Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010. Louis A. Waldman is Associate Professor in the Department of Art and Art History at the University of Texas at Austin.

In the past fifty years, Villa I Tatti has become a powerhouse of scholarly production on all aspects of Renaissance studies, and Bernard Berenson: Formation and Heritage celebrates this achievement by examining the founder’s intellectual achievements. Thoughtfully edited by Joseph Connors and Louis Waldman, the book stems from a conference held at I Tatti in 2009, and the range of papers published here is a testimony to the enduring fascination with Berenson.

Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010. Louis A. Waldman is Associate Professor in the Department of Art and Art History at the University of Texas at Austin.

In the past fifty years, Villa I Tatti has become a powerhouse of scholarly production on all aspects of Renaissance studies, and Bernard Berenson: Formation and Heritage celebrates this achievement by examining the founder’s intellectual achievements. Thoughtfully edited by Joseph Connors and Louis Waldman, the book stems from a conference held at I Tatti in 2009, and the range of papers published here is a testimony to the enduring fascination with Berenson.

Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010. Louis A. Waldman is Associate Professor in the Department of Art and Art History at the University of Texas at Austin.

In the past fifty years, Villa I Tatti has become a powerhouse of scholarly production on all aspects of Renaissance studies, and Bernard Berenson: Formation and Heritage celebrates this achievement by examining the founder’s intellectual achievements. Thoughtfully edited by Joseph Connors and Louis Waldman, the book stems from a conference held at I Tatti in 2009, and the range of papers published here is a testimony to the enduring fascination with Berenson.