Routledge Library Editions: Joseph Conrad – serie

Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context.The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.

Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context.The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.

Originally published in 1978, this concordance to Conrad's Almayer’s Folly includes a verbal index and field of reference, along with some notes on why they are useful. This volume is part of an experimental series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1978, this concordance to Conrad's Almayer’s Folly includes a verbal index and field of reference, along with some notes on why they are useful. This volume is part of an experimental series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, The Concordance to Conrad’s Victory is intended to provide access to certain information on the text of the novel in a manner convenient to Conrad scholars. To this end the authors have included an alphabetical list of word frequencies and a type/token ratio table as well as a list of word frequencies in rank order. In the concordance itself, each specific word in the text is listed in alphabetical order along with an identifier number and a context for the word. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, The Concordance to Conrad’s Victory is intended to provide access to certain information on the text of the novel in a manner convenient to Conrad scholars. To this end the authors have included an alphabetical list of word frequencies and a type/token ratio table as well as a list of word frequencies in rank order. In the concordance itself, each specific word in the text is listed in alphabetical order along with an identifier number and a context for the word. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1980, the Concordances to Conrad's The Shadow Line and Youth: A Narrative provide complete verbal indexes and tables of frequency keyed to a field of reference for the text. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1980, the Concordances to Conrad's The Shadow Line and Youth: A Narrative provide complete verbal indexes and tables of frequency keyed to a field of reference for the text. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1981, this concordance to A Set of Six will assist readers in understanding the vocabulary of a group of stories of considerable artistic merit and also of importance to our grasp of Conrad’s total works. It is particularly important, however, that this volume of tables be available to the serious scholar of Conrad, because it provides a basis for comparison of his various short works. This volume gives a verbal index, listing all the words used by Conrad in A Set of Six with the page and line number in which the word occurs. The user turns from the verbal index to the field of reference to see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1981, this concordance to A Set of Six will assist readers in understanding the vocabulary of a group of stories of considerable artistic merit and also of importance to our grasp of Conrad’s total works. It is particularly important, however, that this volume of tables be available to the serious scholar of Conrad, because it provides a basis for comparison of his various short works. This volume gives a verbal index, listing all the words used by Conrad in A Set of Six with the page and line number in which the word occurs. The user turns from the verbal index to the field of reference to see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1981, this volume tabulates the vocabulary of one of Conrad’s most interesting works. This volume contains a complete verbal index to the text, a table of word frequencies, and a field of reference allowing the user to locate the context of each word cited. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.This book is a re-issue pertaining to a title originally published in 1897. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.

Originally published in 1981, this volume tabulates the vocabulary of one of Conrad’s most interesting works. This volume contains a complete verbal index to the text, a table of word frequencies, and a field of reference allowing the user to locate the context of each word cited. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.This book is a re-issue pertaining to a title originally published in 1897. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this re-publication.

Originally published in 1986, this is a powerful and original book. It offers textual interpretation of Conrad’s major work and articulates the subtlety and richness of his treatment of social-political institutions and of the forces that complicate and distort private and public life.Suresh Raval argues that the social-personal relations in Conrad’s fiction cannot be conceived apart from their existence in the political life of a community; but at the same time they cannot be accommodated institutionally. The author’s concern is with the problematic status of the self under various perspectives: experience and understanding (Heart of Darkness), an ethical ideal (Lord Jim), history (Nostromo), ideology (The Secret Agent and Under Western Eyes), scepticism (Victory). What the self is remains ambiguous and elusive. Conrad’s fiction is concerned with exhibiting the failure of language, but always as a result of an immense effort of language itself. As language undoes itself in the act of seeking utterance, so Conrad’s fictional mode – romance – turns into the opposite of itself as it unfolds. Raval demonstrates that incompatible alternatives – intention and action, thought and experience, the individual and the social, the logical and the contingent – are entangled with each other, and how this entanglement works in the fiction.Raval’s exploration of Conrad’s scepticism shows why Conrad cannot be characterized as a political conservative or radical without distorting the complexity and seriousness of his reflection on society. For his scepticism is the product not just of intelligence but of intelligence conscious of its limitations, and is thus able to make a devastating critique of the nihilism sometimes attributed to Conrad by critics. Only those who think that morality has to have a secure single foundation if it is to be real are pushed into regarding Conrad’s scepticism as a form of nihilism.Professor Raval’s important study brings philosophical and literary interests to bear on Conrad’s major fiction and illuminates those aspects of his art which have puzzled and fascinated his readers. It will be deservedly valued by those studying and teaching modern literature.

