Routledge Modern and Contemporary Dramatists – serie

One of Europe's greatest playwrights, Caryl Churchill has been internationally celebrated for four decades. She has exploded the narrow definitions of political theatre to write consistently hard-edged and innovative work. Always unpredictable in her stage experiments, her plays have stretched the relationships between form and content, actor and spectator to their limits. This new critical introduction to Churchill examines her political agendas, her collaborations with other practitioners, and looks at specific production histories of her plays. Churchill's work continues to have profound resonances with her audiences and this book explores her preoccupation with representing such phenomena as capitalism, genocide, environmental issues, identity, psychiatry and mental illness, parenting, violence and terrorism. It includes new interviews with actors and directors of her work, and gathers together source material from her wide-ranging career.

One of Europe's greatest playwrights, Caryl Churchill has been internationally celebrated for four decades. She has exploded the narrow definitions of political theatre to write consistently hard-edged and innovative work. Always unpredictable in her stage experiments, her plays have stretched the relationships between form and content, actor and spectator to their limits. This new critical introduction to Churchill examines her political agendas, her collaborations with other practitioners, and looks at specific production histories of her plays. Churchill's work continues to have profound resonances with her audiences and this book explores her preoccupation with representing such phenomena as capitalism, genocide, environmental issues, identity, psychiatry and mental illness, parenting, violence and terrorism. It includes new interviews with actors and directors of her work, and gathers together source material from her wide-ranging career.

Immortalized in death by The Clash, Pablo Neruda, Salvador Dalí, Dmitri Shostakovich and Lindsay Kemp, Federico García Lorca's spectre haunts both contemporary Spain and the cultural landscape beyond. This study offers a fresh examination of one of the Spanish language’s most resonant voices; exploring how the very factors which led to his emergence as a cultural icon also shaped his dramatic output.The works themselves are also awarded the space that they deserve, combining performance histories with incisive textual analysis to restate Lorca’s presence as a playwright of extraordinary vision, in works such as:Blood WeddingThe PublicThe House of Bernarda AlbaYerma.Federico García Lorca is an invaluable new resource for those seeking to understand this complex and multifaceted figure: artist, playwright, director, poet, martyr and in the eyes of many, Spain’s ‘national dramatist’.

Immortalized in death by The Clash, Pablo Neruda, Salvador Dalí, Dmitri Shostakovich and Lindsay Kemp, Federico García Lorca's spectre haunts both contemporary Spain and the cultural landscape beyond. This study offers a fresh examination of one of the Spanish language’s most resonant voices; exploring how the very factors which led to his emergence as a cultural icon also shaped his dramatic output.The works themselves are also awarded the space that they deserve, combining performance histories with incisive textual analysis to restate Lorca’s presence as a playwright of extraordinary vision, in works such as:Blood WeddingThe PublicThe House of Bernarda AlbaYerma.Federico García Lorca is an invaluable new resource for those seeking to understand this complex and multifaceted figure: artist, playwright, director, poet, martyr and in the eyes of many, Spain’s ‘national dramatist’.

‘This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century.’ – CHOICE Outstanding Academic Title for 2012Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial writer whose work prefigured many recent postmodern and post-colonial developments in theatre and performance studies.The volume offers philosophical, historical, political and aesthetic readings of Genet’s plays in order to render the complexity of his theatre exhilarating, rather than intimidating. It goes on to explore ways in which different directors, designers and actors have approached his writing. A spectrum of productions spanning 60 years, from 1947 to 2007, illustrates the sheer range of theatrical styles that Genet’s texts inspire.Reflecting on his early life and later political activism as well as the key plays, David Bradby and Clare Finburgh provide a comprehensive discussion of a playwright and theorist whose work caused riots in France, and whose writing represents a unique synthesis of life and art.

