University of Tennessee Press – serie

Cornel West has called Myles Horton “an indescribably courageous and visionary white brother from Tennessee.” Horton (1905-1990) cofounded the Highlander Folk School (now known as the Highlander Research and Education Center), an institution controversial from its beginnings. During the early labor movement, the Highlander School sponsored programs for both union organizers and rank-and-file members; the staff of Highlander saw education as a way to approach and work through problems. Issues of race were always important to the school, which became a beacon for the civil rights movement; its summer institutes included such influential participants as Rosa parks, Martin Luther King Jr., and Andrew young. His commitment to education as an agent of social change allowed Horton to see himself as both a teacher and a student, as one who could learn from others as well as help others learn. The Myles Horton Reader presents essays, speeches, and interviews, giving the reader a grounding in the pathbreaking work of an extraordinary man.The editor: Dale Jacobs is assistant professor of English and director of composition at the University of Windsor in Ontario, Canada. His work has appeared in Composition Studies, Journal of the Assembly for Expanded Perspectives on Learning, National Writing Project Quarterly, and other publications.

The Killing Time is the first full-length study of the Morant Bay rebellion in Jamaica- an event that transformed the political system of the island and marked a watershed in Caribbean history.

Celebrated for her depictions of life among Louisiana’s Creole and Cajun peoples, Kate Chopin (1850–1904) is today seen as a major figure in southern literature. Her short stories and her last novel, The Awakening (1899), are widely read and studied. Unjustly neglected, however, is her first novel, At Fault, which Chopin published in 1890 at her own expense. This edition of At Fault—the first printing to appear since Chopin’s Complete Works was issued in 1969—now makes the book available to a wide audience.The novel centers on Therese Lafirme, a widow who owns and runs a plantation in post–Civil War Louisiana. She encounters David Hosmer, who buys timber rights to her property to secure raw materials for his newly constructed sawmill. When David remarries, a love triangle develops between David, Fanny  (his alcoholic wife), and Therese, who tries to balance her strong moral sensibility against her growing love for David. In depicting these relationships, Chopin acutely dramatizes the conflict between growing industrialism and the agrarian traditions of the Old South—as well as the changes to the land and the society that inevitably resulted from that conflict.Editors Suzanne Disheroon Green and David J. Caudle provide meticulous annotations to the text of At Fault, facilitating the reader’s understanding of the complex and exotic culture and language of nineteenth-century Louisiana. Also included is a substantial body of supporting materials thatcontextualize the novel, ranging from a summary of critical responses to materials illuminating the economic, social, historical, and religious influences on Chopin’s texts. The Editors: Suzanne Disheroon Green is an assistant professor of English at Northwestern State University in Natchitoches, Louisiana. She is the co-author, with David J. Caudle, of Kate Chopin: An Annotated Bibliography of Critical Works, and co-editor with Lisa Abney, of the forthcoming Songs of the New South: Writing Contemporary LouisianaDavid J. Caudle, who is completing his doctorate at the University of North Texas, has published essays and book chapters dealing with American literature and linguistic approaches to literature.

A study of racial relations in Tennessee during years of increasing migration of Blacks from the Deep South and of ideological competition between the followers of Booker T. Washington and W. E. B. Dubois. An important contribution to Black history.

This is the best book about Cheatham's brigade, nearly forgotten soldiers in the ill-fated Confederate Army of the Tennessee.

Now in an updated second edition, African American Religion remains an invaluable overview of the great diversity of religious groups within the modern African American community. This plethora of forms reflects a tension that has characterized African American religion since its beginnings—a tension between accommodation to and protest against white society's domination.Viewing African American sectarianism as a response to racism and social stratification in the larger society, the authors trace the history, beliefs, social organization, and ritual content of religious groups in four types of sects. These include the Black mainline churches; messianic-nationalist sects, such as the Nation of Islam; conversionist sects, such as the Holiness-Pentecostal groups and Primitive Baptists; and thaumaturgical sects, including the Spiritual churches.For this new edition, the authors have incorporated research that has appeared since the book’s original appearance in 1992 and have added two new chapters—“African Religious Healing and Folk Medicine” and “African American Sacred Music”—because of these topics’ enormous significance to the African American religious experience.

