Eugenia Siapera – författare

This edited volume offers a state-of-the-art synthesis of the historical role of radical journalism, its present iterations, and plans for the future of a journalism that is committed to liberatory movements and politics.At a time of profound crisis and stagnation for mainstream journalism, radical journalism seems to be riding a wave. New outlets, including those – like Jacobin – with a global reach, have sprung up, presenting a new generation of unapologetically progressive publications with an emancipatory agenda. Understanding the role and place of radical journalism becomes even more urgent given the current political climate in a (post) pandemic world with heightened inequalities and intensified pauperisation.Drawing on contributions from leading academics, this collection considers: • How new outlets fit in the genealogy of (radical) journalism and what their flourishing can tell us about the present and future of emancipatory politics and the role of the radical journalist; • What these new forms and publications mean for mainstream journalism and its persisting problems of financial sustainability and professional journalistic labour; • Important challenges presented by, for example, the resurgence of fascism, authoritarianism and the mainstreaming of the far right; • Essential questions of what radical journalism looks like today, what forms it takes or should take, and what its future might be.Radical Journalism is recommended reading for advanced students and journalists working at the intersection of journalism, politics, and sociology.

This edited volume offers a state-of-the-art synthesis of the historical role of radical journalism, its present iterations, and plans for the future of a journalism that is committed to liberatory movements and politics.At a time of profound crisis and stagnation for mainstream journalism, radical journalism seems to be riding a wave. New outlets, including those – like Jacobin – with a global reach, have sprung up, presenting a new generation of unapologetically progressive publications with an emancipatory agenda. Understanding the role and place of radical journalism becomes even more urgent given the current political climate in a (post) pandemic world with heightened inequalities and intensified pauperisation.Drawing on contributions from leading academics, this collection considers: • How new outlets fit in the genealogy of (radical) journalism and what their flourishing can tell us about the present and future of emancipatory politics and the role of the radical journalist; • What these new forms and publications mean for mainstream journalism and its persisting problems of financial sustainability and professional journalistic labour; • Important challenges presented by, for example, the resurgence of fascism, authoritarianism and the mainstreaming of the far right; • Essential questions of what radical journalism looks like today, what forms it takes or should take, and what its future might be.Radical Journalism is recommended reading for advanced students and journalists working at the intersection of journalism, politics, and sociology.

Focusing on how the history of past conflicts is mediated in the present and recent past in six European countries, this book explores media processes as they intersect with power dynamics and hegemonic narratives of history and historical memory.The analysis centers around six countries that have experienced past conflict and traumatic past histories–Bosnia and Herzegovina, Cyprus, Germany, Greece, Ireland, and Kosovo–selected based on the type of conflict (emanating from WWII, authoritarian past, colonial past, interethnic conflict, or communist past) and its ongoing relevance. Focusing on the mediation of past conflict, the book revolves around the following questions: How do countries that have gone through historical trauma mediate this troubled past? How do they navigate processes of production, representation, and reception? How do journalists negotiate the competing demands of professional values, political tensions, and the emotional fallout of conflict and trauma? How do audiences/publics engage with content that may misrepresent their community or experiences? How do representations of past conflict change over time? How are the mediations of the past involved in present-day politics?Setting out in each chapter the implications of their analysis for journalistic education and practice, the book will attract readers among academics in the area of media and conflict and media and memory; students of media, communications, and journalism; and journalists who write on past conflict and commemoration, as well as those writing and researching on the six countries that form the case studies.

Platforming Cancel Culture: Digital Media, Identity and Cultural Intersections delves into one of the most polarizing phenomena of the digital age. Bringing together global, intersectional, and interdisciplinary perspectives, this edited collection unpacks the evolving dynamics of cancel culture, examining its practices and implications across diverse political and cultural landscapes.While some hail cancel culture as a tool for social justice, amplifying marginalized voices and calling out systemic inequalities, others critique it as performative virtue signalling or a form of censorship. This book navigates these tensions by analysing the complex interplay of digital platforms and governance mechanisms that shape cancel culture. It explores how platform architectures enable or resist cancel practices, how narratives and media discourses surrounding cancel culture are constructed and contested, and how these dynamics differ across national and cultural contexts.The contributors engage with cutting-edge research and offer localized insights from a range of contexts—including India, South Africa, China, Southeast Europe, the United States, and Russia—to challenge the universalizing assumptions often made about cancel culture. Methodologically diverse, the book employs sentiment and corpus analysis, digital ethnography, interviews, case studies, and critical cultural studies to provide a multifaceted examination of this volatile site of politics and cultural expression.By weaving together perspectives from the humanities, social sciences, and cultural studies, Platforming Cancel Culture presents a nuanced understanding of how cancel culture functions as a driver of accountability and a locus of contested power. This collection is an essential resource for scholars, students, and anyone seeking to critically engage with the intersections of digital media, culture, and identity in the 21st century.

