Routledge Studies in Egyptology – serie

Science in the Study of Ancient Egypt takes an innovative and integrated approach to the use of scientific techniques and methodologies within the study of ancient Egypt. Accessibly demonstrating how to integrate scientific methodologies into Egyptology broadly, and in Egyptian archaeology in particular, this volume will help to maximise the amount of information that can be obtained within a study of ancient Egypt, be it in the field, museum, or laboratory.Using a range of case studies which exemplify best practice within Egyptian archaeological science, Science in the Study of Ancient Egypt presents both the scientific methods of analysis available and their potential applications to Egyptologists. Although Egyptology has mainly shown a marked lack of engagement with recent archaeological science, the authors illustrate the inclusive but varied nature of the scientific archaeology which is now being undertaken, demonstrating how new analytical techniques can develop greater understanding of Egyptian data.

Histories of Egyptology are increasingly of interest: to Egyptologists, archaeologists, historians, and others. Yet, particularly as Egypt undergoes a contested process of political redefinition, how do we write these histories, and what (or who) are they for? This volume addresses a variety of important themes, the historical involvement of Egyptology with the political sphere, the manner in which the discipline stakes out its professional territory, the ways in which practitioners represent Egyptological knowledge, and the relationship of this knowledge to the public sphere. Histories of Egyptology provides the basis to understand how Egyptologists constructed their discipline. Yet the volume also demonstrates how they construct ancient Egypt, and how that construction interacts with much wider concerns: of society, and of the making of the modern world.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women’s burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter.Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts—royal tombs, divine temples, the landscape, portable objects, and private tombs—Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.

Large state temples in ancient Egypt were vast agricultural estates, with interests in mining, trading, and other economic activities. The temple itself served as the mansion or palace of the deity to whom the estate belonged, and much of the ritual in temples was devoted to offering a representative sample of goods to the gods. After ritual performances, produce was paid as wages to priests and temple staff and presented as offerings to private mortuary establishments. This redistribution became a daily ritual in which many basic necessities of life for elite Egyptians were produced.This book evaluates the influence of common temple rituals not only on the day to day lives of ancient Egyptians, but also on their special events, economics, and politics. Author Katherine Eaton argues that a study of these daily rites ought to be the first step in analyzing the structure of more complex societal processes.

Histories of Egyptology are increasingly of interest: to Egyptologists, archaeologists, historians, and others. Yet, particularly as Egypt undergoes a contested process of political redefinition, how do we write these histories, and what (or who) are they for? This volume addresses a variety of important themes, the historical involvement of Egyptology with the political sphere, the manner in which the discipline stakes out its professional territory, the ways in which practitioners represent Egyptological knowledge, and the relationship of this knowledge to the public sphere. Histories of Egyptology provides the basis to understand how Egyptologists constructed their discipline. Yet the volume also demonstrates how they construct ancient Egypt, and how that construction interacts with much wider concerns: of society, and of the making of the modern world.

Science in the Study of Ancient Egypt takes an innovative and integrated approach to the use of scientific techniques and methodologies within the study of ancient Egypt. Accessibly demonstrating how to integrate scientific methodologies into Egyptology broadly, and in Egyptian archaeology in particular, this volume will help to maximise the amount of information that can be obtained within a study of ancient Egypt, be it in the field, museum, or laboratory.Using a range of case studies which exemplify best practice within Egyptian archaeological science, Science in the Study of Ancient Egypt presents both the scientific methods of analysis available and their potential applications to Egyptologists. Although Egyptology has mainly shown a marked lack of engagement with recent archaeological science, the authors illustrate the inclusive but varied nature of the scientific archaeology which is now being undertaken, demonstrating how new analytical techniques can develop greater understanding of Egyptian data.

