the last two hundred years. The Satnamis of Central India have combined the features of a caste and a sect to question and challenge the tenor of ritual power that variously defines Hinduism. At the same time, within the community, schemes of meaning and power, particularly those centering on gender, have been imbued with ambiguity and a reproduction of forms of inequality. The book presents an interpretive account of Satnami endeavors, encounters, and experiences by combining history and anthropology, archival and field work. It addresses a clutch of theoretical questions and a range of key and inextricably bound analytical relationships in an accessible manner. Issues of caste and untouchability, sect and kinship, myths and pasts are rendered here as part of a wider dynamic between religion and power, gender and community, writing and the constitution of traditions, ritual and the making of modernities, and orality and the construction of histories.Indeed, Untouchable Pasts brings together the perspectives and possibilities defined by three overlapping but distinct theoretical developments that have been elaborated in recent years: first, novel renderings of anthropologies and enthnographies of the historical imagination; second, critically engaged constructions of histories from below, particularly by the collective Subaltern Studies endeavor; and, finally, a conceptual emphasis on the 'everyday' as an arena for the production, negotiation, transaction, and contestations of meanings within wider networks and relationships of power.By casting these analytical tendencies in a critical dialogue with one another, Untouchable Pasts works toward questioning some of those overarching oppositions-for example, between ritual and rationality, myth and history, tradition and modernity, and community and state-that have formed the conceptual core of several inherited traditions of social and political theory within the academy in both Western and non-Western contexts.

Destined to become a key work of subaltern studies and a crucial intervention in postcolonial scholarship, Stitches on Time probes the relationships between empire and modernity, nation and history, the colonial and the postcolonial, and power and difference. Saurabh Dube combines history and anthropology to provide critical understandings of the theory and practice of historical ethnography and contemporary historiography. Drawing on extensive archival research and innovative fieldwork as well as political economy and social theory-including considerations of gender-he unpacks the implications of specific Indian pasts from the middle of the nineteenth century through the end of the twentieth century.Dube provides incisive accounts of the interactions between North American evangelical missionaries and Christian converts of central India, and between colonial legal systems and Indian popular laws. He reflects on the difficulties of history writing by considering the production and reception of recent Hindu nationalist histories. Assessing the work of the South Asian Subaltern Studies Collective, he offers substantial critical readings of major writings by Ranajit Guha, Dipesh Chakrabarty, Partha Chatterjee, and others. Dube develops the concept and practice of a “history without warranty” as a means of rigorously rethinking categories such as modernity, colonialism, the West, the postcolonial, and the nation.

Over the last four decades, Dipesh Chakrabarty’s astonishingly wide-ranging scholarship has elaborated a range of important issues, especially those of modernity, identity, and politics – in dialogue with postcolonial theory and critical historiography – on global and planetary scales. All of this makes Chakrabarty among the most significant (and most cited) scholars working in the humanities and social sciences today. The present text comprises substantive yet short, academic yet accessible essays that are crafted in conversation with the critical questions raised by Chakrabarty’s writings.Now, Chakrabarty holds the singular distinction of making key contributions to some of the most salient shifts in understandings of the Global South that have come about in wake of subaltern studies and postcolonial perspectives, critiques of Eurocentrism together with elaborations of public pasts, and articulations of climatic histories alongside problems of the Anthropocene. Rather than exegeses and commentaries, these original, commissioned, pieces – written by a stellar cast of contributors from four continents – imaginatively engage Chakrabarty’s insights and arguments, in order to incisively explore important issues of the politics of knowledge in contemporary worlds. This book will be of interest to scholars and graduate students interested in a wide variety of interdisciplinary issues across the humanities and social sciences, especially the interplay between postcolonial perspectives and subaltern studies, between man-made climate change and the human sciences, between history and theory, and between modernity and globalization.

Scrupulously based in anthropology and history – and drawing on social theory and critical thought – this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history – together with "archives" at large – as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions – articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."

Scrupulously based in anthropology and history – and drawing on social theory and critical thought – this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history – together with "archives" at large – as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions – articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."

Subaltern Studies has marked both a major departure in South Asian studies and indexed broader shifts in the critical humanities and social sciences. This volume explores what it means today to set to work studies of subaltern subjects in our rapidly mutating social worlds.This handbook spans diverse historical, ethnographic, and geopolitical spaces, drawing in the Antipodes and the Americas, Diasporas and Oceanic worlds, Africa and the Middle East, apart from Europe and many South Asias – overlapping arenas in which the “subaltern” continues to find distinct yet substantive articulations. It also seeks to meaningfully juxtapose practices and processes of gender and race; indigeneity and indenture; age and sexuality; slavery and apartheid; the Adivasi and the Dalit; settler-colonialisms and nations; nature and environment; caste and tribe; diaspora and blackness; capital and property; science and technology; media and cinema; the body and dance; heteronormativity and queerness; state and governance; and politics and justice. In these ways, the study un-frames disciplinary boundaries and maps emergent terrains, exactly articulating pressing subjects and rethinking distinct subalternities.This book is aimed at researchers, scholars, and advanced undergraduate and graduate students in the critical human sciences, especially history, anthropology, social theory, and cultural, gender, and literary studies.

In this volume well-known scholars from India and Latin America – Enrique Dussel, Madhu Dubey, Walter D. Mignolo, and Sudipta Sen, to name a few – discuss the concepts of modernity and colonialism and describe how the two relate to each other. This second edition to the volume comes with a new introduction which extends and critically supplements the discussion in the earlier introduction to the volume. It explores the vital impact of the colonial pasts of India, Mexico, China, and even the Unites States, on the processes through which these countries have become modern. The collection is unique, as it brings together a range of disciplines and perspectives. The topics discussed include the Zapatista movement in Southern Mexico, the image of the South in recent African-American literature, the theories of Andre Gunder Frank about the early modernization of Asian countries, and the contradictions of the colonial state in India.

The notion of modernity hinges on a break with the past, such as superstitions, medieval worlds, and hierarchical traditions. It follows that modernity suggests the disenchantment of the world, yet the processes of modernity also create their own enchantments in the mapping and making of the modern world. Straddling a range of disciplines and perspectives, the essays in this edited volume eschew programmatic solutions, focusing instead in new ways on subjects of slavery and memory, global transformations and vernacular and vernacular modernity, imperial imperatives and nationalist knowledge, cosmopolitan politics and liberal democracy, and governmental effects and everyday affects. It is in these ways that the volume attempts to unravel the enchantments of modernity, in order to approach anew modernity's constitutive terms, formative limits, and particular possibilities.

This book thinks through modernity and its representations by exploring critical considerations of time and space. Drawing on anthropology, history and social theory, it investigates the oppositions and enchantments, the contradictions and contentions, and the identities and ambivalences spawned under modernity. Crucially, it understands these antinomies not as errors, but as constitutive elements of modern worlds.The book questions routine portrayals of homogeneous time and antinomian blueprints of cultural space, while acknowledging the production of time and space by social subjects. Instead of assuming a straightforward, singular trajectory for the phenomena, it views modernity as involving checkered, contingent and contended processes of meaning and power, which have found heterogeneous historical elaborations over the past five centuries. Bringing together past and present, theory and narrative, it sows the historical, ethnographic and methodological deep into its critical procedures, offering an innovative understanding of cultural identities and imaginatively exploring the relationship between history and anthropology.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.