Kirsten Day is Associate Professor of Classics at Augustana College in Rock Island, Illinois where she lives with her husband Sean and sons Harper and Owen. A native of Arkansas, she received her B.A. from Rice University, completed her graduate work at the University of Arkansas, and studied at the American School of Classical Studies in Athens. Her research interests include women in antiquity and classics in popular culture.

Cowboy Classics is a straight-talking study in cultural reception. Day's analyses of Golden Age western films in light of Homer and Virgil are nuanced and deeply persuasive. Her work has much to teach us about heroism, gender, and the shaping of cultural identity, in both the present and the past.

• Prologue1. Howard Hawks’s Red River2. Fred Zinnemann’s High Noon3. George Stevens’s Shane4. John Ford’s The Searchers5. John Ford’s The Man Who Shot Liberty ValanceConclusion

Kirsten Day is Associate Professor of Classics at Augustana College in Rock Island, Illinois where she lives with her husband Sean and sons Harper and Owen. A native of Arkansas, she received her B.A. from Rice University, completed her graduate work at the University of Arkansas, and studied at the American School of Classical Studies in Athens. Her research interests include women in antiquity and classics in popular culture.

Cowboy Classics is a straight-talking study in cultural reception. Day's analyses of Golden Age western films in light of Homer and Virgil are nuanced and deeply persuasive. Her work has much to teach us about heroism, gender, and the shaping of cultural identity, in both the present and the past.

• Prologue1. Howard Hawks’s Red River2. Fred Zinnemann’s High Noon3. George Stevens’s Shane4. John Ford’s The Searchers5. John Ford’s The Man Who Shot Liberty ValanceConclusion

Kirsten Day is Associate Professor of Classics at Augustana College in Rock Island, Illinois where she lives with her husband Sean and sons Harper and Owen. A native of Arkansas, she received her B.A. from Rice University, completed her graduate work at the University of Arkansas, and studied at the American School of Classical Studies in Athens. Her research interests include women in antiquity and classics in popular culture.

Cowboy Classics is a straight-talking study in cultural reception. Day's analyses of Golden Age western films in light of Homer and Virgil are nuanced and deeply persuasive. Her work has much to teach us about heroism, gender, and the shaping of cultural identity, in both the present and the past.

• Prologue1. Howard Hawks’s Red River2. Fred Zinnemann’s High Noon3. George Stevens’s Shane4. John Ford’s The Searchers5. John Ford’s The Man Who Shot Liberty ValanceConclusion