The Cambridge Edition of the Works of Jonathan Swift – serie

This volume contains the three works which together make up Jonathan Swift's early satiric and intellectual masterpiece, A Tale of a Tub: the Tale itself, The Battel of the Books, and The Mechanical Operation of the Spirit. Incorporating much new knowledge, this 2010 edition provides the first full scholarly treatment of this important work for fifty years. The introduction discusses publication, composition, and authorship; sources, analogues and generic models; reception; and religious, scientific and literary contexts (including the ancients and moderns controversy). Detailed explanatory notes address many previously unexplained issues in this famously rich and difficult work. Texts have been fully collated and edited according to modern principles and are accompanied with a textual introduction and full textual apparatus. Illustrations include title pages, the eight engravings from the fifth edition, and original designs for these engravings. Extensive associated contemporary materials, including Edmund Curll's Key and William Wotton's Observations, are provided.

The years 1711 to 1714 saw some of Swift's most brilliant and powerful political pamphleteering. Writing for the Tory government, he did more to settle the fate of parties and the nation than any literary figure, before or since. This volume collects together major defences of the government's position, including The Conduct of the Allies and The Publick Spirit of the Whigs, vigorous attacks on his opponents, short satirical broadsides, and brief contributions to periodicals. It also includes some little known work not present in previous editions of Swift. This is the first fully annotated edition of these works. A comprehensive introduction, drawing on contemporary literary and historical scholarship, is supported by detailed explanatory notes on each text. It is also the first edition to identify and collate all relevant contemporary editions and provide a full account of the textual history of each work.

This latest volume of The Cambridge Edition of the Works of Jonathan Swift is the first fully annotated edition of Swift's Irish prose writings from 1726 to 1737. Works in this volume include the famous A Modest Proposal, the acerbic A Short View of the State of Ireland, Swift's contributions to The Intelligencer, and other prose pieces of satire, polemic and intervention into contemporary Irish politics. Most of these works have never previously been published with full scholarly annotation, or with a complete and textually authoritative apparatus. This volume offers a comprehensive introduction, setting Swift's writings of the period into their full historical, political and economic context. In addition to a critical introduction and appendices, there is also an up-to-date bibliography. The volume enables Swift's role as a political and social commentator in the years after the publication of Gulliver's Travels to be understood with new clarity.

Gulliver's Travels is one of the few works of English literature which is also a landmark in world literature. Jonathan Swift's account of Lemuel Gulliver's adventures in the fantastical societies of 'remote nations' was an instant best-seller on publication in 1726 and has remained in the public imagination ever since, as both a satiric fantasy and an analysis of the human condition. This scholarly edition offers an authoritative text, based on the widest possible historical collation of the many editions published in Swift's lifetime; a detailed introduction and textual apparatus; and appendices and illustrations presenting important ancillary material with new clarity. Extensive notes and commentary open out the many layers of meaning and allusion in the text, identify new sources and parallels and offer wide-ranging historical background information. An important addition to the Cambridge Swift Edition, this volume will be indispensable for scholars and students of eighteenth-century literature and ideas.

The Journal to Stella, Jonathan Swift's letters to Esther Johnson, or 'Stella', and Rebecca Dingley, written between September 1710 and June 1713, offers an extraordinary commentary on Swift's experiences in London during the most politically active and exciting years of his career and evidence of his evolving relationship with the two women. This edition seeks for the first time both to situate the letters alongside Swift's other works and to place them within their original political, historical and cultural contexts. It brings together a combination of printed work and manuscript to present the most complete and accessible text possible, enhanced by the use of the latest digital image analysis techniques to reinstate previously indecipherable material. In addition to a new critical introduction and appendices, there is also a biographical appendix derived from recently available resources.