‘This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century.’ – CHOICE Outstanding Academic Title for 2012Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial writer whose work prefigured many recent postmodern and post-colonial developments in theatre and performance studies.The volume offers philosophical, historical, political and aesthetic readings of Genet’s plays in order to render the complexity of his theatre exhilarating, rather than intimidating. It goes on to explore ways in which different directors, designers and actors have approached his writing. A spectrum of productions spanning 60 years, from 1947 to 2007, illustrates the sheer range of theatrical styles that Genet’s texts inspire.Reflecting on his early life and later political activism as well as the key plays, David Bradby and Clare Finburgh provide a comprehensive discussion of a playwright and theorist whose work caused riots in France, and whose writing represents a unique synthesis of life and art.

J. B. Priestley is the first book to provide a detailed and up to date analysis of the enormous contribution made by this playwright, novelist, journalist and critic to twentieth century British theatre. Priestley was often criticised for being either too populist or too experimental and this study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics; describing and analysing in detail not only his plays but also their specific historical and contemporary productions.Using a combination of archive, review and critical materials, the book re-locates Priestley as a theatre theorist of substance as well as a playwright who challenged theatre conventions and assumptions about audience expectations, at a time when theatre was considered both conservative and lacking in innovation.

J. B. Priestley is the first book to provide a detailed and up to date analysis of the enormous contribution made by this playwright, novelist, journalist and critic to twentieth century British theatre. Priestley was often criticised for being either too populist or too experimental and this study unpicks the contradictions of a playwright and theatre theorist popular with audiences but too often dismissed by critics; describing and analysing in detail not only his plays but also their specific historical and contemporary productions.Using a combination of archive, review and critical materials, the book re-locates Priestley as a theatre theorist of substance as well as a playwright who challenged theatre conventions and assumptions about audience expectations, at a time when theatre was considered both conservative and lacking in innovation.

Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.

Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.

Anton Chekhov offers a critical introduction to the plays and productions of this canonical playwright, examining the genius of Chekhov's writing, theatrical representation and dramatic philosophy.Emphasising Chekhov’s continued relevance and his mastery of the tragicomic, Rose Whyman provides an insightful assessment of his life and work. All of Chekhov’s major dramas are analysed, in addition to his vaudevilles, one-act plays and stories. The works are studied in relation to traditional criticism and more recent theoretical and cultural standpoints, including cultural materialism, philosophy and gender studies.Analysis of key historical and recent productions, display the development of the drama, as well as the playwright’s continued appeal. Anton Chekhov provides readers with an accessible comparative study of the relationship between Chekhov's life, work and ideological thought.

Anton Chekhov offers a critical introduction to the plays and productions of this canonical playwright, examining the genius of Chekhov's writing, theatrical representation and dramatic philosophy.Emphasising Chekhov’s continued relevance and his mastery of the tragicomic, Rose Whyman provides an insightful assessment of his life and work. All of Chekhov’s major dramas are analysed, in addition to his vaudevilles, one-act plays and stories. The works are studied in relation to traditional criticism and more recent theoretical and cultural standpoints, including cultural materialism, philosophy and gender studies.Analysis of key historical and recent productions, display the development of the drama, as well as the playwright’s continued appeal. Anton Chekhov provides readers with an accessible comparative study of the relationship between Chekhov's life, work and ideological thought.

Dramatist, theatre practitioner, novelist, and painter, August Strindberg’s diverse dramatic output embodied the modernist sensibility. He was above all one of the most radical innovators of Western theatre.This book provides an insightful assessment of Strindberg’s vital contribution to the dramatic arts, while placing his creative process and experimental approach within a wider cultural context. Eszter Szalczer explores Strindberg’s re-definition of drama as a fluid, constantly evolving form that profoundly influenced playwriting and theatrical production from the German Expressionists to the Theatre of the Absurd. Key productions of Strindberg’s plays are analysed, examining his theatre as a living voice that continues to challenge audiences, critics, and even the most innovative directors.August Strindberg provides an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on our understanding of contemporary theatre.

