Tilbury House – serie

This remarkable book chronicles the efforts of biologist Steven Kress to rejuvenate a once-flourishing puffin colony on Egg Rock, an island off the Maine coast, with puffin chicks from Newfoundland. With their large, colorful beaks, their upright posture, and their big, dark eyes, it's easy to see why puffins are popular all over the world. But for the past hundred years, puffins along the coast of Maine have been threatened with local extinction. Biologist Stephen Kress decided to try to bring puffins back to Maine with an experiment that had never been attempted before. Stunning color photographs on every page capture each step of this wildlife success story. As you learn about The Puffin Project, you'll also learn all about puffins how they are so wonderfully adapted to their ocean environment, how they catch fish, socialize, nest in burrows, and raise their young.

Bunting has a knack for spotting the unusual in a photograph, or some minor detail that, in fact, tells a major story about the how and why. From granite quarry operations to an itinerant cobbler in a sailing scow to hootchie-kootchie dancers at the state fair to deepwater ships, his page-long captions place these images in social and economic context--but this is not dry history. His research has uncovered a wealth of fascinating, often quirky detail (did you know that mummy wrappings were imported from Egypt for Maine papermaking?), and he makes frequent forays into the Maine storytelling tradition.

Bunting has a knack for spotting the unusual in a photograph, or some minor detail that, in fact, tells a major story about the how and why. From granite quarry operations to an itinerant cobbler in a sailing scow to hootchie-kootchie dancers at the state fair to deepwater ships, his page-long captions place these images in social and economic context--but this is not dry history. His research has uncovered a wealth of fascinating, often quirky detail (did you know that mummy wrappings were imported from Egypt for Maine papermaking?), and he makes frequent forays into the Maine storytelling tradition.

In June of 1881, on the very night of their wedding in Searsport, Maine, Captain Lincoln Alden Colcord and his new wife, Jane Sweetser Colcord, departed for sea to begin a two-year voyage on the bark Charlotte A. Littlefield. The voyage would take them around the world and witness the birth of their daughter Joanna amid the South Sea Islands and young Lincoln's arrival during a treacherous winter storm off Cape Horn.Fifth generation seafarers, Joanna and Lincoln Colcord spent their youth at sea aboard their fathers' ships. Years later, looking back at his seafaring childhood Lincoln wrote, "I know no other home than a ship's deck, except the distant home in Maine that we visited for a few weeks every year or two. My countryside was the ocean floor, where I could roam only with the spyglass; my skyline was the horizon, broken by the ghostly silhouettes of passing vessels, or at intervals by the coasts of many continents, as we sailed the world."The Colcords' richly detailed "journal letters" to family members ashore, their logbooks, photographs, and later correspondence all give us a splendid window into the life of a seafaring family. We share their exhilaration in catching the trades under fair skies yet are ever conscious of the uncertainties of sea life: illness, the threat of typhoons and dismastings, wrecks and financial disaster. Life's tasks emerge as the family forges a home aboard ship, raises and educates the children, and seeks companionship in foreign ports, all while trying to eke out a living under sail.

Wilderness is central to the image of Maine most of us carry in our minds. In this extraordinary collection nearly forty writers, poets, artists, and photographers bear witness to the central role it plays in Maine, its importance to our understanding of nature, to our sense of who we are in the world, to our very souls. And some of them devote practical thinking to how we might recover and nurture wilderness in the future.At this time of major changes in land ownership in the North Woods and of development pressures and sprawl threatening the rural landscape of southern and central Maine, these voices for wilderness could not be more relevant.

Bob, living in a farmhouse near the pond, buys a dilapidated camp at the water's edge and finds his way down there almost daily, to swim or ski, depending on the season. His friends discover the allure of the pond, too--summer afternoons of swimming with Bob, his wife Rita, and an assortment of canine dog-paddlers, or companionable conversations over a beer, enjoying the beauty of a quiet pond beyond the porch. Bob tells the McNairs about a neighboring camp up for sale, a perfect little camp, compact as a ship in all its details, and they buy it. Roorbach feels drawn to the pond so strongly that he and his wife sometimes bushwack through underbrush so as not to intrude, but the pond is a place where this trio of friendships flourishes. Told with humor and affection, the stories in this small book will appeal to anyone who feels drawn to spend time near water.

Sea Struck brings alive the final decades of square-rigged sail through the accounts of voyages made on three ships by three young men from Massachusetts. There is plenty of adventure here— storms, men overboard, discipline that bordered on brutality, and exotic ports. There is also a fascinating immersion in the lore of the sea and sail and the global web of connections in the New England maritime community.

