Writings of Henry D. Thoreau – serie

Volume two of the Journal includes Thoreau's extensive reminiscences of his 1839 excursion with his brother John along the Concord and Merrimack rivers and all his first impressions and observations entered in journals during the famous Walden sojourn. Collectively, these journals illustrate the middle stage of Thoreau's literary career--a stage noteworthy for his "devotion to the mastery of his craft" as evidenced by the progressive, intermingled drafts of A Week on the Concord and Merrimack Rivers and Walden, "Thomas Carlyle and His Works," "Wendell Phillips Before Concord Lyceum," and "Ktaadn, and the Maine Woods." More than half of the material presented in Journal 2 is previously unpublished.

Thoreau's Walden, ostensibly a simple account of a year spent alone in a cabin by a pond in the woods, is one of the most influential and complex books in American literature. After eight years in the writing,the first edition of 1854 was largely ignored, and it was not reprinted until 1862, the year of Thoreau's death. But by 1900 Walden was acclaimed by many as a classic, among the finest prose works of the century. It has been increasingly recognized as an important document of social criticism and dissent. It has been seen as a religious testament, with a kinship to oriental mysticism. It has been described as a mythic book,and it has been used as a Freudian key to the mind of its iconoclastic author. Thoreau's words have become increasingly significant in modern times. Anticipating the evils of modern society and the problems of modern man, Walden's meanings seem more relevant every day.

The selections from the polemical writings of Thoreau that make up Reform Papers represent every stage in his twenty-two years of active writing. Consequently, they are a microcosm of his literary career, allowing therreader to achieve a full sense of Thoreau's evolution as a writer and thinker. The volume opens with "The Service," one of the best examples of Thoreau's early style and interests, and contains ten other essays as well. Reform Papers * The Service * Paradise (To Be) Regained * Herald of Freedom * Wendell Phillips Before Concord Lyceum * Resistance to Civil Government * Slavery in Massachusetts * A Plea for Captain John Brown * Martyrdom of John Brown * The Last Days of John Brown * Life without Principle * Reform and the Reformers

This collection of fifty-three early pieces by Thoreau represents the full range of his youthful imagination. Collected, arranged, and carefully edited for the first time here, the writings date from 1828 to 1852 and cover a broad range of subjects: learning, morals, literature, history, politics, and love. Included is a major essay on Sir Walter Raleigh that was not published during the author's lifetime and a fragmentary college piece here published for the first time. Titles of essays published in the volume are given below. Early Essays * The Seasons * Anxieties and Delights of a Discoverer * Men Whose Pursuit Is Money * Of Keeping a Private Journal *"We Are Apt to Become What Others ...Think Us to Be" * Forms, Ceremonies, and Restraints of Polite Society * A Man of Business, a Man of Pleasure, a Man of the World * Musings * Kinds of Energetic Character * Privileges and Pleasures of a Literary Man * Severe and Mild Punishments * Popular Feeling * Style May ...Offend against Simplicity * The Book of the Seasons * Sir Henry Vane * Literary Digressions * Foreign Influence on American Literature * Life and Works of Sir W.Scott * The Love of Stories * Cultivation of the Imagination * The Greek Classic Poets * The Meaning of "Fate" * Whether the Government Ought to Educate * Travellers & Inhabitants * History ...of the Roman Republic * A Writer's Nationality and Individual Genius * L'Allegro & Il Penseroso * All Men Are Mad * The Speeches of Moloch & the Rest * People of Different Sections * Gaining or Exercising Public Influence * Titles of Books * Sublimity * The General Obligation to Tell the Truth *"Being Content with Common Reasons" * The Duty, Inconvenience and Dangers of Conformity * Moral Excellence * Barbarities of Civilized States * T. Pomponius Atticus * Class Book Autobiography *"The Commercial Spirit of Modern Times" Miscellanies * * DIED ...Miss Anna Jones * Aulus Persius Flaccus * The Laws of Menu * Sayings of Confucius * Dark Ages * Chinese Four Books * Homer. Ossian. Chaucer. * Hermes Trismegistus ...From the Gulistan of Saadi * Sir Walter Raleigh * Thomas Carlyle and His Works * Love * Chastity & Sensuality

This first volume of the Journal covers the early years of Thoreau's rapid intellectual and artistic growth. The Journal reflects his reading, travels, and contacts with Ralph Waldo Emerson, Margaret Fuller, and other Transcendentalists. With characteristic reticence, Thoreau mentions only a few episodes in his emotional history: an ill-fated romance, the death of his elder brother, and an unhappy sojourn on Staten Island, where he tried to write for New York periodicals. Parts of Thoreau's Journal have been published, but always with large omissions of text and with considerable grooming of its erratic manuscript style. This edition presents the entire surviving manuscript in a text preserving Thoreau's words as he originally wrote them.

Excursions presents texts of nine essays, including some of Henry D. Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography.In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. This volume spans a period of rapid change in Thoreau's life and literary career, including the publication of his first book and a crisis in his friendship with Emerson, during which the Journal assumes its mature form as the extensive, regular, and dated record of his studies of and reflections on the natural and human life of the Concord region.

