Screening Antiquity – serie

In the period 1916-1966, during its so-called Golden Age, Hollywood developed a passion for the ancient world and produced many epic movie blockbusters. The studios used every device they could find to wow audiences with the spectacle of antiquity.In this unique study, Lloyd Llewellyn-Jones shows how Hollywood carefully and skilfully created the popular modern perception of the ancient world. He analyses how producers, art directors, costumiers, publicity agents, movie stars, and inevitably, ‘a cast of thousands’ literally designed and crafted the ancient world from scratch.This lively book offers a technical as well as a theoretical guide to a much-neglected area of film studies and reception studies that will appeal to anyone working in these disciplines.Key Features:This is the first study of the mechanisms and ideologies behind the making of epic movies in HollywoodLavishly illustrated including rare and fascinating marketing material and production stills produced by Hollywood at the timeExplores the casting and consequences of movie stars in historical rolesSets a new agenda for exploring the relationship between history and film and between history and visual culture.Lloyd Llewellyn-Jones is Professor of Ancient History at Cardiff University.

In the period 1916-1966, during its so-called Golden Age, Hollywood developed a passion for the ancient world and produced many epic movie blockbusters. The studios used every device they could find to wow audiences with the spectacle of antiquity.In this unique study, Lloyd Llewellyn-Jones shows how Hollywood carefully and skilfully created the popular modern perception of the ancient world. He analyses how producers, art directors, costumiers, publicity agents, movie stars, and inevitably, ‘a cast of thousands’ literally designed and crafted the ancient world from scratch.This lively book offers a technical as well as a theoretical guide to a much-neglected area of film studies and reception studies that will appeal to anyone working in these disciplines.Key Features:This is the first study of the mechanisms and ideologies behind the making of epic movies in HollywoodLavishly illustrated including rare and fascinating marketing material and production stills produced by Hollywood at the timeExplores the casting and consequences of movie stars in historical rolesSets a new agenda for exploring the relationship between history and film and between history and visual culture.Lloyd Llewellyn-Jones is Professor of Ancient History at Cardiff University.

Cowboy Classics looks at the remarkably intimate connection between Westerns and Greek and Roman epics, each of which focuses on a mythic-historical period from the past where our societal notions of what constitutes heroism, masculinity and honour were first forged.Through her insightful analysis of Red River, High Noon, Shane, The Searchers and The Man Who Shot Liberty Valance, Kirsten Day illustrates the parallels between these seemingly disparate yet closely related genres, allowing us to see each through a new lens while gaining insight into the persistence of these concepts in our world today.

Set in the turbulent years after Caesar’s assassination in 44 BC, Season Two of the HBO-BBC series Rome lays bare a city shaken by the violent power struggle between Octavian, Caesar’s adopted son and heir, and Mark Antony, his most trusted general, bound in the seductive spell of Cleopatra. Rome Season Two: Trial & Triumph is the first academic volume to explore the second season of this critically acclaimed and commercially successful drama. It brings together seventeen pioneering and provocative essays written by an international cast of leading classical scholars and media critics. Focusing on the series’ historical framework, visual and narrative style, thematic overtones, and influence on modern popular culture, this book also engages with the authenticity of the production and considers its place in the tradition of epic films and television series set in ancient Rome. Both scholarly and entertaining, this volume will be an invaluable resource for students and scholars in Classics and Ancient History as well as Film and Media Studies.

Set in the turbulent years after Caesar’s assassination in 44 BC, Season Two of the HBO-BBC series Rome lays bare a city shaken by the violent power struggle between Octavian, Caesar’s adopted son and heir, and Mark Antony, his most trusted general, bound in the seductive spell of Cleopatra. Rome Season Two: Trial & Triumph is the first academic volume to explore the second season of this critically acclaimed and commercially successful drama. It brings together seventeen pioneering and provocative essays written by an international cast of leading classical scholars and media critics. Focusing on the series’ historical framework, visual and narrative style, thematic overtones, and influence on modern popular culture, this book also engages with the authenticity of the production and considers its place in the tradition of epic films and television series set in ancient Rome. Both scholarly and entertaining, this volume will be an invaluable resource for students and scholars in Classics and Ancient History as well as Film and Media Studies.