Maine is a rural backwater? Meet Hiram Abrams, born in Portland in 1878 the son of a Russian immigrant real estate broker, attended public schools, left school at age sixteen, sold newspapers, bought a cow and started a dairy -- and eventually became the founder and president of United Artists. Or Aurelia Gay Mace, born in 1835 in Strong, a Shaker from an early age, credited with the invention of the wire coat hanger. Aurelia achieved national fame in 1890 when she mistook Charles Lewis Tiffany for a tramp, gave him lemonade, brushed his clothes, insisted that he sit down for the noon meal, and sent him off with a box lunch. Tiffany responded by sending her a set of engraved silver. Meet Milton Bradley who was born in Vienna (Maine) in 1836, educated at Harvard, worked as a mechanical engineer and patent solicitor, became interested in lithography, developed a board game, The Checkered Game of Life, and founded the Milton Bradley Company. Or Louise Bogan, who was born in Livermore Falls in 1897, moved to Greenwich Village as a young woman, took up the bohemian life,occasionally drove the get away car for a fur thief, and ended up as the poetry critic for the New Yorker Magazine. And many more...

In 1884 Republican James G. Blaine came within 1,047 votes of becoming the President of the United States. This was the margin by which he lost New York State--and thus the election--to Grover Cleveland in what has been called the dirtiest campaign in American history. Yet his career--arguably the most sensational of any American politician of the so-called Gilded Age--did not end there. He was twice U.S. secretary of state, credited with having started our country on the path to acting like a world power, a powerful speaker of the house in Congress, and a United States senator from his adopted State of Maine. He was also, in the eyes of his opponents, "The Continental Liar From the State of Maine" or "Slippery Jim"--a sort of amiable "Tricky Dick Nixon," as he's been later called. He was hated by certain members of his own party, yet loved by millions of others, including some of his enemies in the Democratic Party. The press called him The Magnetic Man, due to his charisma. This is the fascinating biography of a man who dominated the American political stage, starting just before the Civil War and continuing until the twentieth century.

For generations, Native American traditional artists in the Northeast have passed on their culture through beadwork, basketry, canoe making, wood carving, and quilting. Through the work and words of over thirty-five traditional artists living and working primarily in Maine and New York, North by Northeast explores these artists' connection to place, tradition, and cultural identity. A tribute to the resourcefulness and creativity of contemporary practicing artists from the Wabanaki, Akwesasne Mohawk, and Tuscarora tribes, the book is beautifully illustrated with the work of photographers Cedric Chatterley, Peggy McKenna, Jere DeWaters, and Peter Dembski. Essays by Salli Benedict, Sue Ellen Herne, Jennifer Neptune, Theresa Secord and Lynne Williamson.

Most of these short, savvy essays have appeared in The Forecaster, in Ed's Universal Notebook column (named for the spiral-bound reporter's notebooks that he buys two dozen at a time), or in the Maine Times, where he was a staff writer for a number of years. He started reporting when he was a sophomore at Westbrook High, writing for the Westbrook American, and aside from a stint as a librarian at the Portland Public Library after college, he's been scribbling for a living in Maine for his working life. Opinionated, insightful, humorous, and sometimes controversial, Ed Beem enjoys his role as a local observer, and these essays will resonate with anyone tuned in to day-to-day life in backyard Maine.

It is also the story of the valley's rogue river, Wild River; of a raging wildfire and the disappearance of an entire village community; of both land abuse and land stewardship; of ecological disaster and renewal; of nature's vulnerability and resiliency; and of people who experienced tragedy and good fortune. Amazingly, through the centuries a single mighty hemlock tree survived to be a living witness to it all. Dean Bennett, who has spent a lifetime exploring the natural world and its human connections, brings to life this surprising story of the power of nature to renew. Illustrated with photographs and maps and Bennett's beautiful illustrations, Nature and Renewal has a message for everyone.

The story begins with the Bean family, young Leon Leonwood Bean's love of the outdoors, his first forays into sales (soap, men's clothing), and then his development of the boot and the beginnings of an outdoors outfitting company that ran on a card file system and resisted change. The story of L.L. Bean, Inc.'s phenomenal growth under grandson Leon Gorman is replete with Preppies, MBAs, infighting, and even parodies of a company that would eventually get its own Zip Code.

Consolidation is impractical, a daily commute is usually impossible, island families are determined to keep their communities viable, and all agree that a school is a central part of a stable, year-round community.You might think that these tiny schools are an anachronism, offering an old-fashioned approach to education. You'd be wrong. They are among the most technologically savvy schools in the state and offer a culturally rich educational experience. Author Eva Murray moved to Matinicus in 1987 to teach in the one-room school, married and raised a family on the island, and has served on the school board and volunteered in the school. She has traveled from island to island, collecting the stories that tell how these small communities promise their handful of children a modern education within the context of a specialized and sometimes extreme offshore lifestyle. The hows and whys will fascinate educators, and the details of island life will interest everyone.

