Studies in Medieval and Early Renaissance Art History – serie

Pleasure and Politics at the Court of France

The Artistic Patronage of Queen Marie of Brabant (1260-1321)

Sublime Truth and the Senses

Titian's Poesie for King Philip II of Spain

Women and Jews in the Sachsenspiegel Picture-Books

Santa Maria Antiqua

The Sistine Chapel of the Early Middle Ages

Sephardic Book Art of the Fifteenth Century

Taddeo Di Bartolo

Siena's Painter in the Early Quattrocento

Netherlandish Art and Luxury Goods in Renaissance Spain

Art Moves. the Material Culture of Processions in Renaissance Perugia

Medieval World at Our Fingertips

Manuscript Illuminations from the Collection of Sandra Hindman

Pontormo at San Lorenzo

The Making and Meaning of a Lost Renaissance Masterpiece

Music in the Art of Renaissance Italy, 1420-1540

Revisiting Raphael's Vatican Stanze

Library of the Dukes of Burgundy

Renaissance Metapainting

Lutheran Middle Ages

The Survival of Medieval Art in Lutheran Churches in Germany

Emblems of Monarchy

Royal Portraiture in Yorkist and Early Tudor England

Architectural Drawings of Antonio Da Sangallo the Younger and His Circle

Vol. III: Antiquity and Theory

The Rome of Paul III (1534-1549)

Art, Ritual and Urban Renewal

Treasure, Memory, Nature

Church Objects in the Middle Ages

Italy by Way of India

Translating Art and Devotion in the Early Modern World

Allure of Glazed Terracotta in Renaissance Italy

Late Gothic Sculpture in Northern Italy

Andrea Da Giona and I Maestri Caronesi: An Addition to the Pantheon of Venetian Sculptors

Bringing the Holy Land Home

The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece

Staging the Ruler's Body in Medieval Cultures

A Comparative Perspective

Titian's Poetics

Selected Essays by David Rosand