From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Despite activities as time-consuming and varied as urveying for the town of Concord and helping a fugitive slave escape to Canada, Thoreau wrote nearly eight hundred manuscript pages in his Journal during the eight months covered by this volume. Confirmed in his vocation as a natural historian, he began to compile the richly detailed records of Concord's woods, fields, and streams that would occupy him for the rest of his life, and he consciously shaped the Journal to reflect his new aims as a writer. He also began major revisions of his Walden that would lead to its publication in 1854.

From 1837 to 1861 Thoreau kept a journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Covering an annual cycle from spring 1852 to late winter 1853, Journal 5 finds Thoreau intensely concentrating on detailed observations of natural phenomena and on "the mysterious relation between myself & these things" that he always strove to understand. Increasingly, the Journal attempts to balance a new found scientific professionalism and the accurate recording of phenological data with a firmly rooted belief in the spiritual correspondences that Nature reveals.Fittingly, the year of observation ends with Thoreau pondering an invitation to join the Association for the Advancement of Science, an invitation he ultimately declined in order to pursue his own life studies.

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 6 comprises a single manuscript notebook of nearly five hundred pages that Thoreau filled between March 9 and August 18, 1853. During this period, Thoreau divided his energies among his increasingly professional studies as a naturalist in Concord, the revision of his Walden manuscript, and surveying, which provided him a living and established him more securely as a contributing member of the Concord community.Thoreau's writing and his understanding of natural history were enriched by surveying, which gave him the opportunity to regularly observe seasonal occurrences and other natural events in and around Concord. Thoreau recorded these observations in his Journal, making both literary and scientific use of them. Substantial passages from Journal 6 were incorporated into the sixth draft of Walden, and its observations formed the basis for later compilations of field ecology. They are made available here, along with Journal entries, completely unrevised. This volume will delight all custodians of literary and natural history and be an essential addition to the libraries of all Thoreau devotees.

From 1837 to 1861, Henry D. Thoreau kept a Journal that would become the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces Thoreau's Journal in its original and complete form, in a text free of editorial interpolations and keyed to a comprehensive scholarly apparatus. This seventh volume of the Journal is edited from the 454-page manuscript that Thoreau kept from August 19, 1853, through February 12, 1854. During the six months covered here, Thoreau continued to add to his store of observations about local animals, plants, and weather. Most of the Journal is dedicated to describing natural phenomena, such as changes in leaf color and the ripening of berries, in the context of seasonal cycles. His observations create a detailed portrait of Concord and the surrounding areas that will be of interest to ecologists and others who study phenological patterns and variations.In addition, Thoreau integrates these observations with ethical reflections about living in harmony with nature, following the model of the Roman agricultural writers. The volume also includes Thoreau's account of a September 1853 trip to the Maine woods that appeared in 1858 as "Chesuncook"; the draft is published here for the first time.

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces the Journal in its original and complete form, in a reading text free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 8: 1854 is edited from the 467-page notebook that Thoreau kept February 13-September 3, 1854. It reveals him as an increasingly confident taxonomist creating lists that distill his observations about plant leafing and seasonal birds. Two particularly significant public events took place in his life in the summer of 1854. On July 4, at an antislavery rally at Framingham, Massachusetts, Thoreau appeared for the first time in the company of prominent abolitionists, delivering as heated a statement against slavery as he had yet made.And on August 9, Ticknor and Fields published Walden, the book Thoreau had been working on since 1846. In Journal 8 Thoreau indicates that these public accomplishments, though satisfying, took a toll on his creative life and did not fully compensate him for the hours spent away from the woods.

This new paperback edition of Henry D. Thoreau's compelling account of Cape Cod contains the complete, definitive text of the original. Introduced by American poet and literary critic Robert Pinsky--himself a resident of Cape Cod--this volume contains some of Thoreau's most beautiful writings. In the plants, animals, topography, weather, and people of Cape Cod, Thoreau finds "another world" Encounters with the ocean dominate this book, from the fatal shipwreck of the opening chapter to his later reflections on the Pilgrims' landing and reconnaissance. Along the way, Thoreau relates the experiences of fishermen and oystermen, farmers and salvagers, lighthouse-keepers and ship captains, as well as his own intense confrontations with the sea as he travels the land's outermost margins. Chronicles of exploration, settlement, and survival on the Cape lead Thoreau to reconceive the history of New England--and to recognize the parochialism of history itself.

These thirteen selections from the polemical writings of Henry D. Thoreau represent every stage in his twenty-two years of active writing. This edition, introduced by writer and historian Howard Zinn, is a microcosm of Thoreau's literary career. It allows the reader to achieve a full sense of Thoreau's evolution as a writer and thinker. Most famous of these essays is "Resistance to Civil Government," better known as "Civil Disobedience." Still a standard text in American high schools, it has long inspired nonviolent protest around the world. It influenced those who opposed apartheid in South Africa and motivated international anti-war demonstrators during 1960s and 1970s. "Civil Disobedience" will surely continue to influence generations of readers for years to come.

