Stewart Dynasty in Scotland – serie

In this study of the reign of James II of Scotland, the king is viewed in the context of the Stewart monarchy, from his struggles to overcome his early adversity and the legacy of his father's style of kingship, to the serious political crises of his reign. The relations between the king and his subjects, and the complex balance of power in medieval Scotland are examined, particularly the significant crisis precipitated by James II's attack on the Black Douglases, the greatest of all late medieval magnate families. The changing nature of political involvement among the nobility and the role of Parliament in influencing events are explored, as are the efforts of the king to recover and promote royal authority in the final years of his reign.The role of James II in the wider European context is also studied with a view to shedding light on contemporary perceptions of the Stewart monarchy both at home and abroad. The study is based on contemporary chronicle and official sources, and consideration is also given to later, highly coloured views of James II, which have influenced popular views of the king to the present day.

James VII and II is one of the least studied monarchs of Scotland, and has previously mostly been studied from an English perspective or as the muddled victim of the revolution of 1688/9 which delivered for Britain much-vaunted political emancipation. This book provides the first complete portrait of James as a Stewart prince of Scotland, as duke of Albany and King of Scots. It re-evaluates the traditional views of James as a Catholic extremist and absolutist who failed through incompetence, and challenges preconceptions based on strong views of his failings, both in popular belief and serious history.Investigating the personality and motives of the man, this biography assesses James as commander, as Christian and as king, but also as family man and Restoration libertine - a prince of his time. Painting a picture of James from cradle to grave, from childhood to resigned exile, it brings him to life within his Scottish context and as a member of the royal line of Scotland. The journey from dashing young cavalry commander to pious prince in exile appears oddly incongruous given the political and personal trials that lay between.That journey was much more of Scotland than previous studies have suggested - indeed, James was in many ways the last King of Scots.

Conditioned by a childhood surrounded by the rivalries of the Stewart family, and by eighteen years of enforced exile in England, James I was to prove a king very different from his elderly and conservative forerunners. This major study draws on a wide range of sources, assessing James I’s impact on his kingdom. Michael Brown examines James’s creation of a new, prestigious monarchy based on a series of bloody victories over his rivals and symbolised by lavish spending at court.He concludes that, despite the apparent power and glamour, James I’s ‘golden age’ had shallow roots; after a life of drastically swinging fortunes, James I was to meet his end in a violent coup, a victim of his own methods. But whether as lawgiver, tyrant or martyr, James I has cast a long shadow over the history of Scotland.

The Stewart Dynasty in Scotland series aims to bring the rich political heritage of late medieval and early modern Scotland before as wide a reading public as possible, with specialist authors writing for the general reader as well as the student or academic.This volume is number one in the series and is also the first scholarly biography of the two kings who established medieval Scotland’s most famous and durable royal dynasty.Robert II, long regarded as a weak and ineffective king, pursued a determined political and propaganda campaign which largely overcame initial political opposition. Robert III was forced to engage in a long-term struggle with his brother Albany for control of the kingdom.Firmly based on contemporary documentary sources, Stephen Boardman's study examines the ways in which the unjustly poor reputations of both kings grew from later embellishments to contemporary political propaganda.