Claire Nally – författare
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66 produkter
66 produkter
582 kr
Skickas inom 5-8 vardagar
1 620 kr
Skickas inom 10-15 vardagar
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
1 530 kr
Skickas inom 10-15 vardagar
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ‘‘war against the obesity epidemic’’. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ‘‘obesity epidemic’’ discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
Female Heroes in Young Adult Fantasy Fiction
Reframing Myths of Adolescent Girlhood
Inbunden, Engelska, 2023
1 399 kr
Skickas inom 10-15 vardagar
The heroic romance is one of the West’s most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero’s bride, a prize he wins for slaying monsters. Crucially, although the girl’s exclusion from heroic selfhood affects all girls, it does not do so equally— whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth’s world-creating power and YA’s liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero’s violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
1 485 kr
Skickas inom 10-15 vardagar
The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade’s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
477 kr
Skickas inom 10-15 vardagar
What happens to gender at 120mph? Are Harley-Davidsons more masculine than Yamahas? The Gendered Motorcycle answers such questions through a critical examination of motorcycles in film, advertising and television. Whilst bikers and biker cultures have been explored previously, the motorcycle itself has remained largely under-theorised, especially in relation to gender. Esperanza Miyake reveals how representations of motorcycles can produce different gendered bodies, identities, spaces and practices. This interdisciplinary book offers new and critical ways to think about gender and motorcycles, and will interest scholars and students of gender, technology and visual cultures, as well as motorcycle industry practitioners and motorcycle enthusiasts.
Girls Like This, Boys Like That
The Reproduction of Gender in Contemporary Youth Cultures
Häftad, Engelska, 2019
383 kr
Skickas inom 10-15 vardagar
What role does taste play in contemporary youth culture? How do young people reproduce, or alternatively, reject gender norms? Using new research and the work of renowned theorists such as Judith Butler and Pierre Bourdieu, Victoria Cann argues that popular culture affects young people's experiences of masculinity and femininity and forces them to navigate a social minefield in which they are pressured to display tastes deemed appropriate for their gender. Combining her own unique empirical research with a strong theoretical framework, Cann widens and links the fields of gender and taste studies to show the everyday reality of twenty-first-century youth and their apprehensions - especially those of young boys- about participating in activities, or embracing pop-cultural preferences that have traditionally only been associated with the opposite sex.
464 kr
Skickas inom 10-15 vardagar
The exotic and dangerous stereotype of the Gypsy woman formed in 19th-century literature and visual culture remains alive today. These contemporary cliches about Gypsy culture - both negative and romanticised - have a long history. In The Gypsy Woman, Jodie Matthews analyses why the representation of female Gypsy figures in print, painting, television series such as Big Fat Gypsy Weddings and social media sites like Instagram matters so much. Some of these images have been so damaging that they require legal regulation, but Matthews claims that supposedly positive portrayals are just as detrimental by reiterating the same story about Gypsies that have been told since the 19th century. Her study makes this book a highly relevant resource for students, teachers and researchers working in literary, cultural, gender and Romani studies.
464 kr
Skickas inom 10-15 vardagar
A powerful female, pre-adolescent, consumer demographic has emerged in tandem with girls becoming more visible in popular culture since the 1990s. Yet the cultural anxiety that this has caused has received scant academic attention. In Tweenhood, Melanie Kennedy rectifies this and examines mainstream, pre-adolescent girls' films, television programmes and celebrities from 2004 onwards, including A Cinderella Story (2004), Hannah Montana (2006) and Camp Rock (2008). Her book forges a dialogue between post-feminism, film and television, celebrity and most importantly; the figure of the tween. Kennedy examines how these media texts, which are so key to tween culture, address and construct their target audience by helping them to 'choose' an appropriately feminine identity. Tweenhood then, she argues, is transient and a discursive construct whose unpacking highlights the deification of celebrity and femininity within its culture.
1 167 kr
Skickas inom 5-8 vardagar
In Pop & Postfeminism, Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality.Weidhase examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana Del Rey, she illuminates different characteristics of the postfeminist dandy in popular music. Amy Winehouse's work makes visible the commodification of the female spectacle in popular culture, highlighting how her image and persona were marketed and consumed. Rihanna performs black femininity as postfeminism’s abject Other. Lady Gaga queers monstrous motherhood and celebrates female musical lineage. Lana Del Rey's work demonstrates how whiteness operates as a canvas for postfeminist and post-racial fantasies, offering a platform for their deconstruction and critique.Weidhase’s analysis provides a comprehensive understanding of how these pop stars navigate and challenge the intricate landscape of postfeminism, offering a nuanced perspective on contemporary femininity and its representations in popular culture.