Haines argues that expanding black radicalism enhanced the successes of mainstream organizations and furthered many of the goals pursued by moderate black leaders.

"A truly creative, rigorous, and novel interdisciplinary collection that rethinks some of historical archaeology’s most fundamental questions."—Paul Mullins, Indiana University–Purdue UniversityThe division of human society by race, class, and gender has been addressed by scholars in many of the social sciences. Now historical archaeologists are demonstrating how material culture can be used to examine the processes that have erected boundaries between people.Drawing on case studies from around the world, the essays in this volume highlight diverse moments in the rise of capitalist civilization both in Western Europe and its colonies. In the first section, the contributors address the dynamics of the racial system that emerged from European colonialism. They show how archaeological remains shed light on the institution of slavery in the American Southeast, on the treatment of Native Americans by Mormon settlers, and on the color line in colonial southern Africa. The next group of articles considers how gender was negotiated in nineteenth-century New York City, in colonial Ecuador, and on Jamaican coffee plantations. A final section focuses on the issue of class division by examining the built environment of eighteenth-century Catalonia and material remains and housing from early industrial Massachusetts.These essays constitute an archaeology of capitalism and clearly demonstrate the importance of history in shaping cultural consciousness. Arguing that material culture is itself an active agent in the negotiation of social difference, they reveal the ways in which historical archaeologists can contribute to both the definition and dismantling of the lines that divide.

Originally published in 1988, Middle Tennessee Society Transformed marks a significant advance in the social history of the American Civil War—an approach exemplified and extended in Ash’s later work and that of other leading Civil War scholars. Winner of the Tennessee History Book Award and named by Choice magazine as an Outstanding Academic Book, it examines the Civil War in Middle Tennessee in light of conflict between African Americans and whites, the decline of institutions (churches, schools, courts), and economic disruption. Ash provides a rich description of how a prosperous section of Tennessee descended into devastating internal warfare that in some respects continued for years after the war.For the new edition, Ash has written a preface that takes into account the advance of Civil War historiography since the book’s original appearance. This preface cites subsequent studies focusing not only on race and class but also on women and gender relations, the significance of partisan politics in shaping the course of secession in Tennessee and other upper-South states, the economic forces at work, the influence of republican ideology, and the investigation of the degree to which slaves were active agents in their own emancipation.

Harper Lee's Pulitzer Prize-winning novel To Kill a Mockingbird remains one of the most enduring works of southern fiction ever written. Although a literary phenomenon - tens of millions of copies have sold worldwide - there is surprisingly little secondary literature on Lee and her novel. On Harper Lee: Essays and Reflections is the first collection of original essays on the author and her magnum opus. Written for scholars as well as general readers, it is an accessible collection on one of America's most important novels and its often enigmatic creator.

Founded during World War II, Oak Ridge, Tennessee, was a vital link in the U.S. military’s atomic bomb assembly line—the site where scientists worked at a breakneck pace to turn tons of uranium into a few grams of the artificial element plutonium. To construct and operate the plants needed for this effort, thousands of workers, both skilled and unskilled, converged on the “city behind a fence” tucked between two ridges of sparsely populated farmland in the Tennessee hills.At Work in the Atomic City explores the world of those workers and their efforts to form unions, create a community, and gain political rights over their city. It follows them from their arrival at Oak Ridge, to the places where they lived, and to their experiences in a dangerous and secretive workplace. Lured by promises of housing, plentiful work, and schooling for their children, they were often exposed to dangerous levels of radioactivity, harmful chemicals, and other hazards. Although scientists and doctors intended to protect workers, the pressure to produce materials for the bomb often overrode safety considerations. After the war, as the military sought to reduce services and jobs in Oak Ridge, workers organized unions at two plants to demand higher wages and job security. However, the new Taft-Hartley Act limited defense workers’ ability to strike and thus curbed union influence.The book examines the ongoing debates over workers’ rights at Oak Ridge—notably the controversy surrounding the new federal program intended to compensate workers and their families for injuries sustained on the job. Because of faulty record keeping at the facilities and confusion over exposure levels, many have been denied payment to this day.Drawing on extensive research into oral history collections, transcripts of government proceedings, and other primary sources, At Work in the Atomic City is the first detailed account of the workers who built and labored in the facilities that helped ensure the success of the Manhattan Project—a story known, heretofore, only in broad outline.

