Villa I Tatti Series – serie
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8 produkter
8 produkter
1 008 kr
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Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437–1444. Originally standing some six yards high, double-sided, with a splendid gilt frame over the main altar of the local Franciscan church, it was the Rolls Royce of early Renaissance painting. But its myriad figures and scenes tempted the collectors of the nineteenth and twentieth centuries, and today its disassembled panels can be found in twelve museums throughout Europe and the United States. To produce this landmark volume, experts in art and general history, painting technique and conservation, woodworking, architecture, and liturgy have joined forces across the boundaries of eight different nations. A model of collaboration, it opens new windows onto the creative process of the artist as he confronted a late-medieval church at a crossroad of cultures, the miracle-working body of a holy man, and a community of Franciscan friars breathing the exhilarating air of reform. To confront such challenges, Sassetta raised the most spiritual school of early Italian art, the Sienese, to a higher level of understanding, grace, and splendor.
341 kr
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The Medici controlled fifteenth-century Florence. Other Italian rulers treated Lorenzo the Magnificent (1449–1492) as an equal. To his close associates, he was “the boss” (“master of the workshop”). But Lorenzo liked to say that he was just another Florentine citizen. Were the Medici like the kings, princes, and despots of contemporary Italy? Or were they just powerful citizens? The Medici: Citizens and Masters offers a novel, comparative approach to answering these questions. It sets Medici rule against princely states such as Milan and Ferrara. It asks how much the Medici changed Florence and contrasts their supremacy with earlier Florentine regimes. Its contributors take diverse perspectives, focusing on politics, political thought, social history, economic policy, religion and the church, humanism, intellectual history, Italian literature, theater, festivals, music, imagery, iconography, architecture, historiography, and marriage. The book will interest students of history, Renaissance studies, Italian literature, and art history as well as anyone keen to learn about one of history’s most colorful, influential, and puzzling families.
Del 34 - Villa I Tatti Series
Food, Social Politics and the Order of Nature in Renaissance Italy
Häftad, Engelska, 2020
258 kr
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The act of eating is a basic human need. Yet in all societies, quotidian choices regarding food and its consumption reveal deeply rooted shared cultural conventions. Food goes beyond issues relating to biological needs and nutrition or production and commerce; it also reveals social and cultural criteria that determine what dishes are prepared on what occasions, and it unveils the politics of the table via the rituals associated with different meals. This book approaches the history of food in Late Medieval and Renaissance Italy through an interdisciplinary prism of sources ranging from correspondence, literature (both high and low), and medical and dietary treatises to cosmographic theory and iconographic evidence. Using a variety of analytical methods and theoretical approaches, it moves food studies firmly into the arena of Late Medieval and Renaissance history, providing an essential key to deciphering the material and metaphorical complexity of this period in European, and especially Italian, history.
Del 35 - Villa I Tatti Series
Persian Manuscripts & Paintings from the Berenson Collection
Inbunden, Engelska, 2022
424 kr
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Persian Manuscripts & Paintings from the Berenson Collection presents an in-depth analysis of the little-known Persian manuscripts and paintings collected by the world-renowned art historian, art critic, and connoisseur Bernard Berenson (1865–1959). It focuses on three manuscripts and four detached folios (containing over fifty paintings) from the fourteenth to the seventeenth century produced in Iran and Central Asia (with a later addition in Mughal India).Fourteen essays are written by an international team of specialists in art history, Persian literature, statistics, conservation, and conservation science. The first two essays introduce Berenson’s collecting of these art works as an individual and as a trend among other collectors. The rest of the essays explain individual works of art. The Timurid Rasaʾil and the Safavid manuscripts Shahnama of Firdawsi and Farhad va Shirin of Vahshi are examined in groups of essays ranging from art historical to literary, statistical, and codicological analysis. The detached folios studied as single essays originate from the famous Great Mongol Shahnama; the 1436 Timurid Zafarnama of Sharaf al-Din ʿAli Yazdi; a Turkman Shahnama; and the dispersed Imperial Mughal Album also known as the Minto, Wantage, and Kevorkian albums. The appendix refers to the materials and techniques of the paintings in the volume.
