Masculinity, Sex and Popular Culture – serie

Toxic Masculinity brings together scholars across disciplines to explore the ways in which toxic masculinity is constructed, configured and represented online.What is "toxic masculinity"? Examining what it means in the media and public discourse, the contributors have explored a constellation of behaviours, cultures and practices that have been labelled as (or associated with) toxic masculinity including those of politicians, extremists, incels, as well as individual "ordinary" men and their everyday behaviours. Topics covered in the collection include incels and Men Going Their Own Way (MGTOW), bro culture, sexual violence, internalised homophobia, transphobia, white masculinity and political discourse.Toxic Masculinity is intended for a broad spectrum of gender, media, cultural and masculinity studies professionals, academics, researchers and students. The book also includes suggestions for further reading, a discussion of methods used in each chapter and contextual prefaces to make connections between critical questions and cases.

Drawing on diverse examples from literature, film, memoirs, and popular culture, Men, Masculinities, and Infertilities analyses cultural representations of male infertility.Going beyond the biomedical and sociological towards interdisciplinary cultural studies, this book studies depictions of men’s infertility. It includes fictional representations alongside memoirs, newspaper articles, ethnographies and autoethnographies, and scientific reporting. Works under discussion range from twentieth-century novel Lady Chatterley's Lover to romantic comedy film Not Suitable For Children, and science fiction classic Mr Adam, as well as encompassing genres including blockbuster romance and memoir. Men, Masculinities, and Infertilities draws upon both sociological and popular culture research to trace how the discourse of cultural anxiety unfolds across disciplines.This engaging work will be of key interest to scholars of popular culture studies, gender and women’s studies (including queer and sexuality studies), critical studies of men and masculinities, cultural studies, and literary studies.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book explores the dick pic in popular culture. Drawing from a range of disciplines, cultural analyses, lived experiences and theoretical approaches, this book explores the polysemous nature of dick pics. It looks at historical and contemporary theorisations of the penis/phallus, sexualisation and sexual objectification of the male body arguments, contemporary public discourses concerning the dick pic, and men’s lived experiences of sexting and dick pic sending. Made possible by advances in mobile and digital technologies, the dick pic is often regarded as a harmful endemic, particularly in the wake of increased recognitions of sexual violence against women. However, very little has been done to explore dick pics outside of violence, pathological, and moral panic framings, such as the erotic possibilities and understandings of the dick pic, and the way certain discourses continue to work to shape and frame how we engage and understand the dick pic in contemporary culture. This will be key reading for scholars and students in Women’s and Gender Studies, Sexuality Studies, Masculinity and Sociology.

This book analyses contemporary gay "pig" masculinities, which have emerged alongside antiretroviral therapies, online porn, and new sexualised patterns of recreational drug use, examining how they trouble modern European understandings of the male body, their ethics, and their political underpinnings. This is the first book to reflect on an increasingly visible new form of sexualised gay masculinity, and the first monograph to move debates on condomless sex amongst gay men beyond discourses of HIV and/or AIDS. It contributes to existing critical histories of sexuality, pornography and other sex media at a crucial juncture in the history of gay male sex cultures and the HIV epidemic. The book draws from fieldwork, interviews, archival research, visual analysis, philosophy, queer theory, and cultural studies, using empirical, critical, and speculative methodologies to better think gay "pig" masculinities across their material, affective, ethical and political dimensions, in a future-oriented, politically-inflected, reflection on what queer bodies may become.Spanning historical context to empirical and theoretical study, Bareback Porn, Porous Masculinities, Queer Futures will be of key interest to academics and students in sexuality studies, film, media, visual culture, cultural studies, and porn studies concerned with masculinities, sex and sexualities and their circulation across an array of media.

This book analyses contemporary gay "pig" masculinities, which have emerged alongside antiretroviral therapies, online porn, and new sexualised patterns of recreational drug use, examining how they trouble modern European understandings of the male body, their ethics, and their political underpinnings. This is the first book to reflect on an increasingly visible new form of sexualised gay masculinity, and the first monograph to move debates on condomless sex amongst gay men beyond discourses of HIV and/or AIDS. It contributes to existing critical histories of sexuality, pornography and other sex media at a crucial juncture in the history of gay male sex cultures and the HIV epidemic. The book draws from fieldwork, interviews, archival research, visual analysis, philosophy, queer theory, and cultural studies, using empirical, critical, and speculative methodologies to better think gay "pig" masculinities across their material, affective, ethical and political dimensions, in a future-oriented, politically-inflected, reflection on what queer bodies may become.Spanning historical context to empirical and theoretical study, Bareback Porn, Porous Masculinities, Queer Futures will be of key interest to academics and students in sexuality studies, film, media, visual culture, cultural studies, and porn studies concerned with masculinities, sex and sexualities and their circulation across an array of media.

Men, Masculinities, and Popular Romance seeks to open a lively and accessible discussion between critical studies of men and masculinities and popular romance studies, especially its continued interest in what Janice Radway has called "the purity of his maleness."Popular romance novels, perhaps more than any other genre, explore sexuality and gender, creating an ideal space in which to consider and explore theoretical models that think seriously about gender. The romance novel has long been criticized and celebrated by feminist critics. How can these novels maintain, according to some, feminist ideals, while also upholding what Raewyn Connell has long theorized as "hegemonic masculinity"? This volume is an original and important contribution examining the previously underexamined nexus of masculinity and popular romance studies. It will be of key interest to undergraduates and postgraduates in Masculinities, Gender and Women’s Studies, and Literary Studies, and highly relevant to courses in Masculinity Studies, Pop Culture Studies, Queer Studies and Sexuality Studies.