Dramatist, theatre practitioner, novelist, and painter, August Strindberg’s diverse dramatic output embodied the modernist sensibility. He was above all one of the most radical innovators of Western theatre.This book provides an insightful assessment of Strindberg’s vital contribution to the dramatic arts, while placing his creative process and experimental approach within a wider cultural context. Eszter Szalczer explores Strindberg’s re-definition of drama as a fluid, constantly evolving form that profoundly influenced playwriting and theatrical production from the German Expressionists to the Theatre of the Absurd. Key productions of Strindberg’s plays are analysed, examining his theatre as a living voice that continues to challenge audiences, critics, and even the most innovative directors.August Strindberg provides an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on our understanding of contemporary theatre.

Maria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays. Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.

Maria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays. Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.

This comprehensive, accessible introduction to one of Britain’s leading contemporary playwrights and filmmakers outlines Martin McDonagh’s body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work.Analysis of McDonagh’s writing is broken down into three periods – his early Irish plays, his screenplays, and his later plays that move away from and outside of Ireland. Works are discussed thematically, giving a dynamic reading of the scripts and the ideas around which they circle. The book’s final section then delves in more detail into selected seminal productions of McDonagh’s writing, outlining key phases and transitions in his career.Part of the Routledge Modern and Contemporary Dramatists series, Martin McDonagh is an essential guide for scholars and students who are setting out to understand the life and work of one of the most popular and acclaimed British dramatists and filmmakers of the twenty-first century.

This comprehensive, accessible introduction to one of Britain’s leading contemporary playwrights and filmmakers outlines Martin McDonagh’s body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work.Analysis of McDonagh’s writing is broken down into three periods – his early Irish plays, his screenplays, and his later plays that move away from and outside of Ireland. Works are discussed thematically, giving a dynamic reading of the scripts and the ideas around which they circle. The book’s final section then delves in more detail into selected seminal productions of McDonagh’s writing, outlining key phases and transitions in his career.Part of the Routledge Modern and Contemporary Dramatists series, Martin McDonagh is an essential guide for scholars and students who are setting out to understand the life and work of one of the most popular and acclaimed British dramatists and filmmakers of the twenty-first century.

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

Hailed as one of the most talented playwrights to have emerged in the late 2000s, Mike Bartlett's diverse range of plays strike at the heart of the various crises predominant in the early twenty-first century. Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume not only provides analysis of some of Bartlett’s best-known works (Cock, Doctor Foster, King Charles III, and Albion), but also includes new interviews with Bartlett and some of his closest and oft relied upon collaborators. In this book, Bartlett’s plays and television series are grouped together thematically, allowing the reader to observe the cross-pollination between his works on the stage and screen. The book also includes an introductory biographical chapter that discusses early influences on his writing (Harold Pinter, Mark Ravenhill, Tony Kushner, and Quentin Tarantino), his time in the Young Writers Programme at the Royal Court, and his work with the Apathists.Routledge Modern and Contemporary Dramatists is a series of innovative and exciting critical introductions to the work of internationally pioneering playwrights, giving undergraduate students an ideal point of entry into these key figures in modern drama.

Hailed as one of the most talented playwrights to have emerged in the late 2000s, Mike Bartlett's diverse range of plays strike at the heart of the various crises predominant in the early twenty-first century. Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume not only provides analysis of some of Bartlett’s best-known works (Cock, Doctor Foster, King Charles III, and Albion), but also includes new interviews with Bartlett and some of his closest and oft relied upon collaborators. In this book, Bartlett’s plays and television series are grouped together thematically, allowing the reader to observe the cross-pollination between his works on the stage and screen. The book also includes an introductory biographical chapter that discusses early influences on his writing (Harold Pinter, Mark Ravenhill, Tony Kushner, and Quentin Tarantino), his time in the Young Writers Programme at the Royal Court, and his work with the Apathists.Routledge Modern and Contemporary Dramatists is a series of innovative and exciting critical introductions to the work of internationally pioneering playwrights, giving undergraduate students an ideal point of entry into these key figures in modern drama.

Dennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical.Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies.Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.

Dennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical.Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies.Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.

