Royal Armouries Research Series – serie

The first full edition and English translation of the RA I.34 Firework Book. Produced from the early fifteenth century onwards, Firework Books are, broadly speaking, manuals on how to use gunpowder, witnessing a major development in warfare. Surviving in a corpus of some 65, each text has different content and components, but core elements are present throughout. An important example is a manuscript in the collection of the Royal Armouries (RA I.34), written in Early New High German, and (unlike many other manuscripts) still in what appears to be its original format and binding; it also, unusually, contains a number of illustrations.This volume provides the first full edition and English translation of the material, with a detailed analysis of its content and context. It positions the Firework Books at a crucial stage in the development of gunpowder artillery, offering an unparalleled insight into fifteenth-century gunpowder technology at a critical juncture of military and technological change at the end of the Middle Ages.

Fresh insights into the development of the tournament as an opportunity for social display.The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.

Ground-breaking new studies of Henry V's chapel, tomb and funeral service have new revelations and insights into the time.Before Henry V set out in 1415 on the campaign which culminated in victory at Agincourt, he made a will laying down precise instructions for a chantry chapel to be constructed in Westminster Abbey after his death, so that he could be buried close to his saintly ancestor Edward the Confessor. Seven years later the king died at Vincennes, and his body was brought back for burial in the Abbey; the elaborate funeral took place on 7 November 1422. His chapel was probably finally completed in the 1440s, and remains a distinctive feature of Westminster Abbey to this day.This book, stimulated by the 600th anniversary of the death of this iconic king, sheds new light on his funeral service and the design of his ornate chantry chapel and tomb. It also considers each of the "funeral achievements" - saddle, helm, shield and sword - traditionally associated with him. Drawing on up-to-date research by experts in each field, with exciting input from new technologies, it investigates the construction and form of the arms and weapons, as well as providing fascinating insights into the material culture and commemoration of royalty in the fifteenth century and beyond.Anne Curry is Emeritus Professor of Medieval History at the University of Southampton. Susan Jenkins is Curator of Westminster Abbey.

Fresh insights into the development of the tournament as an opportunity for social display.The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.