Platforming Cancel Culture: Digital Media, Identity and Cultural Intersections delves into one of the most polarizing phenomena of the digital age. Bringing together global, intersectional, and interdisciplinary perspectives, this edited collection unpacks the evolving dynamics of cancel culture, examining its practices and implications across diverse political and cultural landscapes.While some hail cancel culture as a tool for social justice, amplifying marginalized voices and calling out systemic inequalities, others critique it as performative virtue signalling or a form of censorship. This book navigates these tensions by analysing the complex interplay of digital platforms and governance mechanisms that shape cancel culture. It explores how platform architectures enable or resist cancel practices, how narratives and media discourses surrounding cancel culture are constructed and contested, and how these dynamics differ across national and cultural contexts.The contributors engage with cutting-edge research and offer localized insights from a range of contexts—including India, South Africa, China, Southeast Europe, the United States, and Russia—to challenge the universalizing assumptions often made about cancel culture. Methodologically diverse, the book employs sentiment and corpus analysis, digital ethnography, interviews, case studies, and critical cultural studies to provide a multifaceted examination of this volatile site of politics and cultural expression.By weaving together perspectives from the humanities, social sciences, and cultural studies, Platforming Cancel Culture presents a nuanced understanding of how cancel culture functions as a driver of accountability and a locus of contested power. This collection is an essential resource for scholars, students, and anyone seeking to critically engage with the intersections of digital media, culture, and identity in the 21st century.

Cultural Diversity and Global Media explores the relationship between the media and multiculturalism. Summarises and critically discusses current approaches to multiculturalism and the media from a global perspeciveExplores both the theoretical debates and empirical findings on multiculturalism and the mediaAssumes the new perspective of mediation of cultural diversity, which critically combines elements of previous theories in order to gain a better understanding of the relationship between the media and cultural diversityExplores media ‘moments’ of production, representation and consumption, while incorporating arguments on their shifting roles and boundariesExamines separately the role of the internet, which is linked to many changes in patterns of media production, representation and to increased possibilities for diasporic and transnational communicationContains pedagogical features that enable readers to understand and critically engage with the material, and draws upon and reviews an extensive bibliography, providing a useful reference tool.

The new media landscape touches every aspect of our social, political and cultural lives. It is more important than ever, therefore, that we are able to understand and explain the complexity of our digital world. Understanding New Media gives students the tools and the knowledge they need to make sense of the relationship between technologies, media and society. This best-selling student introduction:

Makes complex ideas accessible, clearly explaining the key thinkers, theories and research students need to understand Brings theory to life with a range of new case studies, from selfies or trolling, to the app economy and algorithms in social media Gets students started on projects and essays with guided research activities, showing them how to successfully put learning into practice Provides guided further reading, helping students to navigate the literature and extend their studies beyond the chapter

Understanding New Media remains the perfect guide to the past, present and future of the new media world. It is a vital resource for students across media and communication studies and sociology, and anyone exploring new media, social media or digital media.

The new media landscape touches every aspect of our social, political and cultural lives. It is more important than ever, therefore, that we are able to understand and explain the complexity of our digital world.Understanding New Media gives you the tools and the knowledge you need to make sense of the relationship between technologies, media and society. This best-selling introduction:

Makes complex ideas accessible, clearly explaining the key thinkers, theories and research you need to understand.Brings theory to life with a range of case studies, from platform economies to digital populism.Helps get you started on projects and essays with suggested questions and activities.

Understanding New Media is the perfect guide to the past, present and future of the new media world. It is essential reading for anyone exploring new, social or digital media.

The new media landscape touches every aspect of our social, political and cultural lives. It is more important than ever, therefore, that we are able to understand and explain the complexity of our digital world.Understanding New Media gives you the tools and the knowledge you need to make sense of the relationship between technologies, media and society. This best-selling introduction:

Makes complex ideas accessible, clearly explaining the key thinkers, theories and research you need to understand.Brings theory to life with a range of case studies, from platform economies to digital populism.Helps get you started on projects and essays with suggested questions and activities.

Understanding New Media is the perfect guide to the past, present and future of the new media world. It is essential reading for anyone exploring new, social or digital media.

The proposed book undertakes a critical examination of the relationship between technologies of automation, migration and citizenship. Automation is refers to the use of technological systems to carry out operations independently, without human intervention (Nof, 2009). Typically automation is used to augment, improve, and complete tasks in a more efficient manner, promising significant benefits, from standardization to financial savings, freeing labour time for humans (Borry and Getha-Taylor, 2019; Restrepo, 2023). While technologies of automation are accompanied by narratives of progress and freedom, they are linked not only with increased surveillance but also with a shift in surveillance practices from discipline to prediction (Andrejevic, 2019; Zuboff, 2019). Automating technologies, especially machine learning algorithms, operate through sorting and categorisation, which are subsequently used to identify patterns and make predictions on the basis of these patterns. It comes as no surprise therefore that such technologies are involved in replicating discriminatory patterns of the past.