Swift's parodies are among his most fascinating works, but perhaps require most explication for the modern reader. Valerie Rumbold brings a new depth and detail to the editing of Swift's Bickerstaff papers, 'Polite Conversation', 'Directions to Servants' and other works on language and conduct. Highlights include a fresh investigation of the political and print contexts of the Bickerstaff papers, full commentaries on such smaller works as 'A Modest Defence of Punning' and 'On Barbarous Denominations in Ireland', identification and explanation of many additional sayings in 'Polite Conversation', and a detailed contextualisation of 'Directions to Servants' in contemporary domestic theory and practice. A substantial thematic Introduction is supplemented by an individual headnote and full annotation to each work. The Textual Introduction explores the publishing strategies adopted by Swift and his booksellers, and a separate Textual Account of each work presents and discusses changes in the texts over time.

Gulliver's Travels is one of the few works of English literature which is also a landmark in world literature. Jonathan Swift's account of Lemuel Gulliver's adventures in the fantastical societies of 'remote nations' was an instant best-seller on publication in 1726 and has remained in the public imagination ever since, as both a satiric fantasy and an analysis of the human condition. This scholarly edition offers an authoritative text, based on the widest possible historical collation of the many editions published in Swift's lifetime; a detailed introduction and textual apparatus; and appendices and illustrations presenting important ancillary material with new clarity. Extensive notes and commentary open out the many layers of meaning and allusion in the text, identify new sources and parallels and offer wide-ranging historical background information. An important addition to the Cambridge Swift Edition, this volume will be indispensable for scholars and students of eighteenth-century literature and ideas.

The Journal to Stella, Jonathan Swift's letters to Esther Johnson, or 'Stella', and Rebecca Dingley, written between September 1710 and June 1713, offers an extraordinary commentary on Swift's experiences in London during the most politically active and exciting years of his career and evidence of his evolving relationship with the two women. This edition seeks for the first time both to situate the letters alongside Swift's other works and to place them within their original political, historical and cultural contexts. It brings together a combination of printed work and manuscript to present the most complete and accessible text possible, enhanced by the use of the latest digital image analysis techniques to reinstate previously indecipherable material. In addition to a new critical introduction and appendices, there is also a biographical appendix derived from recently available resources.

Swift's parodies are among his most fascinating works, but perhaps require most explication for the modern reader. Valerie Rumbold brings a new depth and detail to the editing of Swift's Bickerstaff papers, 'Polite Conversation', 'Directions to Servants' and other works on language and conduct. Highlights include a fresh investigation of the political and print contexts of the Bickerstaff papers, full commentaries on such smaller works as 'A Modest Defence of Punning' and 'On Barbarous Denominations in Ireland', identification and explanation of many additional sayings in 'Polite Conversation', and a detailed contextualisation of 'Directions to Servants' in contemporary domestic theory and practice. A substantial thematic Introduction is supplemented by an individual headnote and full annotation to each work. The Textual Introduction explores the publishing strategies adopted by Swift and his booksellers, and a separate Textual Account of each work presents and discusses changes in the texts over time.

This latest volume of The Cambridge Edition of the Works of Jonathan Swift is the first fully annotated edition of Swift's Irish prose writings from 1726 to 1737. Works in this volume include the famous A Modest Proposal, the acerbic A Short View of the State of Ireland, Swift's contributions to The Intelligencer, and other prose pieces of satire, polemic and intervention into contemporary Irish politics. Most of these works have never previously been published with full scholarly annotation, or with a complete and textually authoritative apparatus. This volume offers a comprehensive introduction, setting Swift's writings of the period into their full historical, political and economic context. In addition to a critical introduction and appendices, there is also an up-to-date bibliography. The volume enables Swift's role as a political and social commentator in the years after the publication of Gulliver's Travels to be understood with new clarity.

The years 1711 to 1714 saw some of Swift's most brilliant and powerful political pamphleteering. Writing for the Tory government, he did more to settle the fate of parties and the nation than any literary figure, before or since. This volume collects together major defences of the government's position, including The Conduct of the Allies and The Publick Spirit of the Whigs, vigorous attacks on his opponents, short satirical broadsides, and brief contributions to periodicals. It also includes some little known work not present in previous editions of Swift. This is the first fully annotated edition of these works. A comprehensive introduction, drawing on contemporary literary and historical scholarship, is supported by detailed explanatory notes on each text. It is also the first edition to identify and collate all relevant contemporary editions and provide a full account of the textual history of each work.