Páraic Kerrigan – författare

This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility.

Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media.

This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.

This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility.

Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media.

This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.

Platforming Cancel Culture: Digital Media, Identity and Cultural Intersections delves into one of the most polarizing phenomena of the digital age. Bringing together global, intersectional, and interdisciplinary perspectives, this edited collection unpacks the evolving dynamics of cancel culture, examining its practices and implications across diverse political and cultural landscapes.

While some hail cancel culture as a tool for social justice, amplifying marginalized voices and calling out systemic inequalities, others critique it as performative virtue signalling or a form of censorship. This book navigates these tensions by analysing the complex interplay of digital platforms and governance mechanisms that shape cancel culture. It explores how platform architectures enable or resist cancel practices, how narratives and media discourses surrounding cancel culture are constructed and contested, and how these dynamics differ across national and cultural contexts.

The contributors engage with cutting-edge research and offer localized insights from a range of contexts—including India, South Africa, China, Southeast Europe, the United States, and Russia—to challenge the universalizing assumptions often made about cancel culture. Methodologically diverse, the book employs sentiment and corpus analysis, digital ethnography, interviews, case studies, and critical cultural studies to provide a multifaceted examination of this volatile site of politics and cultural expression.

By weaving together perspectives from the humanities, social sciences, and cultural studies, Platforming Cancel Culture presents a nuanced understanding of how cancel culture functions as a driver of accountability and a locus of contested power. This collection is an essential resource for scholars, students, and anyone seeking to critically engage with the intersections of digital media, culture, and identity in the 21st century.

Platforming Cancel Culture: Digital Media, Identity and Cultural Intersections delves into one of the most polarizing phenomena of the digital age. Bringing together global, intersectional, and interdisciplinary perspectives, this edited collection unpacks the evolving dynamics of cancel culture, examining its practices and implications across diverse political and cultural landscapes.

While some hail cancel culture as a tool for social justice, amplifying marginalized voices and calling out systemic inequalities, others critique it as performative virtue signalling or a form of censorship. This book navigates these tensions by analysing the complex interplay of digital platforms and governance mechanisms that shape cancel culture. It explores how platform architectures enable or resist cancel practices, how narratives and media discourses surrounding cancel culture are constructed and contested, and how these dynamics differ across national and cultural contexts.

The contributors engage with cutting-edge research and offer localized insights from a range of contexts—including India, South Africa, China, Southeast Europe, the United States, and Russia—to challenge the universalizing assumptions often made about cancel culture. Methodologically diverse, the book employs sentiment and corpus analysis, digital ethnography, interviews, case studies, and critical cultural studies to provide a multifaceted examination of this volatile site of politics and cultural expression.

By weaving together perspectives from the humanities, social sciences, and cultural studies, Platforming Cancel Culture presents a nuanced understanding of how cancel culture functions as a driver of accountability and a locus of contested power. This collection is an essential resource for scholars, students, and anyone seeking to critically engage with the intersections of digital media, culture, and identity in the 21st century.