The central thesis of this book is that Philip Roth’s work is most accurately viewed as postmodernist American Historical Romance, rather than marginalized as Jewish-American. Four works are analyzed in relation to this thesis and to the specific idea that Roth’s contribution is entirely within mainstream American literature and culture. Emphasizing the importance and influence of Hebrew Scripture, the author demonstrates that, paradoxically, Roth’s Jewishness locates him squarely within the canon of (a Hebraic) America and its letters.

Saul Bellow and American Transcendentalism explores Saul Bellow’s moral and philosophical affinity with the writers of American transcendentalism, especially Emerson and Whitman. Its focus is on the «vintage» Bellow, or his «mature» novels, from Henderson the Rain King (1959) to The Dean’s December (1982). In these novels, Bellow highlights a moral crisis, arising from humankind’s despiritualization and dehumanization, which, he believes, is responsible for an ongoing dichotomy in the modern world. Bellow describes this as a dichotomy of the «Cleans» and the «Dirties», in the context of American culture. To rectify this dichotomy and redeem humankind from its current «death-ridden» state, Bellow and his protagonists advance a vision of life that corresponds to the transcendental vision of dialogue and «double consciousness», or coordination and balance. Like Emerson, they advocate, «The mid-world is best... A man is a golden impossibility; the line he must walk is a hair’s breadth». Comparable to Whitman, they urge the individual to «knit the knot of contrariety» and act as «an arbiter of the diverse».

The central thesis of this book is that Philip Roth’s work is most accurately viewed as postmodernist American Historical Romance, rather than marginalized as Jewish-American. Four works are analyzed in relation to this thesis and to the specific idea that Roth’s contribution is entirely within mainstream American literature and culture. Emphasizing the importance and influence of Hebrew Scripture, the author demonstrates that, paradoxically, Roth’s Jewishness locates him squarely within the canon of (a Hebraic) America and its letters.

Saul Bellow and American Transcendentalism explores Saul Bellow’s moral and philosophical affinity with the writers of American transcendentalism, especially Emerson and Whitman. Its focus is on the «vintage» Bellow, or his «mature» novels, from Henderson the Rain King (1959) to The Dean’s December (1982). In these novels, Bellow highlights a moral crisis, arising from humankind’s despiritualization and dehumanization, which, he believes, is responsible for an ongoing dichotomy in the modern world. Bellow describes this as a dichotomy of the «Cleans» and the «Dirties», in the context of American culture. To rectify this dichotomy and redeem humankind from its current «death-ridden» state, Bellow and his protagonists advance a vision of life that corresponds to the transcendental vision of dialogue and «double consciousness», or coordination and balance. Like Emerson, they advocate, «The mid-world is best... A man is a golden impossibility; the line he must walk is a hair’s breadth». Comparable to Whitman, they urge the individual to «knit the knot of contrariety» and act as «an arbiter of the diverse».