Cowboy Classics looks at the remarkably intimate connection between Westerns and Greek and Roman epics, each of which focuses on a mythic-historical period from the past where our societal notions of what constitutes heroism, masculinity and honour were first forged.Through her insightful analysis of Red River, High Noon, Shane, The Searchers and The Man Who Shot Liberty Valance, Kirsten Day illustrates the parallels between these seemingly disparate yet closely related genres, allowing us to see each through a new lens while gaining insight into the persistence of these concepts in our world today.

Gladiator, rebel slave leader, revolutionary: the figure of Spartacus frequently serves as an icon of resistance against oppression in modern political movements, while his legend has inspired numerous receptions over the centuries in many different media. With its visually excessive style of graphic sex and CGI-enhanced violence, the four seasons of the premium cable television series STARZ Spartacus tells the story of the historical Thracian gladiator who led a slave uprising against the Roman Republican army from 73 to 71 BC. STARZ Spartacus: Reimagining an Icon on Screen is the first scholarly volume to explore the entirety of this critically acclaimed and commercially successful drama series. This new volume brings together pioneering and provocative essays written by an international cast of leading classical scholars and experienced media critics. Turning a sharp eye on the series’ historical framework, visual and narrative style, thematic overtones, and interaction with contemporary popular culture, this volume also engages with the authenticity of the production and considers its place in the tradition of epic films and television series set in ancient Rome. At once both erudite and entertaining, STARZ Spartacus: Reimagining an Icon on Screen is an invaluable resource for both students and scholars eager to confront a new Spartacus, as the hero of the slave revolt is recast for a twenty-first century audience.

Ben-Hur was the first literary blockbuster to generate multiple and hugely profitable adaptations, highlighted by the 1959 film that won a record-setting 11 Oscars. General Lew Wallace’s book was spun off into dozens of popular publications and media productions, becoming a veritable commercial brand name that earned tens of millions of dollars. Ben-Hur: The Original Blockbuster surveys the Ben-Hur phenomenon’s unprecedented range and extraordinary endurance: various editions, spin-off publications, stage productions, movies, comic books, radio plays, and retail products were successfully marketed and sold from the 1880s and throughout the twentieth century. Today Ben-Hur Live is touring Europe and Asia, with a third MGM film in production in Italy.Jon Solomon’s new book offers an exciting and detailed study of the Ben-Hur brand, tracking its spectacular journey from Wallace’s original novel through to twenty-first century adaptations, and encompassing a wealth of previously unexplored material along the way

Ben-Hur was the first literary blockbuster to generate multiple and hugely profitable adaptations, highlighted by the 1959 film that won a record-setting 11 Oscars. General Lew Wallace’s book was spun off into dozens of popular publications and media productions, becoming a veritable commercial brand name that earned tens of millions of dollars. Ben-Hur: The Original Blockbuster surveys the Ben-Hur phenomenon’s unprecedented range and extraordinary endurance: various editions, spin-off publications, stage productions, movies, comic books, radio plays, and retail products were successfully marketed and sold from the 1880s and throughout the twentieth century. Today Ben-Hur Live is touring Europe and Asia, with a third MGM film in production in Italy.Jon Solomon’s new book offers an exciting and detailed study of the Ben-Hur brand, tracking its spectacular journey from Wallace’s original novel through to twenty-first century adaptations, and encompassing a wealth of previously unexplored material along the way

Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. By examining how and why political, social and cultural narratives of Greece have been constructed through television's distinctive audiovisual languages, and in relation also to its influential sister-medium radio, this volume explores the nature and function of these public engagements with the written and material remains of the Hellenic past. Through 10 case studies drawn from feature programmes, educational broadcasts, children's animation, theatre play productions, dramatic fiction and documentaries broadcast across the decades, this collection offers wide-ranging insights into the significance of ancient Greece on British television.

