John Mercer – författare

Toxic Masculinity brings together scholars across disciplines to explore the ways in which toxic masculinity is constructed, configured and represented online.What is "toxic masculinity"? Examining what it means in the media and public discourse, the contributors have explored a constellation of behaviours, cultures and practices that have been labelled as (or associated with) toxic masculinity including those of politicians, extremists, incels, as well as individual "ordinary" men and their everyday behaviours. Topics covered in the collection include incels and Men Going Their Own Way (MGTOW), bro culture, sexual violence, internalised homophobia, transphobia, white masculinity and political discourse.Toxic Masculinity is intended for a broad spectrum of gender, media, cultural and masculinity studies professionals, academics, researchers and students. The book also includes suggestions for further reading, a discussion of methods used in each chapter and contextual prefaces to make connections between critical questions and cases.

This is a concise and accessible introduction into the concept of objectification, one of the most frequently recurring terms in both academic and media debates on the gendered politics of contemporary culture, and core to critiquing the social positions of sex and sexism.Objectification is an issue of media representation and everyday experiences alike. Central to theories of film spectatorship, beauty fashion and sex, objectification is connected to the harassment and discrimination of women, to the sexualization of culture and the pressing presence of body norms within media. This concise guidebook traces the history of the term’s emergence and its use in a variety of contexts such as debates about sexualization and the male gaze, and its mobilization in connection with the body, selfies and pornography, as well as in feminist activism.It will be an essential introduction for undergraduate and postgraduate students in Gender Studies, Media Studies, Sociology, Cultural Studies or Visual Arts.

This is a concise and accessible introduction into the concept of objectification, one of the most frequently recurring terms in both academic and media debates on the gendered politics of contemporary culture, and core to critiquing the social positions of sex and sexism.Objectification is an issue of media representation and everyday experiences alike. Central to theories of film spectatorship, beauty fashion and sex, objectification is connected to the harassment and discrimination of women, to the sexualization of culture and the pressing presence of body norms within media. This concise guidebook traces the history of the term’s emergence and its use in a variety of contexts such as debates about sexualization and the male gaze, and its mobilization in connection with the body, selfies and pornography, as well as in feminist activism.It will be an essential introduction for undergraduate and postgraduate students in Gender Studies, Media Studies, Sociology, Cultural Studies or Visual Arts.

Routledge Library Editions: The City reprints some of the most important works in urban studies published in the last century.For further information on this collection please email info.research@routledge.co.uk.

Routledge Library Editions: The City reprints some of the most important works in urban studies published in the last century.For further information on this collection please email info.research@routledge.co.uk.

Sexualised Masculinity: Men’s Bodies in 21st Century Media Culture explores evolving portrayals of masculinity in contemporary media, focusing on the increasing eroticisation of the male body.This book examines how traditional and digital media – from films and television to social media platforms and fashion – have transformed the ways masculinity is represented and perceived. Through a wide array of case studies, it highlights how male bodies are now sites of erotic value, challenging long-standing norms and expectations. By exploring both global and local media, John Mercer and Clarissa Smith provide insights into the shifting landscape of gender and sexuality, offering a critical perspective on how masculinity is consumed, performed, and commodified in today’s world.This book is essential for students and scholars in fields such as gender studies, media studies, cultural studies and social history, and is particularly relevant for those interested in understanding the intersections of masculinity, media and sexuality in the 21st century.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Sexualised Masculinity: Men’s Bodies in 21st Century Media Culture explores evolving portrayals of masculinity in contemporary media, focusing on the increasing eroticisation of the male body.This book examines how traditional and digital media – from films and television to social media platforms and fashion – have transformed the ways masculinity is represented and perceived. Through a wide array of case studies, it highlights how male bodies are now sites of erotic value, challenging long-standing norms and expectations. By exploring both global and local media, John Mercer and Clarissa Smith provide insights into the shifting landscape of gender and sexuality, offering a critical perspective on how masculinity is consumed, performed, and commodified in today’s world.This book is essential for students and scholars in fields such as gender studies, media studies, cultural studies and social history, and is particularly relevant for those interested in understanding the intersections of masculinity, media and sexuality in the 21st century.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Sidcup is a pleasant place to live. It is full of trees and there are parks and open spaces. Beneath the spread of modern housing lie four ancient settlements and four great estates, whose outlines still affect the topography of Sidcup. The villages of North Cray and Foots Cray were there before the Norman Conquest, while Halfway Street was a village in the Middle Ages. Sidcup itself was a mere hamlet where an inn and a smithy were established. The estates of Frognal, Foots Cray Place, Lamorbey and the Hollies all gave employment.