“Ajuan Mance’s original and provocative study fills a gap in the scholarship on African American women poets.  The historical sweep of her analysis of these poets’ efforts at self-representation is as impressive as the depth of her analysis of individual poems.  Students and  scholars of African American poetry or of African American women writers will find Professor Mance’s study a rich, invaluable resource. Inventing Black Women incisively delineates the historical contexts that shaped the intricate and troubled relationships among gender, race, and poetry.”--Virginia C. Fowler, Virginia Tech UniversityInventing Black Women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shaped the growing body of poems by and about Black women over the nearly 125 years since the end of slavery and Reconstruction, as it offers incisive readings of individual works by important poets such as Alice B. Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, Audre Lorde, and many others.Ajuan Maria Mance establishes that the history of African American women's poetry revolves around the struggle of the Black female poet against two marginalizing forces: the widespread association of womanhood with the figure of the middle-class, white female; and the similar association of Blackness with the figure of the African American male. In so doing, she looks closely at the major trends in Black women's poetry during each of four critical moments in African American literary history: the post- Reconstruction era from 1877 to 1910; the Harlem Renaissance of the 1920s; the Black Arts Movement from 1965 to 1975; and the late twentieth century from 1975 to 2000.Inventing Black Women  will prove an invaluable resource for scholars and students of American literature, African American studies, and women's studies.

The American Arts and Crafts movement, which began in the late 19th century, promoted hand craftsmanship over mass production. In the context of an era that offered women few professional opportunities, Zipf (cultural and historic preservation, Salve Regina U., Newport, Rhode Island) profiles five women who parlayed their involvement in this movement into successful careers. The women and their areas of accomplishment are: Hazel Wood Waterman (architecture), Mary Louise McLaughlin (ceramic pottery), Candace Wheeler (women's business entrepreneurship), and Adelaide Alsop Robineau and Irene Sargent (movement publications).

Face Boss tells a story that few people have heard: what it is really like to labor inside the dark and dangerous world of a vast underground coal mine. With unflinching honesty, as well as considerable humor and insight, Michael Guillerman recalls his nearly eighteen years of working as both a union miner and a salaried section foreman-or “face boss”-at the Peabody Coal Company's Camp No. 2 mine in Union County, Kentucky.Guillerman undertook this memoir because of the many misconceptions about coal mining that were evidenced most recently in the media coverage of the 2006 Sago Mine disaster. Shedding some much-needed light on this little-understood topic, Face Boss is riveting, authentic, and often raw. Guillerman describes in stark detail the risks, dangers, and uncertainties of coal mining: the wildcat and contract strikes, layoffs, shutdowns, mine fires, methane ignitions, squeezes, and injuries. But he also discusses the good times that emerged despite perilous working conditions: the camaraderie and immense sense of accomplishment that came with mining hundreds of tons of coal every day. Along the way, Guillerman spices his narrative with numerous anecdotes from his many years on the job and discusses race relations within mining culture and the expanding role of women in the industry.While the book contributes significantly to the general knowledge of contemporary mining, Face Boss is also a tribute to those men and women who toil anonymously beneath the rolling hills of western Kentucky and the other coal-rich regions of the United States. More than just the story of one man's life and career, it is a stirring testament to the ingenuity, courage, and perseverance of the American coal miner.Michael D. Guillerman worked for the Peabody Coal Company from 1974 to 1991. Over his long career, his jobs included belt shoveler, timberman, shooter, drill and shuttle car operator, rock duster, and finally section foreman. Now retired, he lives with his wife, Marie, in Union County, Kentucky.