Joe's photos capture moments of ephemeral grace and beauty in places that are forgotten or hiding in plain sight. Smelt Brook in Castine is not on any standard itinerary. Neither are South Addison, Merrymeeting Bay, the Scarborough Marsh, and many other places Joe has explored over the years. Even places that are familiar to many--West Quoddy Head, Old Orchard Beach, Monhegan Island, Pemaquid Point, Portland Harbor, Acadia National Park, and others--are revealed by Joe's camera in moments of other-worldly allure. There are surprises on every page, just as there are surprises around any bend of a Maine coastal road. Every photo in this book was taken from a public vantage point you can reach by car or ferry. An appendix offers directions to each place. Ken Textor's essays reveal hidden nuggets on every page: why the shade on a Castine street has a strange, nostalgic feel; what to think of a mauve lobster boat or a seemingly abandoned dory in the weeds; how a lighthouse surrounded by granite quarries came to be built of brick; which is the front and which is the back of a house built between Main Street and the harbor; how to enumerate the many services provided by a salt marsh; why the lobstering isn't better in upper Blue Hill Bay; why sea air makes us hungry; and how a wormdigger turns a mudflat into money. The great naturalist Louis Agassiz believed that the only way to discover the truth of a thing is through sustained attention. In THE HIDDEN COAST OF MAINE, Joe Devenney and Ken Textor share the results of three-and-a-half decades of attention to an amazing place.

In October, 1812, as the 32-gun U.S. frigate Essex ventured out against the British enemy, only one man had any idea that this cruise would turn into the longest, strangest naval adventure in American history. That man was Captain David Porter, who had decided to run off with the navy's ship and its three hundred men to fight a separate Pacific war--one of privateering, pillaging, and orgies. Drawing on Porter's own writings and the accounts of eyewitnesses, the author memorably recounts the events of a dark and fatal voyage in which David Porter crosses the line from commander to cult-leader, from improbable fantasy to disastrous reality. In a tale so amazing that it reads like fiction, Porter, impelled by his own demons and by rivalry with the ghostly British buccaneer Lord Anson, took his men and boys on a seventeen-month mystery tour that did not end until he had disrupted the Chilean revolution, captured the entire English whaling fleet (manned mainly by Americans), vanished into the enchanted Galapagos, and re-emerged in Polynesia, where he made himself the conqueror-chief of the stone-age Nukuhivans. In the end, when he sought redemption with a glorious victory over a British opponent, he failed terribly and sacrificed the lives of one-third of his crew to his personal notions of heroism. Robert Booth tells the story of the ill-fated Essex with accuracy, immediacy, and a broad vision of its meanings as an epic of war, a gripping tale of the sea, a brilliant portrait of a disturbed and disturbing American hero, and a geo-political thriller that sheds new light on the origins of U.S. imperialism, the tragedy of missed opportunities, and the disastrous and permanent impact of Porter's rampage on the peoples of the Pacific.

How did she navigate the world of venture capitalists and investment bankers to engineer the sale of her company and reap a personal fortune? And what does her subsequent odyssey to buy and donate a new national park in Maine's north woods—thus repaying what she regards as the “harmonic debt to the planet” she incurred by manufacturing beauty products—tell us about America and the American dream? Queen Bee is a fascinating biography of a fascinating woman, her game-changing skin-care company, and the quest to create a national park in the north woods. A richly textured portrait of the woman who built Burt's Bees from nothing and altered the global business of skin care. A tightly woven story of the paper-industry exodus, the giant clearance sale of the north woods, the downward spiral of paper-company towns, and the battle for a new national park. A tale of the American Dream in action— what it can do for the fortunate few who are in the right place at the right time with wits and determination, and what it can do to the unfortunate many who find themselves on the wrong side of “creative destruction.”

Ten years later, MLB.com writer Ian Browne caught up with many of the men from that never-say-die squad and wove their memories of the season, the playoffs, and their subsequent lives with his own journalism to create a book that is both poignant and hugely entertaining. Woven around the 2004 memories and insights of Derek Lowe, Keith Foulke, Dave Roberts, Gabe Kapler, Pedro Martinez, Johnny Damon, Mark Bellhorn, Tim Wakefield, Terry Francona, Theo Epstein, and others.A marvelous gift and profoundly satisfying read for Red Sox fans.

THE STORY I WANT TO TELL pairs the work of 20 aspiring young writers—including immigrants from war-ravaged countries—with original stories, essays, and poems from Richard Blanco, Richard Russo, Elizabeth Gilbert, Dave Eggers, Lily King, Jonathan Lethem, Bill Roorbach, Monica Wood, and other top writers in a call-and-response anthology.The book's supplemental materials make it a perfect tool for writers' groups and writing teachers.