Henry D. Thoreau traveled to the backwoods of Maine in 1846, 1853, and 1857. Originally published in 1864, and published now with a new introduction by Paul Theroux, this volume is a powerful telling of those journeys through a rugged and largely unspoiled land. It presents Thoreau's fullest account of the wilderness. The Maine Woods is classic Thoreau: a personal story of exterior and interior discoveries in a natural setting--all conveyed in taut, masterly prose. Thoreau's evocative renderings of the life of the primitive forest--its mountains, waterways, fauna, flora, and inhabitants--are timeless and valuable on their own. But his impassioned protest against the despoilment of nature in the name of commerce and sport, which even by the 1850s threatened to deprive Americans of the "tonic of wildness," makes The Maine Woods an especially vital book for our own time.

Henry D. Thoreau's classic A Week on the Concord and Merrimack Rivers is published now as a new paperback edition and includes an introduction by noted writer John McPhee. This work--unusual for its symbolism and structure, its criticism of Christian institutions, and its many-layered storytelling--was Thoreau's first published book. In the late summer of 1839, Thoreau and his older brother John made a two-week boat-and-hiking trip from Concord, Massachusetts, to the White Mountains of New Hampshire. After John's sudden death in 1842, Thoreau began to prepare a memorial account of their excursion. He wrote two drafts of this story at Walden Pond, which he continued to revise and expand until 1849, when he arranged for its publication at his own expense. The book's heterodoxy and apparent formlessness troubled its contemporary audience. Modern readers, however, have come to see it as an appropriate predecessor to Walden, with Thoreau's story of a river journey depicting the early years of his spiritual and artistic growth.

This is the inaugural volume in the first full-scale scholarly edition of Thoreau's correspondence in more than half a century. When completed, the edition's three volumes will include every extant letter written or received by Thoreau--in all, almost 650 letters, roughly 150 more than in any previous edition, including dozens that have never before been published. Correspondence 1 contains 163 letters, ninety-six written by Thoreau and sixty-seven to him. Twenty-five are collected here for the first time; of those, fourteen have never before been published. These letters provide an intimate view of Thoreau's path from college student to published author. At the beginning of the volume, Thoreau is a Harvard sophomore; by the end, some of his essays and poems have appeared in periodicals and he is at work on A Week on the Concord and Merrimack Rivers and Walden. The early part of the volume documents Thoreau's friendships with college classmates and his search for work after graduation, while letters to his brother and sisters reveal warm, playful relationships among the siblings. In May 1843, Thoreau moves to Staten Island for eight months to tutor a nephew of Emerson's.This move results in the richest period of letters in the volume: thirty-two by Thoreau and nineteen to him. From 1846 through 1848, letters about publishing and lecturing provide details about Thoreau's first years as a professional author. As the volume closes, the most ruminative and philosophical of Thoreau's epistolary relationships begins, that with Harrison Gray Otis Blake. Thoreau's longer letters to Blake amount to informal lectures, and in fact Blake invited a small group of friends to readings when these arrived. Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, cited, or alluded to, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau's life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the significance of letter-writing in the mid-nineteenth century and the history of the publication of Thoreau's letters. Finally, a thorough index provides comprehensive access to the letters and annotations.

The final volume of the definitive edition of Thoreau’s correspondenceThis is the third and final volume of the first full-scale scholarly edition of Thoreau’s correspondence in more than half a century. Together, the volumes present every known letter written or received by Thoreau, almost 650 in all, including more than 100 that have never been published before.Correspondence 3: 1857–1862 contains 239 letters, 121 written by Thoreau and 118 written to him. Sixty-seven letters are collected here for the first time; of these, forty-four have not been published before, including five dated between 1837 and 1855 that are included in an addenda. During this period, Thoreau was well established as a writer and lecturer, and he continued to pursue the interests and activities that had occupied him earlier in the 1850s. Letters document the publication of “Chesuncook” (1858) and “An Address on the Succession of Forest Trees” (1860), as well as his preparations, a few months before his death, for the posthumous publication of The Maine Woods and the essays “Walking,” “Autumnal Tints,” “Wild Apples,” and “Life without Principle.” Two weeks after John Brown’s raid on Harpers Ferry, he delivered the country’s first public defense of Brown’s character and actions; his address, “A Plea for Captain John Brown,” was published in 1860. Correspondents during this period include a robust network of friends, several of whom joined him on hiking and canoeing trips in 1857, 1858, and 1860. His ongoing phenological studies are reflected in letters to other scientific naturalists, and this volume contains letters indicating his appointment as an examiner for Harvard’s Department of Natural History in 1859 and 1860.Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, and describe events to which the letter refers. A historical introduction sets the letters in the context of Thoreau’s life and times, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the history of the publication of Thoreau’s correspondence. Proper names, publications, events, and ideas found in both the letters and the annotations are included in a comprehensive index.

This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described--all of them still looking much as they had when Thoreau knew them--and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described--all of them still looking much as they had when Thoreau knew them--and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.