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world. Since 2000, numerous types of heroes of the ancient world have appeared on film and TV, from the mythical Hercules in various forms to leaders of the Greek and Roman worlds. Films and shows to be discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero. This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world.

Lisa Maurice examines screen portrayals of gods – covering Greco-Roman mythology, the Judeo-Christian God and Jesus – from the beginning of cinema to the present day. Focussing on the golden age of the Hollywood epic in the fifties and the twenty-first century second wave of big screen productions, she provides an over-arching picture that allows historical trends and developments to be demonstrated and contrasted. Engaging with recent scholarship on film, particularly film and theology as well as classical reception, she considers the presentation of these gods through examination of their physical and moral characteristics, as well as their interaction with the human world, against the background of the social contexts of each production.

Lisa Maurice examines screen portrayals of gods – covering Greco-Roman mythology, the Judeo-Christian God and Jesus – from the beginning of cinema to the present day. Focussing on the golden age of the Hollywood epic in the fifties and the twenty-first century second wave of big screen productions, she provides an over-arching picture that allows historical trends and developments to be demonstrated and contrasted. Engaging with recent scholarship on film, particularly film and theology as well as classical reception, she considers the presentation of these gods through examination of their physical and moral characteristics, as well as their interaction with the human world, against the background of the social contexts of each production.

The figure of Spartacus often serves as an icon of resistance against oppression in modern political movements, while his legend has inspired numerous receptions over the centuries in many different popular media. This new essay collection brings together a wide range of scholarly perspectives on the four seasons of the acclaimed and highly successful premium cable television series 'Spartacus' (2010-13), with contributions from experts in the fields of Classics, History, Gender, Film and Media Studies, and Classical Reception. 'STARZ Spartacus' uncovers a fascinating range of topics and themes within the series such as slavery, society, politics, spectacle, material culture, sexuality, aesthetics, and fan reception. As the first volume of essays published on the entirety of the STARZ series, this book is a valuable resource for both students and scholars eager to confront a new Spartacus, as the hero of the slave revolt is recast for a twenty-first century audience.The first academic volume looking at various themes of the premium cable TV series 'Spartacus'Includes original, innovative research in fields of history, politics, gender, film, fan culture Explores the theme of Spartacus on screen from multiple angles: history, classics, film studies, reception studies, gender studies, fandom studies

This collection of fourteen essays explores how the dominant media of our time – film and television – have engaged with the golden age as formulated in the Western classical tradition.Drawing on ancient Greek and Roman literature and culture, from Hesiod to Suetonius, these essays assess the far-reaching influence of the golden age concept on screen texts ranging from prestige projects like Gladiator and HBO's Rome, to cult classics Xanadu and Hercules: The Legendary Journeys, made by auteurs including Jules Dassin and the Coen Brothers. The book also looks at fantasy (Game of Thrones), science fiction (Serenity), horror (The Walking Dead), war/combat (the 300 franchise; Centurion), and the American Western.

Who is Pontius Pilate? Who do the movies say that he is? What is truth? Pontius Pilate On Screen deals with one of history's most controversial characters. From Monty Python's Life of Brian to Mel Gibson's Passion of the Christ, Pontius Pilate is a figure of evidently endless fascination to filmmakers. The Roman prefect is depicted at times as the hapless victim of machinations beyond his control and at other times as the heartless villain of the piece. If in films about the Passion Jesus represents eternal truth, Pilate symbolises the values of the present whether it is the lingering trauma of the Holocaust, the ongoing struggle over Civil Rights or the polarised politics of the current day as filmmakers endeavour again and again to portray in Pontius Pilate a compelling counter-figure to Jesus himself. This book considers portrayals of Pontius Pilate in film from the silent era to the twenty-first century. It discusses over 25 films in detail, including Cecil B. DeMille's King of Kings (1927), Norman Jewison's Jesus Christ Superstar (1973), Martin Scorsese's Last Temptation of Christ (1988), Mel Gibson's The Passion of the Christ (2004) and Sony's Risen (2016). Based on extensive archival research and original interviews with actors, screenwriters and producers, it offers an extended discussion of the history, tradition and reception of Pontius Pilate.Christopher M.

