John Mercer is Professor of Gender and Sexuality at Birmingham City University, UK.Charlie Sarson completed his PhD at Birmingham City University, UK and researches representations of gender and sexuality.Jamie Hakim is a lecturer in culture, media and creative industries at King’s College, London, UK and researches digital media and queer cultures of embodiment, intimacy and care.

• 1. ‘Charisma, uniqueness, nerve and talent’: RuPaul’s Drag Race and the cultural politics of fame 2. From Paris is Burning to #dragrace: social media and the celebrification of drag culture 3. ‘Assume the position: two queens stand before me’: RuPaul as ultimate queen 4. Drag Celebrity Impersonation as Queer Caricature in The Snatch Game 5. Rewriting ‘herstory’: Sasha Velour’s drag as art and activism 6. ‘Labouring in the image’: celebrity, femininity, and the fully commodified self in the drag of Willam Belli 7. ‘No one is trash, no one is garbage, no one is cancelled’: the cultural politics of trauma, recovery and rage in RuPaul’s Drag Race 8. Fifteen Seconds of Fame: RuPaul’s drag race, camp and ‘memeability’

John Mercer is Professor of Gender and Sexuality at Birmingham City University, UK.Charlie Sarson completed his PhD at Birmingham City University, UK and researches representations of gender and sexuality.Jamie Hakim is a lecturer in culture, media and creative industries at King’s College, London, UK and researches digital media and queer cultures of embodiment, intimacy and care.

• 1. ‘Charisma, uniqueness, nerve and talent’: RuPaul’s Drag Race and the cultural politics of fame 2. From Paris is Burning to #dragrace: social media and the celebrification of drag culture 3. ‘Assume the position: two queens stand before me’: RuPaul as ultimate queen 4. Drag Celebrity Impersonation as Queer Caricature in The Snatch Game 5. Rewriting ‘herstory’: Sasha Velour’s drag as art and activism 6. ‘Labouring in the image’: celebrity, femininity, and the fully commodified self in the drag of Willam Belli 7. ‘No one is trash, no one is garbage, no one is cancelled’: the cultural politics of trauma, recovery and rage in RuPaul’s Drag Race 8. Fifteen Seconds of Fame: RuPaul’s drag race, camp and ‘memeability’

John Mercer is Professor of Gender and Sexuality at Birmingham City University, UK.Charlie Sarson completed his PhD at Birmingham City University, UK and researches representations of gender and sexuality.Jamie Hakim is a lecturer in culture, media and creative industries at King’s College, London, UK and researches digital media and queer cultures of embodiment, intimacy and care.

• 1. ‘Charisma, uniqueness, nerve and talent’: RuPaul’s Drag Race and the cultural politics of fame 2. From Paris is Burning to #dragrace: social media and the celebrification of drag culture 3. ‘Assume the position: two queens stand before me’: RuPaul as ultimate queen 4. Drag Celebrity Impersonation as Queer Caricature in The Snatch Game 5. Rewriting ‘herstory’: Sasha Velour’s drag as art and activism 6. ‘Labouring in the image’: celebrity, femininity, and the fully commodified self in the drag of Willam Belli 7. ‘No one is trash, no one is garbage, no one is cancelled’: the cultural politics of trauma, recovery and rage in RuPaul’s Drag Race 8. Fifteen Seconds of Fame: RuPaul’s drag race, camp and ‘memeability’