Toxic Masculinity brings together scholars across disciplines to explore the ways in which toxic masculinity is constructed, configured and represented online.What is "toxic masculinity"? Examining what it means in the media and public discourse, the contributors have explored a constellation of behaviours, cultures and practices that have been labelled as (or associated with) toxic masculinity including those of politicians, extremists, incels, as well as individual "ordinary" men and their everyday behaviours. Topics covered in the collection include incels and Men Going Their Own Way (MGTOW), bro culture, sexual violence, internalised homophobia, transphobia, white masculinity and political discourse.Toxic Masculinity is intended for a broad spectrum of gender, media, cultural and masculinity studies professionals, academics, researchers and students. The book also includes suggestions for further reading, a discussion of methods used in each chapter and contextual prefaces to make connections between critical questions and cases.

This book explores the connections between drag stardom and contemporary sexual and cultural politics in the RuPaul’s Drag Race franchise. With Drag Race alumni achieving fame in fields such as music, fashion, theatre and beyond, this edited collection interrogates the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the very heart of the show.RuPaul’s Drag Race has recently completed its 15th season after having won 26 Emmys. The show is a popular culture phenomenon, broadcasting drag into the homes of middle America, spawning spin off shows and an ever-expanding international franchise. Its success has made global stars of its host, guest judges and contestants alike. This edited collection explores the connections between drag stardom and contemporary sexual and cultural politics that RuPaul’s Drag Race stages and dramatizes. Alumni of Drag Race have gone on to become globally famous. Adore Delano and Sharon Needles have launched music careers. Violet Chachki is the first drag model to become the face of Bettie Page Lingerie whilst Jinkx Monsoon has achieved success as a Broadway star. In 2017 RuPaul was named as one of Time Magazine’s 100 Most Influential People. Above everything else RuPaul’s Drag Race is a show about celebrating the glamour, artifice and the labour of fame. Whilst Drag Race has already attracted scholarly attention (Brennan & Gudelunas eds. 2017) the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the heart of its dynamic and appeal remain to be explored.RuPaul’s Drag Race and the Cultural Politics of Fame will be a key resource for academics, researchers, and advanced students of Media and Cultural Studies, Gender Studies, Performing Arts, Media and Film Studies, Communication Studies and Sociology. The chapters included in this book were originally published as a special issue of Celebrity Studies.

This book explores the connections between drag stardom and contemporary sexual and cultural politics in the RuPaul’s Drag Race franchise. With Drag Race alumni achieving fame in fields such as music, fashion, theatre and beyond, this edited collection interrogates the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the very heart of the show.RuPaul’s Drag Race has recently completed its 15th season after having won 26 Emmys. The show is a popular culture phenomenon, broadcasting drag into the homes of middle America, spawning spin off shows and an ever-expanding international franchise. Its success has made global stars of its host, guest judges and contestants alike. This edited collection explores the connections between drag stardom and contemporary sexual and cultural politics that RuPaul’s Drag Race stages and dramatizes. Alumni of Drag Race have gone on to become globally famous. Adore Delano and Sharon Needles have launched music careers. Violet Chachki is the first drag model to become the face of Bettie Page Lingerie whilst Jinkx Monsoon has achieved success as a Broadway star. In 2017 RuPaul was named as one of Time Magazine’s 100 Most Influential People. Above everything else RuPaul’s Drag Race is a show about celebrating the glamour, artifice and the labour of fame. Whilst Drag Race has already attracted scholarly attention (Brennan & Gudelunas eds. 2017) the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the heart of its dynamic and appeal remain to be explored.RuPaul’s Drag Race and the Cultural Politics of Fame will be a key resource for academics, researchers, and advanced students of Media and Cultural Studies, Gender Studies, Performing Arts, Media and Film Studies, Communication Studies and Sociology. The chapters included in this book were originally published as a special issue of Celebrity Studies.

The twenty-first century has seen an explosion in the ways and means in which children can become part of celebrity culture. With the rise in popularity of reality TV, child beauty pageants, talent shows, and social media platforms, as well as more established routes to fame through TV, cinema, theatre and music, the number of children establishing a presence in public life continues to proliferate.Childhood and Celebrity brings together international scholarly writing and research about famous children, and representations of childhood, from a range of disciplines including Childhood Studies, Celebrity Studies, Cultural Studies and Film Studies in order to open up a theoretical space in which to explore and understand the complex relationship between contemporary childhood and celebrity culture. This unique collection includes detailed case studies of specific child performers such as McCaulay Culkin and Miley Cyrus, histories of child stars in the ‘Golden Age’ of Hollywood, analyses of representations of children in film and discussions of children as media creators and producers. Key themes of transgression, gender, ‘coming of age’, childhood innocence and children’s rights recur in the chapters and present a compelling argument for the emergence of the field of Childhood and Celebrity as an area of study in its own right.