Noël Coward combines a fresh appraisal of major plays by one of the twentieth century’s most popular dramatists, with an account of critical and theatrical responses to his life and work.For almost the entirety of the twentieth century, Noël Coward was one of the UK’s most popular and celebrated playwrights. Refracting, rather than directly reflecting the social and personal issues of his time, his plays reveal tensions and contradictions in the theatre world that surrounded them. As well as critical responses to his work and the key themes that it foregrounds, seminal productions of The Vortex, Private Lives, Design for Living, Hay Fever, Blithe Spirit and more are examined to further elaborate on the radicalism of his approach to personal and social relationships, and the ways in which directors and actors have sought to achieve a sense of the disquiet felt by critics and audiences when they were first produced. This book explores the question of what Coward’s work can speak to for today’s modern audiences, assessing his standing in terms of how conditions have changed in the theatre and society more broadly since they were written.Part of the Routledge Modern and Contemporary Dramatists series, Noël Coward provides undergraduate students on Theatre Studies degrees and Modern Drama courses an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on what theatre can tell us about our society.

Noël Coward combines a fresh appraisal of major plays by one of the twentieth century’s most popular dramatists, with an account of critical and theatrical responses to his life and work.For almost the entirety of the twentieth century, Noël Coward was one of the UK’s most popular and celebrated playwrights. Refracting, rather than directly reflecting the social and personal issues of his time, his plays reveal tensions and contradictions in the theatre world that surrounded them. As well as critical responses to his work and the key themes that it foregrounds, seminal productions of The Vortex, Private Lives, Design for Living, Hay Fever, Blithe Spirit and more are examined to further elaborate on the radicalism of his approach to personal and social relationships, and the ways in which directors and actors have sought to achieve a sense of the disquiet felt by critics and audiences when they were first produced. This book explores the question of what Coward’s work can speak to for today’s modern audiences, assessing his standing in terms of how conditions have changed in the theatre and society more broadly since they were written.Part of the Routledge Modern and Contemporary Dramatists series, Noël Coward provides undergraduate students on Theatre Studies degrees and Modern Drama courses an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on what theatre can tell us about our society.

Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus.Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.

Winsome Pinnock is the first book length study of one of Britain’s most important play-wrights and her four-decade long career chronicling the lives of Black people, and Black women in particular, in Britain.It offers a detailed and sustained analysis of Pinnock’s plays, attending to their formal, aesthetic and thematic qualities as well as in-depth examination of the socio-cultural and political contexts that informed the creation and reception of them from the Slavery Abolition Act of 1833, the targeted attacks on Black migrants in Notting Hill in the 1950s through to Black Lives Matter movement. Combining archival research and close textual analysis, Dorney explores the range of Pinnock’s works from little-known radio plays, monodramas and micro-dramas through to well-known plays such as Leave Taking, Mules and the award-winning Rockets and Blue Lights. It considers the ways in which Pinnock’s work addresses issues of belonging, family and resistance to exploitation and abuse and how Pinnock’s craft as a playwright has developed over time and been transmitted through her long career as a teacher of creative writing.Part of the Routledge Modern and Contemporary Dramatist series, this volume provides essential insights for scholars, students, and practitioners interested in modern play-writing, race and representation, and the politics of performance.

Winsome Pinnock is the first book length study of one of Britain’s most important play-wrights and her four-decade long career chronicling the lives of Black people, and Black women in particular, in Britain.It offers a detailed and sustained analysis of Pinnock’s plays, attending to their formal, aesthetic and thematic qualities as well as in-depth examination of the socio-cultural and political contexts that informed the creation and reception of them from the Slavery Abolition Act of 1833, the targeted attacks on Black migrants in Notting Hill in the 1950s through to Black Lives Matter movement. Combining archival research and close textual analysis, Dorney explores the range of Pinnock’s works from little-known radio plays, monodramas and micro-dramas through to well-known plays such as Leave Taking, Mules and the award-winning Rockets and Blue Lights. It considers the ways in which Pinnock’s work addresses issues of belonging, family and resistance to exploitation and abuse and how Pinnock’s craft as a playwright has developed over time and been transmitted through her long career as a teacher of creative writing.Part of the Routledge Modern and Contemporary Dramatist series, this volume provides essential insights for scholars, students, and practitioners interested in modern play-writing, race and representation, and the politics of performance.