Born into a relatively privileged family, Geraldyne Pierce Zimmerman earned a reputation as a maverick in her life-long home of Orangeburg, South Carolina, a semi-rural community where race and class were very much governed by the Jim Crow laws. Educated at Nashville’s Fisk University, Zimmerman returned to Orangeburg to teach school, serve her community, and champion equal rights for African Americans and women. She was a woman far ahead of her time. Kibibi V. Mack-Shelton offers a vivid portrayal of the kind of black family seldom recognized for its role in the development of the African American community after the Civil War. At a time when “separate-but-equal” usually meant suffering and injustice for the black community, South Carolina families such as the Tatnalls, Pierces, and Zimmermans achieved a level of financial and social success rivaling that of many white families. Drawing heavily on the oral accounts of Geraldyne Pierce Zimmerman, Mack-Shelton draws the reader into the lives of the African American elite of the early twentieth century. Her captivating narrative style brings to life many complicated topics: how skin color affected interracial interactions and class distinctions within the black community itself, the role of education for women and for African Americans in general, and the ways in which cultural ideas about family and community are simultaneously preserved and transformed over the span of generations. Refreshing and engaging, Ahead of Her Time in Yesteryear is an important contribution to African American and women’s studies, as well as a fascinating biography for any reader interested in a new perspective on small town black culture in the Jim Crow South. Kibibi V. Mack-Shelton held the former Tyler and Alice Haynes Endowed Chair of American Studies at the University of Richmond. She currently teaches at the University of Maryland Baltimore County and is author and editor of numerous scholarly publications, including Parlor Ladies and Ebony Drudges: African American Women, Class, and Work in a South Carolina Community and History And Women, Culture And Faith: Selected Writings Of Elizabeth Fox-Genovese, Volume 2.

In this thought-provoking study, Jonathan M. Atkins provides a fresh look at the partisan ideological battles that marked the political culture of antebellum Tennessee. He argues that the legacy of party politics was a key factor in shaping Tennessee's hesitant course during the crisis of Union in 1860–61. Between the Jacksonian era and the outbreak of the Civil War, Atkins demonstrates, the competition between Democrats and Whigs in Tennessee was as heated as any in the country. The conflict centered largely on differing conceptions of republican liberty and each party's contention that the other posed a serious threat to that liberty. As the slavery question pushed to the forefront of national politics, Tennessee's parties absorbed the issue into the partisan tumult that already existed. Both parties pledged to defend southern interests while preserving the integrity of the Union. Appeals for the defense of liberty and Union interests proved effective with voters and profoundly influenced the state's actions during the secession crisis. The belief that a new national Union party could preserve the Union while checking the Lincoln administration encouraged voters initially to reject secession. With the outbreak of war, however, West and Middle Tennesseans chose to accept disunion to avoid what they saw as coercion and military despotism by the North. East Tennesseans, meanwhile, preferred loyalty to the Union over membership in a Southern confederacy dominated by a slaveholding aristocracy. No previous book has so clearly detailed the role of party politics and ideology in Tennessee's early history. As Atkins shows, the ideological debate helps to explain not only the character and survival of Tennessee's party system but also the peristent strength of unionism in a state that ultimately joined the Southern cause. The Author: Jonathan M. Atkins is assistant professor of history at Berry College in Mt. Berry, Georgia.

The authors employ the techniques of oral history to penetrate the nether world of the drug user, giving us an engrossing portrait of life in the drug subculture during the 'classic' era of strict narcotic control.

For the first time, the voices of Eastern Band Cherokee women receive their proper due. A watershed event, this book unearths three centuries of previously unknown and largely ignored speeches, letters, and other writings from Eastern Band Cherokee women. Like other Native American tribes, the Cherokees endured numerous hardships at the hands of the United States government. As their heritage came under assault, so did their desire to keep their traditions. The Eastern Band Cherokees were no exception, and at the forefront of their struggle were their women. Eastern Band Cherokee Women analyzes how the women of the Eastern Band served as honored members of the tribe, occupying both positions of leadership and respect. Carney shows how in the early 1800s women leaders, such as Beloved Nancy Ward, battled to retain her people’s heritage and sovereignty. Other women, such as Catharine Brown, a mission school student, discovered the power of the written word and thereby made themselves heard just as eloquently. Carney traces the voices of these women through the twentieth century, describing how Cherokees such as Marie Junaluska and Joyce Dugan have preserved a culture threatened by an increasingly homogenous society. This book is a fitting testament to their contributions. Eastern Band Cherokee Women stands out by demonstrating the overwhelming importance of women to the preservation of the Eastern Band. From passionate speeches to articulately drafted personal letters, Carney helps readers explore the many nuances of these timeless voices.