The twenty-first century has seen an explosion in the ways and means in which children can become part of celebrity culture. With the rise in popularity of reality TV, child beauty pageants, talent shows, and social media platforms, as well as more established routes to fame through TV, cinema, theatre and music, the number of children establishing a presence in public life continues to proliferate.Childhood and Celebrity brings together international scholarly writing and research about famous children, and representations of childhood, from a range of disciplines including Childhood Studies, Celebrity Studies, Cultural Studies and Film Studies in order to open up a theoretical space in which to explore and understand the complex relationship between contemporary childhood and celebrity culture. This unique collection includes detailed case studies of specific child performers such as McCaulay Culkin and Miley Cyrus, histories of child stars in the ‘Golden Age’ of Hollywood, analyses of representations of children in film and discussions of children as media creators and producers. Key themes of transgression, gender, ‘coming of age’, childhood innocence and children’s rights recur in the chapters and present a compelling argument for the emergence of the field of Childhood and Celebrity as an area of study in its own right.

Gay pornography, online and onscreen, is a controversial and significantly under-researched area of cultural production. In the first book of its kind, Gay Pornography: Representations of Sexuality and Masculinity explores the iconography, themes and ideals that the genre presents. Indeed, John Mercer argues that gay pornography cannot be regarded as one-dimensional, but that it offers its audience a vision of plural masculinities that are more nuanced and ambiguous than they might seem. Mercer examines how the internet has generated an exponential growth in the sheer volume and variety of this material, and facilitated far greater access to it. He uses both professional and amateur examples to explore how gay pornography has become part of a wider cultural context in which modern masculinities have become 'saturated' by their constantly evolving status and function in popular culture.

'We recognised the place from the newsreels. There was a large desk covered with dust. An ornamental chandelier hung low from the ceiling. From here Hitler had plotted. Here had been Goering, Himmler, Hess, Goebbels, Ribbentrop - Outside were the remains of a bonfire. The wall was smoke-blackened by the burning. We had reached the heart of Hitler's Germany.' John Mercer was called up in June 1944, and after nine months of square-bashing, vehicle training, Morse code and line laying, he became a gunner. He landed in Normandy on 13 June. The next year saw Mercer skirmishing in Belgium and suffering in waterlogged Holland. He would spend hundreds of hours glued to the radio, waiting for a signal to fire. During the assault on Le Havre, he was taken prisoner by Germans. After transferring to the 7th Division, he was one of the first British troops to enter Berlin, and the Reich Chancellery. Mercer's letters to his widowed mother, together with extracts from the official War Diaries, tell his gripping story. Letters from Normandy is about life in wartime: the trauma, the uncertainty, and perhaps above all, the will to return home.

Gay pornography, online and onscreen, is a controversial and significantly under-researched area of cultural production. In the first book of its kind, Gay Pornography: Representations of Sexuality and Masculinity explores the iconography, themes and ideals that the genre presents. Indeed, John Mercer argues that gay pornography cannot be regarded as one-dimensional, but that it offers its audience a vision of plural masculinities that are more nuanced and ambiguous than they might seem. Mercer examines how the internet has generated an exponential growth in the sheer volume and variety of this material, and facilitated far greater access to it. He uses both professional and amateur examples to explore how gay pornography has become part of a wider cultural context in which modern masculinities have become 'saturated' by their constantly evolving status and function in popular culture.

Tall, dark and handsome, with a manufactured name and a scrupulously designed professional image, Rock Hudson represented the Hollywood ideal of American masculinity during the 1950s and 60s; an ideal that was to be questioned and ultimately undermined during the years to follow by lurid accounts of his private life and his death from AIDS related illness.This illuminating analysis of Hudson's career reassesses the perceived disparity between his public persona and his 'true' nature. Exploring his unique qualities as a performer and exposing the role of his agent, producers and directors in the construction of his image, John Mercer unpicks Hudson's stardom to reveal a more complex star identity than has hitherto been understood. Foregrounding the ways in which Hudson's career provides insights into the nature of American popular culture and attitudes towards gender and sexuality, Mercer ultimately depicts Hudson as a star who embodied a period of transition between the old Hollywood and the new.