This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war.Depictions of foreign captives in humiliating or torturous poses are ubiquitous in Egyptian iconography and reflect the celebratory nature of royal ideology, in this case by degrading enemies. Egyptologists have scrutinized these scenes for details regarding various military matters, but existing scholarly literature offers few studies focused on enemy captives and the sheer physical brutality of the depictions of their bindings. Janzen examines the bound foreigner motif in New Kingdom sources, demonstrating that these prisoners of war played vital roles in Egyptian ideology and religion. Their depictions in bizarre or torturous poses served to reinforce ideological underpinnings of pharaoh’s right to rule, perpetually ritualizing their defeat and/or punishment through the presence of this iconography on ceremonial objects used primarily by the king and on temple walls and monuments. The subjugation of foreigners also constituted an important economic function, as incorporating prisoners of war into the Egyptian workforce was crucial for economic prosperity and growth in New Kingdom Egypt. The volume also explores cross-cultural and anthropological parallels, placing Egyptian treatment of foreign prisoners in its ancient context.The book provides a fascinating study of the subject suitable for scholars and students of Egyptology and ancient history, particularly that of New Kingdom Egypt, as well as those working on power, warfare, and violence in the ancient world more broadly.

This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war.Depictions of foreign captives in humiliating or torturous poses are ubiquitous in Egyptian iconography and reflect the celebratory nature of royal ideology, in this case by degrading enemies. Egyptologists have scrutinized these scenes for details regarding various military matters, but existing scholarly literature offers few studies focused on enemy captives and the sheer physical brutality of the depictions of their bindings. Janzen examines the bound foreigner motif in New Kingdom sources, demonstrating that these prisoners of war played vital roles in Egyptian ideology and religion. Their depictions in bizarre or torturous poses served to reinforce ideological underpinnings of pharaoh’s right to rule, perpetually ritualizing their defeat and/or punishment through the presence of this iconography on ceremonial objects used primarily by the king and on temple walls and monuments. The subjugation of foreigners also constituted an important economic function, as incorporating prisoners of war into the Egyptian workforce was crucial for economic prosperity and growth in New Kingdom Egypt. The volume also explores cross-cultural and anthropological parallels, placing Egyptian treatment of foreign prisoners in its ancient context.The book provides a fascinating study of the subject suitable for scholars and students of Egyptology and ancient history, particularly that of New Kingdom Egypt, as well as those working on power, warfare, and violence in the ancient world more broadly.

This volume explores ancient Egyptian writing systems – one of the richest and most enduring image-writing systems in history – from the perspective of its visual aesthetics, rather than from a linguistic or philological perspective.Marking two hundred years since the decipherment of hieroglyphics, it stands as a unique work celebrating this milestone through a renewed focus on the visual dimensions of ancient Egyptian writing. Traditional scholarly approaches in Egyptology often prioritise the linguistic and philological analysis of ancient Egyptian writings over their visual aspects. This volume ushers in a new wave of scholarship focused on rediscovering the visual aesthetics of ancient Egyptian writing, with examples drawn from across the ancient history of Egypt highlighting the visual, artistic, and stylistic elements employed in the creation and presentation of hieroglyphs and their cursive forms such as the hieratic script. These visual aspects encompass diverse essential elements contributing to the overall beauty, harmony, and expressive qualities of written texts in ancient Egypt.Visual Aesthetics of Ancient Egyptian Writing is suitable for students and scholars of ancient Egyptian hieroglyphs, Egyptian art and visual culture, and ancient writing systems more broadly. It is also of interest to those working on comparative aesthetics, and comparative poetics, as well as to those working in comparative philosophy, and textual hermeneutics.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women’s burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter.Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

Large state temples in ancient Egypt were vast agricultural estates, with interests in mining, trading, and other economic activities. The temple itself served as the mansion or palace of the deity to whom the estate belonged, and much of the ritual in temples was devoted to offering a representative sample of goods to the gods. After ritual performances, produce was paid as wages to priests and temple staff and presented as offerings to private mortuary establishments. This redistribution became a daily ritual in which many basic necessities of life for elite Egyptians were produced.This book evaluates the influence of common temple rituals not only on the day to day lives of ancient Egyptians, but also on their special events, economics, and politics. Author Katherine Eaton argues that a study of these daily rites ought to be the first step in analyzing the structure of more complex societal processes.