Men, Masculinities, and Popular Romance seeks to open a lively and accessible discussion between critical studies of men and masculinities and popular romance studies, especially its continued interest in what Janice Radway has called "the purity of his maleness."Popular romance novels, perhaps more than any other genre, explore sexuality and gender, creating an ideal space in which to consider and explore theoretical models that think seriously about gender. The romance novel has long been criticized and celebrated by feminist critics. How can these novels maintain, according to some, feminist ideals, while also upholding what Raewyn Connell has long theorized as "hegemonic masculinity"? This volume is an original and important contribution examining the previously underexamined nexus of masculinity and popular romance studies. It will be of key interest to undergraduates and postgraduates in Masculinities, Gender and Women’s Studies, and Literary Studies, and highly relevant to courses in Masculinity Studies, Pop Culture Studies, Queer Studies and Sexuality Studies.

Hipster Porn examines models of gay hipster masculinity through the lens of the gay fanzine Butt. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.Butt exemplifies the changing nature of gay contemporary masculinity as it marked the beginning of a new era of queer fanzines such as They Shoot Homos Don't They?, Kink, Kaiserin, and Meat reflecting a specific cosmopolitan gay lifestyle in the West of the 2000s. The new forms of masculinity and sexuality demanded new ways of thinking about gender and desire. Hipster Porn takes the aesthetics of Butt to find a way of critiquing and rearticulating key concepts from gender, queer and affect theory, and delivers new accounts of subjectivity and sociality as they apply to queer media culture. This book is suitable for researchers in gender studies, queer and masculinity studies, cultural studies, media studies, and sociology.

Hipster Porn examines models of gay hipster masculinity through the lens of the gay fanzine Butt. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.Butt exemplifies the changing nature of gay contemporary masculinity as it marked the beginning of a new era of queer fanzines such as They Shoot Homos Don't They?, Kink, Kaiserin, and Meat reflecting a specific cosmopolitan gay lifestyle in the West of the 2000s. The new forms of masculinity and sexuality demanded new ways of thinking about gender and desire. Hipster Porn takes the aesthetics of Butt to find a way of critiquing and rearticulating key concepts from gender, queer and affect theory, and delivers new accounts of subjectivity and sociality as they apply to queer media culture. This book is suitable for researchers in gender studies, queer and masculinity studies, cultural studies, media studies, and sociology.

Toxic Masculinity brings together scholars across disciplines to explore the ways in which toxic masculinity is constructed, configured and represented online.What is "toxic masculinity"? Examining what it means in the media and public discourse, the contributors have explored a constellation of behaviours, cultures and practices that have been labelled as (or associated with) toxic masculinity including those of politicians, extremists, incels, as well as individual "ordinary" men and their everyday behaviours. Topics covered in the collection include incels and Men Going Their Own Way (MGTOW), bro culture, sexual violence, internalised homophobia, transphobia, white masculinity and political discourse.Toxic Masculinity is intended for a broad spectrum of gender, media, cultural and masculinity studies professionals, academics, researchers and students. The book also includes suggestions for further reading, a discussion of methods used in each chapter and contextual prefaces to make connections between critical questions and cases.

Drawing on diverse examples from literature, film, memoirs, and popular culture, Men, Masculinities, and Infertilities analyses cultural representations of male infertility.Going beyond the biomedical and sociological towards interdisciplinary cultural studies, this book studies depictions of men’s infertility. It includes fictional representations alongside memoirs, newspaper articles, ethnographies and autoethnographies, and scientific reporting. Works under discussion range from twentieth-century novel Lady Chatterley's Lover to romantic comedy film Not Suitable For Children, and science fiction classic Mr Adam, as well as encompassing genres including blockbuster romance and memoir. Men, Masculinities, and Infertilities draws upon both sociological and popular culture research to trace how the discourse of cultural anxiety unfolds across disciplines.This engaging work will be of key interest to scholars of popular culture studies, gender and women’s studies (including queer and sexuality studies), critical studies of men and masculinities, cultural studies, and literary studies.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Masculinities in the US Hangout Sitcom examines how four sitcoms – Friends, How I Met Your Mother, The Big Bang Theory, and New Girl – mediate the tense relationship between neoliberalism and masculinities.Why is Ross in Friends so worried about everything? This book argues that the men in Friends and similar shows that follow young, straight, mostly white twentysomethings in major US cities are beset by a range of social and economic concerns about their place in society. Using multiple methods of analysis to examine these shows – including conjunctural analysis, historiographical method, and critical discourse analysis – a range of topics in these shows are examined, from sexuality through to homosociality, from race through to nationality. This book makes an insightful contribution to work on the television sitcom and on neoliberalism in culture and society. It will be an ideal resource for upper-level undergraduates, post-graduates, and researchers in a range of disciplines including television and screen studies, critical studies on men and masculinities and humor studies.

Masculinities in the US Hangout Sitcom examines how four sitcoms – Friends, How I Met Your Mother, The Big Bang Theory, and New Girl – mediate the tense relationship between neoliberalism and masculinities.Why is Ross in Friends so worried about everything? This book argues that the men in Friends and similar shows that follow young, straight, mostly white twentysomethings in major US cities are beset by a range of social and economic concerns about their place in society. Using multiple methods of analysis to examine these shows – including conjunctural analysis, historiographical method, and critical discourse analysis – a range of topics in these shows are examined, from sexuality through to homosociality, from race through to nationality. This book makes an insightful contribution to work on the television sitcom and on neoliberalism in culture and society. It will be an ideal resource for upper-level undergraduates, post-graduates, and researchers in a range of disciplines including television and screen studies, critical studies on men and masculinities and humor studies.