Guilty Pleasures'
European Audiences and Contemporary Hollywood Romantic Comedy
Inbunden, Engelska, 2021
1 284 kr
Skickas inom 10-15 vardagar
In Guilty Pleasures, Alice Guilluy examines the reception of contemporary Hollywood romantic comedy by European audiences. She offers a new look at the romantic comedy genre through a qualitative study of its consumption by actual audiences. In doing so, she attempts to challenge traditional critiques of the genre as trite “escapism” at best, and dangerous “guilty pleasure” at worst. Despite this cultural anxiety, little work has been done on the genre’s real audiences. Guilluy addresses this gap by presenting the results of a major qualitative study of the genre’s reception, based on interview research with rom-com viewers in Britain, France and Germany, focusing on Sweet Home Alabama (2002, dir. Andy Tennant). Throughout the interviews, participants attempted to distance themselves from what they described as the “typical” rom-com viewer: the uneducated, gullible, overly emotional (American) woman. Guilluy calls this fantasy figure the “phantom spectatrix”. Guilluy complements this with a critical examination of the press reviews of the 20 biggest-grossing rom-coms at the worldwide box-office in order to contextualise the findings of her audience research.
1 284 kr
Skickas inom 10-15 vardagar
Male and Female Violence in Popular Media brings into focus the apparently symmetrical phenomena of men’s violence against women and women’s violence against men, explaining the profound differences in their actual features as well as in their representations, which over the last few years have been proliferating in a vast array of global media contents. Elisa Giomi and Sveva Magaraggia consider popular media including crime TV series such as The Killing (Denmark, 2007- 2012), The Fall (UK, 2013-2016) and True Detective (USA, 2015), factual entertainment such as Who the (bleep) Did I Marry? (Investigation Discovery, 2010-2015), and Italian pop music in order to examine popular culture’s depictions of men and women in their opposite, yet complementary, roles of perpetrators and victims. They reveal how TV shows, pop-songs, news and commercials that populate global audiences’ daily life fuel false beliefs about love and sexuality that either legitimate or stigmatise violence depending on the perpetrators and victims’ gender.
425 kr
Skickas inom 10-15 vardagar
What makes a woman ‘bad’ is commonly linked to certain ‘qualities’ or behaviours seen as morally or socially corrosive, dirty and disgusting. In Bad Girls, Dirty Bodies, Gemma Commane critically explores the social, sexual and political significance of women who are labelled ‘bad’, sluts or dirty. Through a variety of case studies drawn from qualitative and original ethnographic research, she argues that ‘Bad Girls’ disrupt heterosexual normativity and contribute new embodied knowledge.From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates ‘bad’ women as sites of power, possibility and success. Through the combination of case studies (Ms T, Empress Stah and RubberDoll, Mouse and Doris La Trine), Gemma Commane offers a challenge to those who think that sexual, slutty, bad, and dirty women are not worth listening to. Significantly, she unpicks the issues generated by women who are complicit in the subjugation, policing and marginalization of ‘other’ women, both in popular culture and in sites of subcultural resistance.
307 kr
Skickas inom 10-15 vardagar
Gay pornography, online and onscreen, is a controversial and significantly under-researched area of cultural production. In the first book of its kind, Gay Pornography: Representations of Sexuality and Masculinity explores the iconography, themes and ideals that the genre presents. Indeed, John Mercer argues that gay pornography cannot be regarded as one-dimensional, but that it offers its audience a vision of plural masculinities that are more nuanced and ambiguous than they might seem. Mercer examines how the internet has generated an exponential growth in the sheer volume and variety of this material, and facilitated far greater access to it. He uses both professional and amateur examples to explore how gay pornography has become part of a wider cultural context in which modern masculinities have become 'saturated' by their constantly evolving status and function in popular culture.
1 351 kr
Skickas inom 10-15 vardagar
In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured?Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Joey Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015).
437 kr
Skickas inom 10-15 vardagar
In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured?Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Joey Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015).
450 kr
Skickas inom 10-15 vardagar
The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade’s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
464 kr
Skickas inom 10-15 vardagar
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ‘‘war against the obesity epidemic’’. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ‘‘obesity epidemic’’ discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
437 kr
Skickas inom 10-15 vardagar
In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema’s engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill’s Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.
Female Heroes in Young Adult Fantasy Fiction
Reframing Myths of Adolescent Girlhood
Häftad, Engelska, 2024
472 kr
Skickas inom 10-15 vardagar
The heroic romance is one of the West’s most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero’s bride, a prize he wins for slaying monsters. Crucially, although the girl’s exclusion from heroic selfhood affects all girls, it does not do so equally— whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth’s world-creating power and YA’s liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero’s violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
450 kr
Skickas inom 10-15 vardagar
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
Postfeminism and Contemporary Vampire Romance
Representations of Gender and Sexuality in Film and Television
Inbunden, Engelska, 2022
1 284 kr
Skickas inom 10-15 vardagar
In this book, Lea Gerhards traces connections between three recent vampire romance series; the Twilight film series (2008-2012), The Vampire Diaries (2009-2017) and True Blood (2008-2014), exploring their tremendous discursive and ideological power in order to understand the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. Discussing a range of conflicting meanings contained in the narratives, Gerhards critically looks genre’s engagement with everyday sexism and violence against women, power relations in heterosexual relationships, sexual autonomy and pleasure, (self-) empowerment, and (self-) surveillance. She asks: Why are these genre texts so popular right now, what specific desires, issues and fears are addressed and negotiated by them, and what kinds of pleasures do they offer?
