Sarah Arnold – författare

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10 produkter

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10 produkter

Film Handbook
AvMark de Valk,Sarah Arnold
Inbunden, Engelska, 2013
2 470 kr
Skickas inom 10-15 vardagar
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity.The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.The Film Handbook relates theory to the filmmaking process and includes: • documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design• new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music• the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression• preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
Film Handbook
AvMark de Valk,Sarah Arnold
Häftad, Engelska, 2013
737 kr
Skickas inom 10-15 vardagar
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for today’s ‘digital film’ productions. It reflects on how critical analysis’ of film underpins practice and story, and how developing an autonomous ‘vision’ will best aid student creativity.The Film Handbook offers practical guidance on a range of traditional and independent ‘guerrilla’ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.The Film Handbook relates theory to the filmmaking process and includes: • documentary, narrative and experimental forms, including deliberations on ‘reading the screen’, genre, mise-en-scène, montage, and sound design• new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music• the short film form, theories of transgressive and independent ‘guerrilla’ filmmaking, the avant-garde and experimental as a means of creative expression• preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
Film Handbook
AvSarah Arnold,Mark de Valk
E-bok
Engelska, 2013
908 kr
Läs direkt efter köp
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for todayâ€™s â€˜digital filmâ€™ productions. It reflects on how critical analysisâ€™ of film underpins practice and story, and how developing an autonomous â€˜visionâ€™ will best aid student creativity.
The Film Handbook offers practical guidance on a range of traditional and independent â€˜guerrillaâ€™ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.
The Film Handbook relates theory to the filmmaking process and includes:
â€¢ documentary, narrative and experimental forms, including deliberations on â€˜reading the screenâ€™, genre, mise-en-scÃ¨ne, montage, and sound design
â€¢ new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music
â€¢ the short film form, theories of transgressive and independent â€˜guerrillaâ€™ filmmaking, the avant-garde and experimental as a means of creative expression
â€¢ preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
Film Handbook
AvSarah Arnold,Mark de Valk
E-bok
PDF, Engelska, 2013
917 kr
Läs direkt efter köp
The Film Handbook examines the current state of filmmaking and how film language, technique and aesthetics are being utilised for todayâ€™s â€˜digital filmâ€™ productions. It reflects on how critical analysisâ€™ of film underpins practice and story, and how developing an autonomous â€˜visionâ€™ will best aid student creativity.
The Film Handbook offers practical guidance on a range of traditional and independent â€˜guerrillaâ€™ film production methods, from developing script ideas and the logistics of planning the shoot to cinematography, sound and directing practices. Film professionals share advice of their creative and practical experiences shooting both on digital and film forms.
The Film Handbook relates theory to the filmmaking process and includes:
â€¢ documentary, narrative and experimental forms, including deliberations on â€˜reading the screenâ€™, genre, mise-en-scÃ¨ne, montage, and sound design
â€¢ new technologies of film production and independent distribution, digital and multi-film formats utilised for indie filmmakers and professional dramas, sound design and music
â€¢ the short film form, theories of transgressive and independent â€˜guerrillaâ€™ filmmaking, the avant-garde and experimental as a means of creative expression
â€¢ preparing to work in the film industry, development of specialisms as director, producer, cinematographer, editor, and the presentation of creative work.
Gender and Early Television
Mapping Women’s Role in Emerging US and British Media, 1850-1950
AvSarah Arnold,Claire Nally
Häftad, Engelska, 2022
451 kr
Skickas inom 10-15 vardagar
Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television, Sarah Arnold traces women’s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ‘golden age’ of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ‘television girls’. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women’s role in television, through her analysis, Arnold argues that it has not always been the case.
Gender and Early Television
Mapping Women’s Role in Emerging US and British Media, 1850-1950
AvSarah Arnold,Claire Nally
Inbunden, Engelska, 2021
1 400 kr
Skickas inom 10-15 vardagar
Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television, Sarah Arnold traces women’s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ‘golden age’ of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ‘television girls’. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women’s role in television, through her analysis, Arnold argues that it has not always been the case.
Gender and Early Television
Mapping Women’s Role in Emerging Us and British Media, 1850-1950
AvSarah Arnold
E-bok
Engelska, 2021
458 kr
Läs direkt efter köp
Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television, Sarah Arnold traces women''s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ''golden age'' of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ''television girls''. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women''s role in television, through her analysis, Arnold argues that it has not always been the case.
Gender and Early Television
Mapping Women’s Role in Emerging Us and British Media, 1850-1950
AvSarah Arnold
E-bok
PDF, Engelska, 2021
453 kr
Läs direkt efter köp
Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television, Sarah Arnold traces women''s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ''golden age'' of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ''television girls''. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the sphere of men and consumption the sphere of women. While this binary has largely informed women''s role in television, through her analysis, Arnold argues that it has not always been the case.
Media Graduates at Work
Irish Narratives on Policy, Education and Industry
AvAnne O'Brien,Sarah Arnoldm. fl.
Inbunden, Engelska, 2021
652 kr
Skickas inom 10-15 vardagar
This book systematically examines various factors that shape graduates’ entry into media work, which include the state and its policies, industrial and organizational practices and cultures, and media education. However, the book does not take a typical political economic or even media industries approach to this exploration. Rather, it innovatively traces how these forces are operationalized to shape media work from the perspective of the graduates, their educators and their employers. These varying perspectives are analyzed to see how graduates experience the outcomes of policy, education and industry cultures. The book examines the impact that policy, education and industry have in redefining what media work means for parts of industry that are responsible for cultivating new entrants into the creative industries.
Media Graduates at Work
Irish Narratives on Policy, Education and Industry
AvParaic Kerrigan,Sarah Arnoldm. fl.
E-bok
Engelska, 2021
894 kr
Läs direkt efter köp
This book systematically examines various factors that shape graduates’ entry into media work, which include the state and its policies, industrial and organizational practices and cultures, and media education. However, the book does not take a typical political economic or even media industries approach to this exploration. Rather, it innovatively traces how these forces are operationalized to shape media work from the perspective of the graduates, their educators and their employers. These varying perspectives are analyzed to see how graduates experience the outcomes of policy, education and industry cultures. The book examines the impact that policy, education and industry have in redefining what media work means for parts of industry that are responsible for cultivating new entrants into the creative industries.

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Sarah Arnold – författare

Film Handbook

Film Handbook

Film Handbook

Film Handbook

Gender and Early Television

Gender and Early Television

Gender and Early Television

Gender and Early Television

Media Graduates at Work

Media Graduates at Work

Mina sidor

Mina sidor

Hjälp

Hjälp

Om Bokus

Om Bokus

Populärt

Populärt

Inspiration

Inspiration