San Francisco Poet Laureate Series – serie

Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

This impressive collection brings together Mirikitani's strongest poems on a diversity of subjects: the incarceration of Japanese-Americans during World War II, the fragility and challenges of family relationships, and the quest by people at the margins of society to claim justice, bread and dignity. Also included is her long inaugural essay in which she discusses how poetry can connect people and transform lives. Janice Mirikitani is the author of three books of poetry. She has, over the past 35 years, created and directed programs for young people and people in need at Glide Memorial Church in San Francisco's Tenderloin district.

This collection of poetry begins with the poet's inaugural address as Laureate of San Francisco, a sparkling essay that shows how poetry can please and empower. Strong, introspective and caring, major's poems capture the challenge and joy of being an artist, as they survey the political and social landscapes of one of America's favorite cities. "A visionary of hope, with a heart big enough to embrace every neighborhood, street and alley in this magical and -poetical city. Here is a poet who shoots straight as Cupid's arrow. Zing! Right to the heart."-Alejandro Murguia devorah major is a poet, novelist, and essayist who has published prize-winning works of fiction and poetry. Among her books are Open Weave,Brown Glass Windows, and Street Smarts. She lives in San Francisco and works as an editor and arts administrator.

The fourth volume of the San Francisco Poet Laureate Series, All That's Left is a powerful collection of poems for social justice by street-poet-turned- laureate Jack Hirschman. The volume opens with Hirschman's autobiographical inaugural address, which vividly traces his career as poet, translator, and agitator. Included are several of Hirschman's earlier poems, marking successive stages of his poetic development. The poems following the address were composed during his tenure as poet laureate, covering contemporary outrages like post-Katrina New Orleans and the Virginia Tech tragedy, paying homage to fallen poetic comrades like Jack Kerouac and Bob Kaufman, and exploring more personal dimensions of love.

Stray Poems opens with San Francisco Poet Laureate Alejandro Murguía's inaugural address, where he provides a brilliant and impassioned poetic account of San Francisco's Native and Latino literary history. What follows is a selection of Murguía's most recent work, composed over the past twelve years. These are poems of the twenty-first century, written in a combination of English and Spanish—the patois of contemporary America. Angry, rebellious, subversive, sentimental, hip, urban, local, global.Alejandro Murguía is the author of Southern Front and This War Called Love, both winners of the American Book Award. He is San Francisco's first Latino Poet Laureate.Praise for Alejandro Murguía & Stray Poems:"In the city of poets, Murguía has become the activist voice of refugees and exiles--as so many of us are, even as natives--at the center of the Americas. Disguised by its sensuous intimacy, soothing and ennobling, his is a poetry that arms the resistance."--Dagoberto Gilb, author of The Magic of Blood"Poet, teacher, publisher, lover, literary guerrilla--Alejandro Murguía is a San Francisco treasure. And I'm not saying this because he knows where to find the best pozole. Although he does."--Jack Boulware, Litquake co-founder"The powerful stream of rich, diverse Spanish spoken in the United States by millions of Latinos from Mexico, Central and South America, and the Caribbean, has rushed into the huge river of the English tongue in such a way that a language and a literature have been born from those troubled waters, exploring multiple alternatives and choosing many paths. These Stray Poems from Alejandro Murguía speak with all those voices, crossing linguistic borders and really going out of the way to deviate from the standard path and let the multiracial and multicultural, all-embracing Latino beat flow into the heart of English."--Daisy Zamora, The Violent Foam"Murguía with a tango unleashed, a city on fire, a rendezvous of homage, manifesto, revenge and transcendence--he is alone, without a face, yet recognizable in every body that swims through the under-streets of the City, of Paris, of Havana, of bombed-out-Here's-and-There’s and the stripped down body of all of us. No stones are left unturned; hypnotic, alarming, 'melodramático,' rough-lovin’, unkempt, 'dangerous,' and ready to battle at the center of the scorched core. 'I didn’t cheat,' one poem admits. He is on trial—fire-spitter and disassembler of cultural falsifications, in 'strange' and romantic moods, the poems scatter truth and aim and blow and burn and rise unto the flagless sky--'. . . a country of oceans and mountains.' Murguía gets there. Alone, because few embark on that voyage. An astonishing, brutal nakedness. Love, that is. No book like it. An unimaginable heart of and for the peoplea ground--breaking prize."--Juan Felipe Herrera, Poet Laureate of California

"The Poetry Deal: San Francisco Poet Laureate Series No. 5 gives us di Prima's vision as she looks back at a life lived truly and looks out at a society she still has hope for even as it grieves its failings."--David Nilsen, Fourth & Sycamore: A Literary Journal "The Poetry Deal shines with eros and kindness and the reality of inspiration. No American or Anarchist voice or soul-building heart has ever been more clear. The pages are fierce with love and generosity."--Michael McClure, author of Ghost Tantras "The Poetry Deal is fresh flame from a revolutionary fire that continues to burn. Every woman of every age should carry it in a purse with their pepper spray. Diane is the ultimate weapon."--Amber Tamblyn, author of Dark Sparkler "In her latest collection as San Francisco Poet Laureate, di Prima is again at the height of her powers, with 'the act of writing itself more compelling than ever.'"--Micah Ballard, author of Waifs and Strays "I return to this book again and again to remember what it means to own and further a poetic and political lineage."--Ana Bozicevic, author of Rise in the Fall "The Poetry Deal [is] an urgent success of the highest order ...Diane di Prima should always be high on the American poetry play list."--Barbara Berman, The Rumpus "Recounting a life in poetry, her commitment to progressive thought and action, and a half-century of Bay Area culture, crises, and change, di Prima writes at the top of her game ...di Prima recalls the time an institutionalized Ezra Pound told her that 'poets have to eat'; rarely has a poet left so much bread on the table for future poets."--*Starred Review, Publishers Weekly "This is a volume that traverses the specific and reaches the universal. She marks her poems with great strength and utmost sensitivity. They are poems that live in real time; not cyberspace. di Prima's poetry is well-lived and poetry worth living in. She is a gifted teacher enjoining the reader to face life's lessons for the attendant dilemmas of old age. Carry this book with you. It will arm you with continuous insight and flaming provocation."--Robert Sutherland-Cohen The Poetry Deal is the first full-length collection of individual poems in decades from legendary feminist Beat poet Diane di Prima.Framed by two passionate, and critical, prose statements assessing her adopted home city, The Poetry Deal is a collection of poems that provide a personal and political look at forty years of Bay Area culture. Often elegiac in tone, the book captures the poet's sense of loss as she chronicles the deaths of friends from the AIDS epidemic as well as the passing of illustrious countercultural colleagues like Philip Whalen, Pigpen from the Grateful Dead, and Kirby Doyle. She also recalls and mourns out-of-town inspirations like Chogyam Trungpa Rinpoche, Audre Lorde, and Ezra Pound. Yet even as she laments the state of her city today, she finds triumph and solace in her own relationships, the marriages of her friends, the endurance of City Lights, and other symbols of San Francisco's heritage. Born in Brooklyn in 1934, Diane di Prima emerged as a member of the Beat Generation in New York in the late '50s; in the early '60s, she founded the important mimeo magazine The Floating Bear with her lover LeRoi Jones (Amiri Baraka). In the late '60s, she moved to San Francisco, where she would publish her groundbreaking Revolutionary Letters (1971) with City Lights.Her other important books include Memoirs of a Beatnik, Pieces of a Dream, Recollections of My Life as a Woman, and Loba. She was named San Francisco Poet