Postfeminism and Contemporary Vampire Romance
Representations of Gender and Sexuality in Film and Television
Häftad, Engelska, 2023
410 kr
Skickas inom 10-15 vardagar
In this book, Lea Gerhards traces connections between three recent vampire romance series; the Twilight film series (2008-2012), The Vampire Diaries (2009-2017) and True Blood (2008-2014), exploring their tremendous discursive and ideological power in order to understand the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. Discussing a range of conflicting meanings contained in the narratives, Gerhards critically looks genre’s engagement with everyday sexism and violence against women, power relations in heterosexual relationships, sexual autonomy and pleasure, (self-) empowerment, and (self-) surveillance. She asks: Why are these genre texts so popular right now, what specific desires, issues and fears are addressed and negotiated by them, and what kinds of pleasures do they offer?
Feel-Bad Postfeminism
Impasse, Resilience and Female Subjectivity in Popular Culture
Inbunden, Engelska, 2022
1 284 kr
Skickas inom 10-15 vardagar
In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives.McDermott's analysis of Gone Girl (2012), Girls (2012–2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008–2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls’ and women’s culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism.
Gender and Early Television
Mapping Women’s Role in Emerging US and British Media, 1850-1950
Häftad, Engelska, 2022
435 kr
Skickas inom 10-15 vardagar
Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television, Sarah Arnold traces women’s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ‘golden age’ of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ‘television girls’. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women’s role in television, through her analysis, Arnold argues that it has not always been the case.
Guilty Pleasures'
European Audiences and Contemporary Hollywood Romantic Comedy
Häftad, Engelska, 2023
422 kr
Skickas inom 10-15 vardagar
In Guilty Pleasures, Alice Guilluy examines the reception of contemporary Hollywood romantic comedy by European audiences. She offers a new look at the romantic comedy genre through a qualitative study of its consumption by actual audiences. In doing so, she attempts to challenge traditional critiques of the genre as trite “escapism” at best, and dangerous “guilty pleasure” at worst. Despite this cultural anxiety, little work has been done on the genre’s real audiences. Guilluy addresses this gap by presenting the results of a major qualitative study of the genre’s reception, based on interview research with rom-com viewers in Britain, France and Germany, focusing on Sweet Home Alabama (2002, dir. Andy Tennant). Throughout the interviews, participants attempted to distance themselves from what they described as the “typical” rom-com viewer: the uneducated, gullible, overly emotional (American) woman. Guilluy calls this fantasy figure the “phantom spectatrix”. Guilluy complements this with a critical examination of the press reviews of the 20 biggest-grossing rom-coms at the worldwide box-office in order to contextualise the findings of her audience research.
370 kr
Skickas inom 10-15 vardagar
In Film Bodies, Katharina Lindner took film studies into a new direction, integrating queer and feminist theory with film phenomenology. Her groundbreaking book explores the presence of women's bodies in movement in a range of genres, including the dance film, the sports film and queer cinema, providing detailed textural analyses of Black Swan (2010), The Tango Lesson (1997), 2 Seconds (1998), Offside (2006), Tomboy (2011), and Girlhood (2014), and discussing the queer feminist encounters they give rise to. Published after Lindner's untimely death in 2019, this new paperback edition of Film Bodies includes a special foreword by Jenny Chamarette, exploring the embodied, time travelling nature of Lindner's work. "Trailing gloriously in the wind behind Film Bodies are all the beginnings, the experiences that shape it, the visceral connections that give the book a bodymind from which to speak."
Masculinity in Contemporary Science Fiction Cinema
Cyborgs, Troopers and Other Men of the Future
Häftad, Engelska, 2022
437 kr
Skickas inom 10-15 vardagar
If science fiction stages the battle between humans and non-humans, whether alien or machine, who is elected to fight for us? In the classics of science fiction cinema, humanity is nearly always represented by a male, and until recently, a white male. Spanning landmark American films from Blade Runner to Avatar, this major new study offers the first ever analysis of masculinity in science fiction cinema. It uncovers the evolution of masculine heroes from the 1980s until the present day, and the roles played by their feminine counterparts. Considering gender alongside racial and class politics, Masculinity in Contemporary Science Fiction Cinema also situates filmic examples within the broader culture. It is indispensable for understanding science fiction and its role in contemporary cultural politics.
All-American TV Crime Drama
Feminism and Identity Politics in Law and Order: Special Victims Unit
Häftad, Engelska, 2022
437 kr
Skickas inom 10-15 vardagar
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
437 kr
Skickas inom 10-15 vardagar
Since the publication of Vito Russo's seminal study The Celluloid Closet in 1981, much has been written about the representation of queer characters on screen. Until now, however, relatively little attention has been paid to how queer sexualities were portrayed in films from the silent and early sound period. By looking in detail at a succession of recently-found films and revisiting others, Shane Brown examines images of male-male intimacy, buddy relationships and romantic friendships in European and American films made prior to 1934, including Different from the Others and All Quiet on the Western Front. He places these films within their socio-political and scientific context and sheds new light on how they were intended to be viewed and how they were actually perceived. In doing so, Brown offers his readers a unique insight into a little known area of early cinema, queer studies and social history.