Who is Pontius Pilate? Who do the movies say that he is? What is truth? Pontius Pilate On Screen deals with one of history's most controversial characters. From Monty Python's Life of Brian to Mel Gibson's Passion of the Christ, Pontius Pilate is a figure of evidently endless fascination to filmmakers. The Roman prefect is depicted at times as the hapless victim of machinations beyond his control and at other times as the heartless villain of the piece. If in films about the Passion Jesus represents eternal truth, Pilate symbolises the values of the present whether it is the lingering trauma of the Holocaust, the ongoing struggle over Civil Rights or the polarised politics of the current day as filmmakers endeavour again and again to portray in Pontius Pilate a compelling counter-figure to Jesus himself. This book considers portrayals of Pontius Pilate in film from the silent era to the twenty-first century. It discusses over 25 films in detail, including Cecil B. DeMille's King of Kings (1927), Norman Jewison's Jesus Christ Superstar (1973), Martin Scorsese's Last Temptation of Christ (1988), Mel Gibson's The Passion of the Christ (2004) and Sony's Risen (2016). Based on extensive archival research and original interviews with actors, screenwriters and producers, it offers an extended discussion of the history, tradition and reception of Pontius Pilate.

This is the first collection to look at the most recent manifestations of the ancient hero on screen. It brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world.Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. Films and shows discussed in this volume range from Hercules and The Legend of Hercules to TV shows, Atlantis and Supernatural, to other biopic works influenced by the ancient hero.This book brings together a range of perspectives on twenty-first century cinematic representations of heroes and antiheroes from the ancient world.Key features:Includes a range of TV shows and films, allowing for greater comparative analysis, examining the overlooked links between various productions Original, cutting edge research in the fields of history, politics, gender, film and fan culture. Covers topics including society, politics, generational issues, gender, fan reception and star texts Also considers the creation of antiheroes in the twenty-first century. Contributors include Alastair Blanshard, Angeline Chiu, Jon Solomon and Emma Stafford

Ancient Greece has inspired television producers and captivated viewing audiences in the United Kingdom for over half a century. By examining how and why political, social and cultural narratives of Greece have been constructed through television’s distinctive audiovisual languages, and in relation also to its influential sister-medium radio, this volume explores the nature and function of these public engagements with the written and material remains of the Hellenic past.Through 10 case studies drawn from feature programmes, educational broadcasts, children’s animation, theatre play productions, dramatic fiction and documentaries broadcast across the decades, this collection offers wide-ranging insights into the significance of ancient Greece on British television.Key features and benefits First multi-authored collection of essays on the topic of ancient Greece on television Brings experts from the disciplines of Classics and Media Studies together to offer rigorous examples of how to apply the methodologies of Media Studies to Classical ReceptionExplores the representation of Ancient Greece across a range of forms, including documentary, television drama, radio, theatre plays, educational television and children’s animationExamines the use of mass media forms in formal and informal teaching and learning contexts, and evaluates the role of the academic in broadcasting Investigates institutional production contexts, developing technologies, the use of space and location, style and aesthetics, costume and staging, globalization and localization and audiencesIncludes an interview with ancient historian Michael Scott and producer-director David Wilson to reflecting particularly on concept to reality Discusses content broadcast on the BBC, ITV and Channel 4Contributors include Anna Foka, Lynn Fotheringham, Peter Golphin, Tony Keen, Sarah Miles, Amanda Potter and John Wyver

How do epic tropes shape representations of the ancient world and determine contemporary understandings of historical events? What features of ancient epic persistently emerge in science fiction and fantasy narratives adapted to the screen, and why? How does the different scope of televisual versus cinematic media impact the representation of conventions derived from ancient epic? The international range of contributors to this volume respond to these questions by looking for features of epic outside the traditional realm of Greco-Roman antiquity, including historical films and series, fantasy, science fiction and documentary. By identifying epic conventions on the large and small screen, as well as within a range of speculative fictions in fantastical and futuristic settings, they consider the function of such conventions within their twenty-first-century production contexts.