Studies in Soviet History and Society – serie

This is the third in a series of volumes detailing the history of Soviet foreign policy from the Great Depression to the Great Patriotic War. It covers Soviet policy in the Far East from the Japanese rejection of a non-aggression pact in January 1933 to the conclusion of a neutrality pact in April 1941.

This book is the only comprehensive review of Soviet specialist writing on American politics covering the period from the establishment of Arbatov's USA Institute to the early 1980s.

Focusing on the development of the Communist Party in Moscow between 1925 and 1932 and its ultimate assumption of absolute power. This volume examines in detail the political changes in Moscow, including the crisis over collectivization, and the organization strategy of the Party in Moscow.

This is a collection of essays (with contributors from Britain, Continental Europe and the USA) dealing with the character and aftermath of Stalinism in the USSR. The focus is on the interwar years and on the methodological problems of studying this period, but the volume highlights also the links between Stalinism and the Tsarist past, and the ways in which Stalinism, in its very formation, prepared the ground for its own demise. In this way it contributes to a historical understanding of the current upheavals in the Soviet Union.

Taken together, the Russian census of 1897 and the Soviet censuses of 1926, 1959, 1970, and 1979 constitute the largest collection of empirical data available on that country, but until the publication of this book in 1986, the daunting complexity of that material prevented Western scholars from exploiting the censuses fully. This book is both a guide to the use of and a detailed index to these censuses. The first part of the book consists of eight essays by specialist on the USSR, six of them dealing with the use of census materials and the availability of data for research on ethnicity and language, marriage and the family, education and literacy, migration and organization, age structure, and occupations. The second part, a comprehensive index for all the published census, presents more than six hundred annotated entries for the census tables, a keyword index that enables researchers to find census data by subject, and a list of political-administrative units covered in each census.

Zenovia A. Sochor here assesses one of the most important debates within the Bolshevik leadership during the early years of Soviet power-that between A. A. Bogdanov and V. I. Lenin. Once comrades-in-arms, Bogdanov and Lenin became political rivals prior to the October Revolution. Their disagreements over political and cultural issues led to a split in the Bolshevik Party, with Bogdanov spearheading the party's left-wing faction and attracting a following of notable intellectuals. Before Lenin died in 1924, however, he had succeeded in shaping Soviet society according to his own vision, and today Bolshevism is commonly identified with Leninism while Bogdanovism is little known. Sochor provides the first full exposition in English of Bogdanov's views, which, she asserts, must be understood to appreciate the choices available and the paths not taken during the formative years of the Soviet regime.

When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom?In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays—two previously unpublished and all revised for inclusion here—which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.

When Lenin asked, "Who will beat whom?" (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest "cultural hegemony" from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between "proletarian" Communists and the "bourgeois" intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom?In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on "the cultural front" from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays—two previously unpublished and all revised for inclusion here—which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.

This study examines the interaction of peasant and official Russia in the period prior to the reforms of 1861. In a series of case studies the issues of communication and understanding between the peasantry and officialdom, peasant aims and behavioural patterns are explored.

Focusing on the development of the Communist Party in Moscow between 1925 and 1932 and its ultimate assumption of absolute power. This volume examines in detail the political changes in Moscow, including the crisis over collectivization, and the organization strategy of the Party in Moscow.