Originally published in 1986, this is a powerful and original book. It offers textual interpretation of Conrad’s major work and articulates the subtlety and richness of his treatment of social-political institutions and of the forces that complicate and distort private and public life.Suresh Raval argues that the social-personal relations in Conrad’s fiction cannot be conceived apart from their existence in the political life of a community; but at the same time they cannot be accommodated institutionally. The author’s concern is with the problematic status of the self under various perspectives: experience and understanding (Heart of Darkness), an ethical ideal (Lord Jim), history (Nostromo), ideology (The Secret Agent and Under Western Eyes), scepticism (Victory). What the self is remains ambiguous and elusive. Conrad’s fiction is concerned with exhibiting the failure of language, but always as a result of an immense effort of language itself. As language undoes itself in the act of seeking utterance, so Conrad’s fictional mode – romance – turns into the opposite of itself as it unfolds. Raval demonstrates that incompatible alternatives – intention and action, thought and experience, the individual and the social, the logical and the contingent – are entangled with each other, and how this entanglement works in the fiction.Raval’s exploration of Conrad’s scepticism shows why Conrad cannot be characterized as a political conservative or radical without distorting the complexity and seriousness of his reflection on society. For his scepticism is the product not just of intelligence but of intelligence conscious of its limitations, and is thus able to make a devastating critique of the nihilism sometimes attributed to Conrad by critics. Only those who think that morality has to have a secure single foundation if it is to be real are pushed into regarding Conrad’s scepticism as a form of nihilism.Professor Raval’s important study brings philosophical and literary interests to bear on Conrad’s major fiction and illuminates those aspects of his art which have puzzled and fascinated his readers. It will be deservedly valued by those studying and teaching modern literature.

Originally published in 1981, this concordance can afford particular benefits to the critic and textual scholar because of several specialized problems that The Arrow of Gold presents. It should be able to shed light on problems distinct to The Arrow of Gold even as it provides information on questions pertinent to Conrad’s work as a whole. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1981, this concordance can afford particular benefits to the critic and textual scholar because of several specialized problems that The Arrow of Gold presents. It should be able to shed light on problems distinct to The Arrow of Gold even as it provides information on questions pertinent to Conrad’s work as a whole. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, this concordance to Heart of Darkness is intended for use by the general student of Conrad who wants to determine the exact denotation and connotation of Conrad’s vocabulary, or the patterns of imagery in his work, quickly and effortlessly. It prints under each word every logical context in which it occurs. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, this concordance to Heart of Darkness is intended for use by the general student of Conrad who wants to determine the exact denotation and connotation of Conrad’s vocabulary, or the patterns of imagery in his work, quickly and effortlessly. It prints under each word every logical context in which it occurs. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1982, this volume follows others in the series. By looking at the word frequency table, the user will find how many times the word occurs in the work. The verbal index tells at what page and line number the word occurs. By looking at the field of reference, the reader can see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1982, this volume follows others in the series. By looking at the word frequency table, the user will find how many times the word occurs in the work. The verbal index tells at what page and line number the word occurs. By looking at the field of reference, the reader can see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, this concordance consists of a Verbal Index listing the location of all words used by Conrad, a Word Frequency Table listing number occurrences for each word in his text, and a Field of Reference in which the user can locate in its context a word cited in the Verbal Index. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1979, this concordance consists of a Verbal Index listing the location of all words used by Conrad, a Word Frequency Table listing number occurrences for each word in his text, and a Field of Reference in which the user can locate in its context a word cited in the Verbal Index. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1982, this title supplies a complete verbal index, listing all the words in the texts with their locations, a word frequency table, and a field of reference which establishes a page/line reference system for locating each context. The user will look first in the word frequency table to see whether or not the word in question occurs in these works. Then they will turn to the verbal index to find the line and page on which it occurs, and finally, turning to the location in the field of reference, they will find the context for their word.

Originally published in 1982, this title supplies a complete verbal index, listing all the words in the texts with their locations, a word frequency table, and a field of reference which establishes a page/line reference system for locating each context. The user will look first in the word frequency table to see whether or not the word in question occurs in these works. Then they will turn to the verbal index to find the line and page on which it occurs, and finally, turning to the location in the field of reference, they will find the context for their word.

Originally published in 1983, this volume follows others in the series. The user is provided with a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1983, this volume follows others in the series. The user is provided with a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.

Originally published in 1983, this volume follows others in the series. For each work, this volume provides a Verbal Index, a Word Frequency Table, and a Field of Reference. The user may look to the Word Frequency Table to see how often the word in question occurs. In the Verbal Index they will find its location(s) listed by page and line number. The Field of Reference provides page and line numbers which allow them to find the word in its context(s).

Originally published in 1983, this volume follows others in the series. For each work, this volume provides a Verbal Index, a Word Frequency Table, and a Field of Reference. The user may look to the Word Frequency Table to see how often the word in question occurs. In the Verbal Index they will find its location(s) listed by page and line number. The Field of Reference provides page and line numbers which allow them to find the word in its context(s).

Originally published in 1985, as with the earlier volumes in the series, the reader of The Rover is here provided a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. Using the tables in this concordance, the reader should be better able to address the issue of style and determine on a more informed basis whether Conrad has deliberately eschewed the adjectival and even the figurative in favour of a lean, spare style, or whether he has simply tangled his style in rhetorical excesses and imprecisions.