Del 36 - Villa I Tatti Series
Ulysses and the Limits of Dante’s Humanism / Ulisse o dei limiti dell’umanesimo dantesco
Häftad, Engelska, 2023
138 kr
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In his description of Ulysses in Canto XXVI of the Inferno, Dante subjected the legendary Greek hero to a thoroughgoing revision. The Homeric Ulysses, after ten years of war and a further ten of fabulous adventures throughout the Mediterranean, returns home to Ithaca and resumes his position as son, father, husband, and king of the island. In contrast, Dante’s Ulysses—and that of Tennyson, inspired by Dante and so beloved in America—is an ingenious but profoundly restless character who, in his unceasing quest for knowledge, novelty, and happiness, finds not fulfillment but death. His tragic story embodies the dilemma that human intelligence poses for our civilization today, torn between the endless pursuit of innovation and its ever more catastrophic risks. Ulysses and the Limits of Dante’s Humanism / Ulisse o dei limiti dell’umanesimo dantesco offers a bilingual English and Italian examination of that revision.
Del 38 - Villa I Tatti Series
Ex-Voto for I Tatti
Caught by Uneasiness During a Serenade
Häftad, Engelska, 2026
108 kr
Kommande
An accidental encounter with a slim unprepossessing book on ex-votos, taken at random from one of the shelves of the Berenson Library at I Tatti, leads memoirist and novelist Gina Alhadeff to a series of meditations on miracles, sudden appearances and just as sudden disappearances, and the way a faith in saints or the Virgin Mary might inspire images that interrupt an accident, while representing it, or its nefarious effects, as it’s about to wreak havoc. And so, humans outlive adversity thanks to the powers of faith or those of friendship, not necessarily in that order.The slim volume in question provoked two very different texts: a very personal one, in Italian, at once lighthearted and heartrending, and a descriptive one, in English. Ex-Voto for I Tatti includes both the Italian and English works.
351 kr
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Bernard Berenson (1865–1959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. His monument is the library and collection of Italian painting, Islamic miniatures, and Asian art at Villa I Tatti in Florence. The authors in this collection of essays explore the intellectual world in which Berenson was formed and to which he contributed. Some essays consider his friendship with William James and the background of perceptual psychology that underlay his concept of “tactile values.” Others examine Berenson’s relationships with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the Boston collector Isabella Stewart Gardner, and the American medievalist Arthur Kingsley Porter to the African-American dance icon Katherine Dunham, as well as with Kenneth Clark, Otto Gutekunst, Archer Huntington, Paul Sachs, and Umberto Morra.Bernard Berenson: Formation and Heritage makes an important contribution to the rising interest in the historiography of the discipline of art history in the United States and Europe during its formative years.
841 kr
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This comprehensive, interdisciplinary collection illuminates many previously unexplored aspects of the Basilica of San Lorenzo’s history, extending from its Early Christian foundation to the modern era. Brunelleschi’s rebuilt Basilica, the center of liturgical patronage of the Medici and their grand-ducal successors until the nineteenth century, is today one of the most frequently studied churches in Florence. Modern research has tended, however, to focus on the remarkable art and architecture from ca. 1400–1600.In this wide-ranging collection, scholars investigate: the urban setting of the church and its parish; San Lorenzo’s relations with other ecclesiastical institutions; the genesis of individual major buildings of the complex and their decorations; the clergy, chapels and altars; the chapter’s administration and financial structure; lay and clerical patronage; devotional furnishings, music, illuminated liturgical manuscripts, and preaching; as well as the annual or ephemeral festal practices on the site. Each contribution offers a profound exploration of its topic, wide-ranging in its chronological scope. One encounters here fresh archival research, the publication of relevant documents, and critical assessments of the historiography. San Lorenzo is represented in this volume as a living Florentine institution, continually reshaped by complex historical forces.