Stephen Quirke – författare

Despite major movements for change, in practice archaeologists still pursue the past to the exclusion of the present inhabitants of archaeological landscapes. Archaeological archives hold a key to the formation of archaeology as a separate study, but they may be overlooked in current debates on ethics in archaeology and anthropology. This study focuses on the great archive that records the work of Flinders Petrie in Egypt, first in 1880-1882 under a nationalist government, and then during the English military occupation that lasted from 1882 until after his death in 1942. The archive brings to life the main Egyptian supervisors who enabled Petrie to function as an archaeologist, while payroll lists record the names of hundreds more men and children on the full labour force. None of these Egyptians have received recognition as an archaeologist in history-writing, foreign or Egyptian. This archival ground offers a new open resource to those within Egypt and elsewhere opposed to the neo-colonial regime of the disciplines.

This volume explores ancient Egyptian writing systems – one of the richest and most enduring image-writing systems in history – from the perspective of its visual aesthetics, rather than from a linguistic or philological perspective.Marking two hundred years since the decipherment of hieroglyphics, it stands as a unique work celebrating this milestone through a renewed focus on the visual dimensions of ancient Egyptian writing. Traditional scholarly approaches in Egyptology often prioritise the linguistic and philological analysis of ancient Egyptian writings over their visual aspects. This volume ushers in a new wave of scholarship focused on rediscovering the visual aesthetics of ancient Egyptian writing, with examples drawn from across the ancient history of Egypt highlighting the visual, artistic, and stylistic elements employed in the creation and presentation of hieroglyphs and their cursive forms such as the hieratic script. These visual aspects encompass diverse essential elements contributing to the overall beauty, harmony, and expressive qualities of written texts in ancient Egypt.Visual Aesthetics of Ancient Egyptian Writing is suitable for students and scholars of ancient Egyptian hieroglyphs, Egyptian art and visual culture, and ancient writing systems more broadly. It is also of interest to those working on comparative aesthetics, and comparative poetics, as well as to those working in comparative philosophy, and textual hermeneutics.

Mysterious Lands covers two kinds of encounters. First, encounters which actually occurred between Egypt and specific foreign lands, and second, those the Egyptians created by inventing imaginary lands. Some of the actual foreign lands are mysterious, in that we know of them only through Egyptian sources, both written and pictorial, and the actual locations of such lands remain unknown. These encounters led to reciprocal influences of varying intensity. The Egyptians also created imaginary lands (pseudo-geographic entities with distinctive inhabitants and cultures) in order to meet religious, intellectual and emotional needs. Scholars disagree, sometimes vehemently, about the locations and cultures of some important but geographically disputed actual lands. As for imaginary lands, they continually need to be re-explored as our understanding of Egyptian religion and literature deepens. Mysterious Lands provides a clear account of this subject and will be a stimulating read for scholars, students or the interested public.

The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie's own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.

Exploring Religion in Ancient Egypt offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions. Discusses the evolution of religion in ancient Egypt – a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

Exploring Religion in Ancient Egypt offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions. Discusses the evolution of religion in ancient Egypt – a belief system that endured for 3,000 yearsDispels several modern preconceptions about ancient Egyptian religious practicesReveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife

Mysterious Lands covers two kinds of encounters. First, encounters which actually occurred between Egypt and specific foreign lands, and second, those the Egyptians created by inventing imaginary lands. Some of the actual foreign lands are mysterious, in that we know of them only through Egyptian sources, both written and pictorial, and the actual locations of such lands remain unknown. These encounters led to reciprocal influences of varying intensity. The Egyptians also created imaginary lands (pseudo-geographic entities with distinctive inhabitants and cultures) in order to meet religious, intellectual and emotional needs. Scholars disagree, sometimes vehemently, about the locations and cultures of some important but geographically disputed actual lands. As for imaginary lands, they continually need to be re-explored as our understanding of Egyptian religion and literature deepens. Mysterious Lands provides a clear account of this subject and will be a stimulating read for scholars, students or the interested public.

The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie’s own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.